Incomplet Design History
Amanda Horton
All episodes
Best episodes
Seasons
Top 10 Incomplet Design History Episodes
Goodpods has curated a list of the 10 best Incomplet Design History episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Incomplet Design History for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Incomplet Design History episode by adding your comments to the episode page.
Lynd Ward
Incomplet Design History
09/19/24 • 26 min
Lynd Ward hits all my favorite aspects of the mercurial world of art and design. Here is the son of a leader of the Methodist Church whose work unabashedly depicts the underside of the Depression Era city and the undead creatures of gothic horror (often in the buff). His work embodies the height of graphic narrative and the depth of pulp chunkiness. The elite halls of the gallery and chummy confines of the childrens’ library nook. Comfortable with brush or knife, his work carries an expressionistic zeal to it that would go on to influence comic books, illustration and printmaking well into the 21st. Century. Mighty impressive for a man whose work primarily consisted of no more than 2 to 3 colors per image.
TIMELINE
- Born 1905, second child to Harry Frederick Ward and Harriet May Kendall Ward, in Chicago Illinois- contract Tuberculosis, prompting move to Lonely Lake, Ontario. Stays sickly as a kid
- 1915. Begins interest in art by reading and copying Dore’s Bible. This is encouraged by mother with trips to art museums in Boston where the family has moved.
- 1922. Attends Teachers College at Columbia University. Meets wife, May McNeer there.
- 1926. Graduates from Columbia and studied for a year in Leipzig at the Staatliche Akademie für Graphische Kunste und Buchgewerbe. Heavily influenced by working wood engraver Theodore Mueller
- 1927. Discovers the work of Frans Masereel- another major influence, and heads back to US to start working freelance in publishing
- 1928. Begins receiving commissions, working in a variety of formats
- 1929. Publishes Gods’ Man with Cape & Smith Publishing- comes out week of Wall Street Crash but sells more than 20 thousand copies.
- 1930. Publishes Mad Man’s Drum, loses first child after premature birth. Spends Winter in Paris and learns how to play the accordion.
- 1931. Essentially a superstar illustrator at this point, his wife quips that he works from 9 AM to midnight, Seven days a week (good god), apparently he kept this pace into his 60s. Co-founds the Equinox Press.
- 1932. Wild Pilgrimage published by Smith and Haas. (Insane output of work over a 4 year period)
- 1935. Helps found American Artists’ Congress
- 1936: Produces Song Without Words
- 1937. Named supervisor of the Graphic Arts Division of the New york Chapter of the Federal Arts Project. Vertigo is published. The Haunted Omnibus Published
- 1938. Helps Hans Alexander Mueller and his wife flee Germany, and aids in him getting work, including writing Woodcuts & Wood Engravings: How I Make Them, a process that leads to the dissolving of Equinox. His most ambitious illustration project, over 500 drawings for an edition of Les Miserable is published. (Again, an insane amount of work for 10 years).
- 1939. Became first Chairman of the Union of American Artists
- 1940. Abandons “woodcut novel” form. Contributes illustration to Psychology study/text Adolescent Fantasy...
- 1943. Illustrates Esther Forbes’s Johnny Tremain, which wins the 1944 Newberry Award and starts long working relationship with Hoghton Mifflin and children’s editor Mary Silva Cosgrave.
- 1945-152. Continues to win awards and rack up work for Houghton Mifflin and places like The Atlantic Monthly
- 1952. Writes and illustrates The Biggest Bear, which would win the Caldecott the following year.
- 1962- Accepts mural commission from the United Methodist Church- takes 7 years.
- 1965. Nic of the Woods published
- 1966. Gods’ Man and Wild Pilgrimage republished, leading to renewed interest in work as part of the 1960s counterculture scene.
- 1973. The Silver Pony published
- 1974 Storyteller Without Words Published by Abrams
- 1985 Dies.
REFERENCES
Ward, Lynd (2009). Vertigo: A novel in woodcuts. Dover Publications, Inc.
Ward, Lynd (1974). Storyteller without words; The wood engravings of Lynd Ward. Abrams.
Ward, Lynd (2010). Six novels in woodcuts. Library of America.
Ward, Lynd (1965). Nic of the woods. Houghton Mifflin.
Jones, Stephen (2015). The art of horror: An illustrated history. Applause.
