Katy Hessel

09/20/22 • 34 min

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Hot on the heels of the publication of her book The Story of Art Without Men, author, podcaster, and curator Katy Hessel joins Marc Spiegler to discuss all things women and art. Her focus on the gender gap in art began in 2015, when she visited a fair with no women artists represented. From there, she launched an Instagram account (@thegreatwomenartists), a podcast, and now a book. Here, she broaches everything from forgotten Renaissance masters like Sofonisba Anguissola to the controversy surrounding the creation of the readymade: Did Marcel Duchamp make the Urinal or was it, in fact, made by his contemporary Elsa von Freytag-Loringhoven? “What I’m trying to do,” she says, “is turn upside-down what we’ve known as art history.”

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Jonathan Anderson

Jonathan Anderson has one of the most visionary minds in fashion today. Founder of an eponymous label and Creative Director of LOEWE, the Northern Ireland-raised designer came to the industry via theater: ‘I’ve always been fascinated by character building,’ he says in this episode. ‘If I hadn’t gone to drama school, I don’t think I would be able to produce the collections I do today.’ Beyond his beginnings, Anderson speaks to Marc Spiegler about his love of ceramics, the timelessness of a Renaissance masterpiece, and the importance of artistic production today. ‘To me,’ he says, ‘the artist is the most exciting person in the social ecosystem, because they should be allowed the freedom to tackle the things we can’t.’

LOEWE currently has applications open for the 2023 edition of the LOEWE Foundation Craft Prize. The winner will be announced in spring 2023, followed by an exhibition of the work in summer. The LOEWE Women’s SS23 show will take place in Paris on September 30, 2022.

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Demna (Artistic Director, Balenciaga)

Fresh from the mud-spattered, Santiago Sierra designed catwalk of the Balenciaga Spring 2023 collection, Artistic Director Demna talks to Marc Spiegler about cutting his teeth at Martin Margiela and Louis Vuitton to the lasting effects of having been a refugee of the Former Soviet Union. He also warns of a brand becoming more powerful than a product - ’popularity is always very dangerous’ - and reflects on his relationship to artists and his need for silence. Ultimately, he says, ‘I no longer think about making the fashion industry understand what I do,’ he says, ‘I just do it.’