
Art Collecting Today
11/03/22 • 25 min
1 Listener
In this special episode, journalist Anny Shaw investigates some of the most important findings from the Art Basel and UBS Art Market Report 2022. She speaks with Chief Economist of UBS Global Wealth Management Paul Donovan and collector Amitha Raman about the impacts of the current economic crises and Brexit on the art market and collecting habits, as well as the effects of globalization versus localization. “Online art fairs gave a lot of transparency,” Raman notes. “We were able to view a lot of work and understand pricing for a lot of artists in a very efficient way.” The three also address the ways in which buzzwords like ‘sustainability’ and ‘diversity’ have—or have not—been practically applied in the market sector. Plus, Shaw asks, what’s in store for 2023?
In this special episode, journalist Anny Shaw investigates some of the most important findings from the Art Basel and UBS Art Market Report 2022. She speaks with Chief Economist of UBS Global Wealth Management Paul Donovan and collector Amitha Raman about the impacts of the current economic crises and Brexit on the art market and collecting habits, as well as the effects of globalization versus localization. “Online art fairs gave a lot of transparency,” Raman notes. “We were able to view a lot of work and understand pricing for a lot of artists in a very efficient way.” The three also address the ways in which buzzwords like ‘sustainability’ and ‘diversity’ have—or have not—been practically applied in the market sector. Plus, Shaw asks, what’s in store for 2023?
Previous Episode

Demna (Artistic Director, Balenciaga)
Fresh from the mud-spattered, Santiago Sierra designed catwalk of the Balenciaga Spring 2023 collection, Artistic Director Demna talks to Marc Spiegler about cutting his teeth at Martin Margiela and Louis Vuitton to the lasting effects of having been a refugee of the Former Soviet Union. He also warns of a brand becoming more powerful than a product - ’popularity is always very dangerous’ - and reflects on his relationship to artists and his need for silence. Ultimately, he says, ‘I no longer think about making the fashion industry understand what I do,’ he says, ‘I just do it.’
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