Bea Feitler
Incomplet Design History
09/16/21 • 12 min
Bea Feitler was a graphic designer, art director, educator, and a mentor to young professionals. Originally from Brazil, Feitler eventually found her home in New York City and made a name for herself in the magazine industry. Early on in her career she was named co-art director of Harper’s Bazaar along with Ruth Ansel—both having served as graphic designers under art director Marvin Israel (1924–85) who had been one of Feitler’s instructors at Parsons. Known for taking chances, Feitler and Ansel pushed Harper’s to its limits. Under Feitler’s and Ansel’s direction, Harper’s became one of the first national publications to photograph and feature an African American model. After leaving Harper’s, Feitler got involved with Ms., a liberal feminist publication founded by Gloria Steinem and Dorothy Pitman Hughes. At Ms. Magazine, Feitler was responsible for many controversial covers including one for a December (Christmas) issue, which featured the slogan “Peace on Earth, Good Will toward People”, revising the historically patriarchal statement “Peace on Earth, Good Will toward Men.” Despite a relatively short career, due to her untimely death at age 44, she made a significant impact on magazine design while also taking a stand for feminism and equality.
TIMELINE
1938 – b Rio de Janeiro
1959 – Attended Parson’s School of Design
1959 – Founds Estudio G in Rio de Janeiro
1961 – Returns to New York as assistant to Marvin Israel at Harper’s Bazaar
1963 (62?) – Named art director at Harper’s Bazaar (with Ruth Ansel)
1965 – First to hire black model in popular U.S. fashion magazine, Harper's Bazaar
1971 – Named art director of startup magazine Ms.
1972 – Left Harper’s Bazaar, transitions to full-time at Ms.
1976 – Left Ms. to start her own company
1982 – d Rio de Janeiro, April 8
1989 – AIGA Medal awarded, posthumously
1991 – Inducted into the Art Directors Club Hall of Fame, posthumously
REFERENCES
Andre, L. T. (1976, Oct 08). Eye® view. Wwd, 133, 36.
Bea Feitler, Magazine And Book Designer, 44. (1982, April 11). The New York Times. https://www.nytimes.com/1982/04/11/obituaries/bea-feitler-magazine-and-book-designer-44.html
Bruno Feitler on Bea Feitler (2014, March 18). Hall of Femmes. http://halloffemmes.com/2014/03/bruno-feitler-about-bea-feitler/
Bea Feitler. (1991). ADCglobal. org http://adcglobal.org/hall-of-fame/bea-feitler/
Chetty, D. (2019, February 1). Black History Month: Trailblazing black models who broke barriers. Zoomer. http://www.everythingzoomer.com/style/2019/02/01/black-models-broke-barriers/
Gavin, T. (2017, September 8). The Pioneering female art director you’ve never heard of. AnOther. http://www.anothermag.com/art-photography/10134/the-pioneering-female-art-director-youve-never-heard-of
Meggs, P. (1989, September 1). Bea Feitler. AIGA.org https://www.aiga.org/medalist-beafeitler
Norman, D. (2018, February 2). Black Excellence: The legacy of Donyale Luna. V Magazine. https://vmagazine.com/article/black-excellence-donyale-luna/
Ren, M. (2018). Steinem, Gloria. In S. Bronner (Ed.), Encyclopedia of American studies. MD: Johns Hopkins University Press.
Sherin, A. (2006, October 20) Feitler, Bea(triz). Grove Art Online. Ed.
Steinem, Gloria. (2001). In H. Rappaport, Encyclopedia of women social reformers. Santa Barbara, CA: ABC-CLIO.
Stevenson, A. (2016, December 18). “Peace on earth good will to people”: holiday reflections on Ms. Magazine. Australian Women’s History Network. http://www.auswhn.org.au/blog/peace-earth-good-will-people/
The Editor’s Guest Book. (1964, February). Harper's Bazaar, 97, 93.
Varvara Stepanova
Incomplet Design History
09/09/21 • 14 min
Varvara Stepanova was a leader of the constructivist movement and co-author of the constructivist manifesto. Described as “a frenzied artist,” she designed books, magazines, posters, advertisements, as well as textiles, clothing, and costumes. On top of that, she was an author and poet. Her design style and aesthetic was avant garde, modern, and often characterized by simplicity and geometric forms and patterns, but Varvara was never content with stasis. She constantly evolved her style and worked to develop new concepts and ideas. As a co-founder of the Constructivist movement, her work typifies the aesthetic and philosophies of Constructivism. While Varavara worked on many of her own projects, she also did many together with her husband, Alexander Rodchenko, another well-known Constructivist designer. Her work often gets linked to Rodchenko’s, and it’s Rodchenko who gets mentioned in histories of graphic design and credit for designs that should be attributed to Stepanova as well. At a time when women were largely still expected to be no more than wives and mothers, Stepanova was a woman who made an unmistakable mark on art and design.
TIMELINE
1894 – b Kovno [now Kaunas, Lithuania]
1910-11 – Attended Kazan’ School of Art (meets Aleksandr Rodchenko)
1913-14 – Attended Stroganov School, studied with Konstantin Yuon & Il’ya Mashkov
1920-30 – Taught at the Vkhutemas design school
1921 – Work included as part of the 5 x 5 = 25 exhibition
1922 – Co-wrote the Constructivist Manifesto with Alexander Rodchenko & Aleksei Gan
1922 – Designed the set and costumes for The Death of Tarelkin
1923 – Worked at the First Textile Printing Factory designing fabrics
1924 – Vladimir Lenin dies, marks the beginning of the end of the Soviet Avant Garde
1925 – Costume designs for the play The Death of Tarelkin were exhibited in the Soviet Pavilion at the International Exhibition of Modern Industrial and Decorative Arts in Paris
1932 – Independent artist groups are banned by Josef Stalin
1958 – d Moscow, May 20th
REFERENCES
Adaskina, N. (1987). Constructivist Fabrics and Dress Design. The Journal of Decorative and Propaganda Arts, 5 , 144-159. doi:10.2307/1503941
Aspden, R. (2009, Jan 26). Constructing a new world. New Statesman, 138, 40-43. Retrieved from
Cunningham, R. (1998). The Russian women artist/designers of the avant-garde. TD&T: Theatre Design & Technology, 34(2), 38–51.
Fer, B. (1989). Tatlin; Varvara Stepanova: a Constructivist life. Art History, 12, 382–385.
Goldman, W. (2002). Women at the gates gender and industry in Stalin's Russia. Cambridge, UK; New York, NY: Cambridge University Press.
Jenkins, S. (2014). Russia’s dynamic duo. Art Newspaper, 24(263), 32.
Lavrentiev, A. (1988). Varvara Stepanova: A constructivist life. London; Thames and Hudson.
Nazarov, Y. (1996). Can Man Live Without Wonder? by Varvara Stepanova (review). Leonardo, 29 (1), 79.
Vkhutemas. (2004). In G. Julier, The Thames & Hudson dictionary of design since 1900 (2nd ed.). Thames & Hudson. Credo Reference:
Wolanksi, M. (retrieved on June 25, 2020) “The Role of Women in Soviet Russia”. Guided History: History Research guides by Boston University students. Blog. https://blogs.bu.edu/guidedhistory/moderneurope/molly-wolanski/
When Book Design Gets Weird
Incomplet Design History
11/30/23 • 21 min
Most books, not all, but most, follow conventions of book design that have been in place for literally hundreds of years. With very few exceptions, it wasn’t until the 1960s when authors began to play around with story structure that there were any books that also played with the structure of the book itself. And it was later still that graphic design started adding another layer to the storytelling in popular literature. The colors, the typography, the page layouts all came to be used in service of the story. In House of Leaves, when the story starts getting really weird, so does the page layout. In The Illuminae Files, the pages look like reports, transcriptions, and electronic messages and include diagrams and drawings. These books, and the others like them, ask something extra of the reader, but give back an experience that may delight some and infuriate others. However readers feel about this type of weird book design, these books push the boundaries of book design into new and exciting territory.
FURTHER READING
Pale Fire by Vladimir Nabokov
theMystery.doc by Matthew McIntosh
The Black Locomotive by Rian Hughes
Only Revolutions by Mark Z. Danielewski
Hopscotch by Julio Cortazar
Bats of the Republic by Zachary Thomas
The Raw Shark Texts by Steven Hall
City of Saints and Madmen by Jeff Vandermeer
Parabola by Lily Hoang
Extremely Loud and Incredibly Close by Jonathan Safran Foer
The People of Paper by Salvador Plascencia
Maxwell’s Demon by Steven Hall
REFERENCES
Aarseth, E. (1997). Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins University Press.
Abrams, J.J. & Dorst, D. (2013). S. New York: Mulholland Books.
CloudCuckooCountry. (2022, November 15). Ergodic Literature: The Weirdest Book Genre [Video]. YouTube. https://youtu.be/tKX90LbnYd4?si=GYwECYZ4FdOzF9SO
Coe, J. (2011, October 28). Composition No. 1 by Marc Saporta - review. The Guardian. https://www.theguardian.com/books/2011/oct/28/composition-no-1-saporta-review
Danielewski, M. Z. (2000). House of Leaves. New York: Pantheon Books.
Digital Humanities Initiative. (2019, March 14). Mark Z. Danielewski at SDSU Library, Standard Video [Video} YouTube. https://youtu.be/wwCp8Y6k_BI?si=s7zFZZOpPDuIXBrm
Forbidden Planet TV. (2021, July 29). Rian Hughes Stokes up the Black Locomotive [Video]. YouTube. https://youtu.be/emge3qLMatM?si=WNWzNZgXrHwNA-mz
Hill. L. (2013, October 27). A Long Time Ago, in A Universe More Analog. The New York Times. https://www.nytimes.com/2013/10/28/books/j-j-abrams-and-doug-dorst-collaborate-on-a-book-s.html
Hughes, R. (2020). XX. New York: The Overlook Press.
Kaufman, A. & Kristof, J. (2015). Illuminae. New York: Alfred A. Knopf.
Kaufman, A. & Kristof, J. (2016). Gemina. New York: Alfred A. Knopf.
Kaufman, A. & Kristof, J. (2018). Obsidio. New York: Alfred A. Knopf.
Little Book Owl. (2015, December 15). Q&A w/ Amie Kaufman & Jay Kristof [Video]. YouTube. https://youtu.be/jZ3_ulIEEe4?si=c6mXnEdBKTLaf5Ju
Roth, G. [VMSpod]. (2023, July 12). Virtual Memories #546 - Rian Hughes [Video]. YouTube. https://www.youtube.com/watch?v=js0DYgMzKwQ
Roth, G. [VMSpod]. (2020, November 24). Virtual Memories #409 - Rian Hughes [Video]. YouTube. https://youtu.be/Iw_kuUqxyjM?si=8J9cEIZa2P5ToJHq
Star Sessions. (2014, May 18). J.J. Abrams & Doug Dorst Delve into S: A Multi-Layered Book Experience [Video]. YouTube. https://youtu.be/Adpb9Dn0PoM?si=lHXLynpj5Oj7fq07
Tales of the Ravenous Reader. (2018, April 11). Interview w/ Amie Kaufman & Jay Kristof | The Illuminae Files [Video]. YouTube. https://youtu.be/gJl4eDRDM04?si=qetFYjnb9KIx6kOh
Talks at Google. (2016, August 11). The Familiar|Mark Z. Danielewski|Talks at Google [Video]. YouTube. https://youtu.be/mw0bGiVDTMI?si=mn19emWU4ttp_CWh
Tyer, B. (2014, February 20). Untangling S., Doug Dorst’s Novel Within a Novel. Texas Observer. https://www.texasobserver.org/untangling-s-doug-dorsts-novel-within-novel/
Zambra, A. (2014). Multiple C...
Tarot Decks
Incomplet Design History
11/23/23 • 37 min
The History of Tarot decks intersects with symbology, or the study of symbols as well as their history, mass production of text and images, and popular culture, all of which are fields of study in the history of graphic design, and yet this subject has not been included in mainstream histories of design. Is this a reflection of the mystical, romanticized history of the cards, and one that implies a connection to divination or fortune telling? It is also a history that connects with the history of alchemy, and science, as well as with religious studies, esoterism, and occult, and yet the cards themselves emerged from secular roots. Tarot cards are not quite viewed as art and yet not celebrated as graphic design. The cards began as a simple game in Renaissance Italy, only gaining their association with esoterism in the 1700s when they were falsely connected with Hermeticism, and instilled with a completely fabricated Egyptian heritage. This history grew to include a connection to secret societies. Some of the most well-known decks of the 20th century and beyond were illustrated by women, including Moina Mathers, Lady Freida Harris, and Pamela Colman Smith and yet they are more associated with the men who dictated their design. Tarot cards have continued to evolve, transitioning away from being viewed as a tool for fortune telling and toward a new age tool for self-reflection, introspection, and self-help.
TIMELINE
1430s – Tarochi card game invented in Itlay
1450 – Visconti-Sforza deck made by Bonifacio Bembo
1491 – Sola-Busca deck made by Nicola di maestro Antonio
1770 – Jean Baptiste Alliette publishes A Way to Entertain Oneself With Cards
1776 – Antoine Court de Gebelin associates Tarot with esoterism and the occult
1781 – Antoine Court de Gebelin publishes Le Monde Primitif or the Primeval World
1855 – Éliphas Lévi piublishes Transcendental Magic
1888 – Hermetic Order of the Golden Dawn founded
1906 – Jugendstil Tarot Deck designed by Ditha Moser
1907 – Images of the Sola Busca deck donated to the British Museum
1910 – Waite & Pamela Coleman Smith collaborate on the Waite Colman Smith Deck historically known as the Rider Waite deck
1944 – Aleister Crowley writes The Book of Toth, cards and illustrations by Lady Frieda Harris
1973 – The Tarot of Witches deck is created by Scottish artist and illustrator Fergus Hall for the film Live and Let Die
1977 – The Waite Colman Smith Deck goes into mass production
1978 – The Fantod Pack, a Parody deck designed by Edward Gorey is published
1984 – Mary K. Greer writes Tarot for yourself
1984 – Salvador Dali produces his Tarot deck
1992 – HIV Tarot produced by artist Kim Abeles
REFERENCES
Archetype. (2016). In J. L. Longe (Ed.), Gale Virtual Reference Library: The Gale encyclopedia of psychology (3rd ed.). Gale. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/galegp/archetype/0?institutionId=1845
Auger, E. E. (2004). Tarot and Other Meditation Decks: History, Theory, Aesthetics, Typology. McFarland.
Boley, M. (2023, April 10). Oracle Decks: What They Are and How To Use Them - Mental Musings - Medium. Medium. https://medium.com/musings-with-meg/oracle-decks-what-they-are-and-how-to-use-them-c037251a7a84
Dummett, M. (2007). Six XV-Century Tarot Cards: Who Painted Them? Artibus et Historiae, 28(56), 15–26. http://www.jstor.org/stable/20067158
Farley, H. (2009). A cultural history of tarot : From entertainment to esotericism. Bloomsbury Publishing Plc.
Farley. (2006). The evolution of the 'mother' in Tarot. Hecate, 32(2), 68–87.
Gerstler, A. (1994). Kim Abeles. www.artforum.com. https://www.artforum.com/print/reviews/199401/kim-abeles-54441
Grimoire. (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference: https://libproxy.uco.edu/login?url=https://search.credoreference.com/content/entry/chambun/grimoire/0?institutionId=1845
Hermetic Order of the Golden Dawn. (2007). In U. McGovern (Ed.), Chambers Dictionary of the Unexplained. Chambers Harrap. Credo Reference:
Women in Book Design
Incomplet Design History
10/26/23 • 28 min
Women have long been a part of bookmaking, design, and publishing, dating as far back as handmade illuminated manuscripts, created before the printing press. In the 18th and 19th centuries, women were known to run some very successful book binderies, including Jane Steel, Katherine Waghorn, Jane Aitken, and Lorina Watkins. Most often women took over when their husbands or fathers died. Other women supported their husbands' work by setting type, such as Bertha Goudy, wife of noted book and type designer Frederic Goudy. Women also became very successful book designers following the era of book reform known as the Arts & Crafts period which resulted in the Private Press Movement. The Private Press movement was concerned with making high-quality books that were beautiful expressions of book design and a departure from the low-quality mass-produced books emerging from the industrial age and the Victorian era. Women were gaining entry into the design world as part of the Arts & Crafts movement, schools associated with the movement were cropping up all over Europe and in the United States as well, and women were enrolling in these schools in numbers not seen before. Historians note the high number of women who matriculated from the Glasgow Arts & Crafts school surpassed the number of men. As such it makes sense that we would find women designers in the history of the Private Press movement. Designers such as Margaret Armstrong and Amy Sacker designed book covers and interior pages during the era. Primarily ignored in many histories of art and design is the history of bookbinding. However, this history is also tied to the Arts & Crafts and the Private Press movement, bookbinding was another avenue of paid labor for women.
TIMELINE
10th Century – Ende, Spanish Illuminator of Manuscripts signs her work
18th Century – women begin owning and operating bookbinderies; women and girls were also employed in large numbers folding and stitching pages
1839 – Jane Burden (Morris), born
1859 – Jane Burden (Morris), marries William Morris
1863 – Alice Cordelia Morse, born
1867 – Margaret Armstrong, born
1867 – Amy Sacker, born
1879 – Alice Cordelia Morse attends the Cooper Union (segregated school for girls)
1880-1890 – Designing book covers becomes a professional practice
1885-1889 – Alice Cordelia Morse works for Tiffany & Co. designing stained glass; in 1889 she leaves Tiffany to begin a freelance career designing book covers
1889 – Jane Burden (Morris) designed the cover for Wilfrid Scawen Blunt’s In Vinculis
1890 – Armstrong’s first book cover design was for Sweet William by Marguerite Bouvet
1890-1940 – Margaret Armstrong's career as a book designer, produced some 270 book designs
1891 – Kelmscott Press founded by William Morris and Emery Walker
1901 – Amy Sacker received awarded a medal for designs at the Pan-American exposition
1893 – Morse chaired the Sub-Committee on Book-Covers, Wood Engraving, and Illustration of the Board of Women Managers for the Woman’s Building at the World’s Columbian Exposition
1897 – Society of Arts & Crafts in Boston founded, active members included Amy Sacker, Sarah Wyman Whitman, Julia DeWolf Addison, and Mary Crease Sears
1910 – Women begin to dominate the modern decorative movement
1914 – Jane Burden (Morris), dies
1918 – Le Corbusier and Amédée Ozenfant, announce a hierarchy of art and craft with women and craft at the bottom
1923 – Alice Cordelia Morse donates her book cover designs to the Metropolitan Museum Library
1937 – Bookmaking on the Distaff Side, a book published by women printers
1944 – Margaret Armstrong, dies
1961 – Alice Cordelia Morse, dies
1965 – Amy Sacker, dies
WOMEN IN BOOK DESIGN & BOOKBINDING HISTORY
This should not be considered a complete list of women in book design & bookbinding history, this is just a list of names uncovered for the research of this episode and intended to show that there is a wealth of names that could be included in histories of graphic design. This list focuses on women from the past, there is also a wealth of women designers who have worked more recently in book design, this too could become a future episode.
- Sarah Wyman Whitman (1842-1904)
- Helena de Kay (1848-1916)
- Katherine Adams (1862-1952)
- Alice Cordelia Morse (1863 – 1961)
- Margaret Armstrong (1867–1944)
- Elizabeth Corbet Yeats (1868-1940)
- Bertha Goudy (1869-1935)
- Bertha Stuart (1869-1953)
- Anna Simons (1871-1951)
- Amy Sacker (1872-1965)
- Annie French (1872-1965)
- Emma Redington Lee Thayer (1874-1973)
- Jessie Marion King (1875-1949)
- Anna Sipkena (1877-1933)
- Vanessa Bell (1879-1961)...
T.C. Cannon
Incomplet Design History
11/02/23 • 22 min
An indigenous cowboy-artist from small-town Oklahoma, Tommy Wayne Cannon was born to Caddo and Kiowa parents in the Fall of 1946. Growing up he attended school in Gracemont and took an interest in the arts. As an adolescent, Cannon was self-taught in the arts and entered his works in regional art competitions through the Southern Plains Indian Museum. His success in these competitions, as well as his proficiency in multiple mediums, won him a scholarship to the Institute of American Indian Arts in Santa Fe, New Mexico. It was here that Cannon’s passion for art was met with an environment of tools and people that allowed for further exploration and refinement of his skills. In school, Cannon adopted his moniker “T. C.” Cannon, which is how he would be known professionally once his career began. The IAIA was not accredited as a College at the time, so Cannon enrolled at the San Francisco Art Institute but was disappointed in the lack of community he had grown accustomed to at the IAIA. He dropped out of school and enlisted in the Army, serving in combat in the late-stage offensives of the Vietnam War. Upon returning he attended Central State University (now UCO) in Edmond, Oklahoma where he met his wife, Barbara. Upon graduation, he produced work for a showcase alongside one of his IAIA mentors that toured the US and Europe. In preparation for his next showcase, solo at the Arbach Gallery in NYC, Cannon spent six years in his studio creating a large body of work. Tragically, just a few months prior to his showcase in May of 1978, Cannon was killed in a car accident in Santa Fe. He was only 31 years old.
TIMELINE
1946 — Born in Lawton Oklahoma
1961 — Age of 15, sold his first works to the Southern Plains Indian Museum
1964 — Enrolled in the Institute of American Indian Arts
1965 — The Voting Rights Act assured Native Americans right to vote
1967 — Begins tour of Vietnam under the 101st Airborne; While away, Rosemary Ellison included him in a traveling exhibition
1968 — Returns from war
1972 — Finishes his degree at Central State University in Edmond, Oklahoma, graduating with a Bachelor of Fine Arts
1972 — Included in, and toured with, a Smithsonian exhibit. Over the next six years he would go on to produce a large body of work in anticipation of his solo showcase.
1975 — Became Artist-in-Residence at Dartmouth.
1978 — Died in a car crash in Santa Fe, New Mexico. Aged 31 years old.
1978 — His showcase is posthumously opened at the Arbach Gallery in New York
1988 — Inducted into the National Hall of Fame for Famous American Indians
REFERENCES
101st Airborne Division - Army Unit Directory. (n.d.). Together We Served. https://army.togetherweserved.com/army/servlet/tws.webapp.WebApp?cmd=PublicUnit&type=Unit&ID=231#membersinthisunit
101st Airborne Division (Air Assault) :: FORT CAMPBELL. (n.d.). US Army. https://home.army.mil/campbell/index.php/101st
Action Painting & Gestural Painting | IAIA - Action/Abstraction Redefined. (n.d.). IAIA - Action/Abstraction Redefined. https://abstraction.iaia.edu/exhibition/action-gestural/?page=3
Color Field Painting movement Overview. (n.d.). The Art Story. https://www.theartstory.org/movement/color-field-painting/
Fauntleroy, G. (2018, July 16). Perspective: T.C. Cannon [1946–1978]. Western Art & Architecture. https://westernartandarchitecture.com/august-september-2018/perspective-t-c-cannon-1946-1978
Fritz Scholder | Biography. (n.d.). Fritz Scholder official Website. http://www.fritzscholder.com/biography.php
Kapplow, H., & Kapplow, H. (2018). The Bold Yet Too-Brief Art Career of T.C. Cannon. Hyperallergic. https://hyperallergic.com/446024/tc-cannon-peabody-essex-museum/
Krutak, L. (2018, January 23). Treasures Of The Iacb: T.C. Cannon, Who Shot The Arrow, Who Killed The Sparrow (1970). U.S. Department of The Interior. https://www.doi.gov/iacb/treasures-iacb-tc-cannon-who-shot-arrow-who-killed-sparrow-1970
Levy, M. (n.d.). TC Cannon. Medic in the Green Time. http://medicinthegreentime.com/tc-cannon/
Making History: Celebratin...
Clip Art
Incomplet Design History
12/07/23 • 19 min
From its origins in the 1950s from the pages of books to software like MacDraw in the 1980s to CD Roms, and finally moving online in the 1990s, Clip Art’s evolution took place along with that of graphic design. Even though clip art was mostly created by unnamed designers and illustrators and sold in packages or libraries, there are many important figures we know of whose clip art contributed to the history of graphic design. Joan Shogren, an early computer art pioneer and clip art designer; Frank Fruznya, whose iconic clip art defined an era; and Sean Tejaratchi, whose cult hit zine series Crap Hound celebrates Clip Art and visually meditates on social issues. Ultimately, clip art is a misunderstood element of graphic design that holds an essential place in its history. Clip art in many ways paved the way for stock photo and stock illustration use that is common practice among designers today.
TIMELINE
1928 – Tom Tierney born in Beaumont, Texas
1928– Dan X. Solo born
1932 – Joan Shogren born
1941 – Dover Publications founded
1947 – Jean Larcher born in Rennes, France
1949 – Tierney graduates from the University of Austin in Texas, majoring in painting and sculpture
1950s – Clip Art began to be produced in books for commercial sale, such as The Volk Corporation
1951 – Tierney serves in the US Military for 3 years
1952 – Frank Fruznya, prolific Clip Art illustrator, born in Illinois
1953 – Tierney movies to NYC to work as a fashion illustrator
1954 – Art Chantry born
1960s – Tom B. Sawyer created Clip Art for Harry Volk Jr’s Volk & Co’s “Clip Book of Line Art”series
1963 – Shogren designs set of rules to make the first computer art with Jim Larsen and Dr. Ralph Fessenden’s assistance at San Jose Univeristy in California
1963 – “Cybernation” exhibition of early computer art featuring Shogren took place at the San Jose State Partna Book Store
1962 – Solotype founded
1965 – Larcher graduates after studying typographic art at the Paris Chaamber of Commerce
1969 – Artist and illustrator Mitch O’Connell starts to freelance Clip Art illustration for Dynamic Graphics
1970s – Dover begins publishing Clip Art books
1970 – Sean Tejartchi born
1973 – Larcher begins freelance design work
1974 – Fruznya started to work for H&R; then was recruited to work for Dynamic Graphics
1976 – Tierney publishes his first paper doll book, “Thirty from the 30s” which attracted the attention of Dover
1979 – Peter Roizen and Heidi Roizen, brother and sister, co-found T/Maker
1981 – IBM introduces the first personal computer
1983 – Heidi Roizen takes over as president at T/Maker
1983 – ImageWriter printer released
1983 – VCN ExecuVision published IBM’s first Clip Art library
1984 – Shogren starts to work for T/Maker for ClickArt
1984 – T/Maker releases ClickArt Publications digital Clip Art collection
1984 – Brad Fregger creates Clip Art for Activision
1984 – Nova Development founded
1984 – MacPaint comes pre installed on Macintosh computers
1985 – “The Year of the Computer” mass production of personal computers helps change the world
1985 – LaserWriter printer is introduced
1986 – Graphic Source published Clip Art Books
1986 – Apple introduces the Macintosh Computer
1986 – Mac Plus released
1987 – MacPaint to longer pre installed on Macintosh computers
1987 – T/Maker introduced first vector Clip Art made with Adobe Illustrator
1988 – Adobe Systems released Adobe Illustrator
1989 – Company 3G Graphics published “Images with Impact!”
1994 – Crap Hound first published
1994 – Deluxe Corp buys remaining software lines from T/Maker, including ClickArt
1996 – Zedcor was the first company to offer Clip Art images as part of an online subscription service
1996 – Microsoft began to include Clip Art in it’s built in libraries
1996 – Animation Factory founded
1998-2001 – T/Makers ClickArt library sold each year due to large mergers and acquisitions to companies like Mattel and The Learning Company
1998 – Crap Hound ceases publishing
1999 – Animation Factory sold
2003 – Fruznya quits Dynamic Graphics after anonymously being the Clip Art world’s star illustrator in the 80s and 90s
2005 – Jupitermedia purchased Creatas, now owning all of Dynamic Grapahic’s clip art library
2005 – Tejaratchi begins to publish Crap Hound again
2009 – Jupitermedia went out of business
2009 – Fruzyna moves to Paradise, Michigan with his partner to paint
2012 – Solo passes away
2014 – Tierney passes away
2014 – Microsoft discontinues it’s Clip Art library in favor of Bing Image Search
2015 – Dat Boi, an Animation Factory asset, becomes an early internet meme
2015 – Larcher passes away
REFERENCES
Arntson, Amy E. (1988). Graphic Design Basics. Saunders College Publishing.
Borrell, J. (1988, January). ...
Underground Comix Part 2
Incomplet Design History
10/19/23 • 29 min
If it seems like the underground comix scene was a raucous and raunchy boys club, that’s fairly accurate. However, there were plenty of women artists who reacted against the sexist depictions of women in comix, of which there was plenty. Their complaints about how women were being portrayed was seen to be just more censorship heaped on the male comix artists. Rather than just be quiet and go away, women like Trina Robbins, Willy Mendes, Linda Barry, Mary Fleener, and many others started drawing, bringing their own voices into the underground comix scene. Their experience in comix wasn’t all smooth sailing either. The women creating comix also insisted on absolute artistic freedom and the space to explore difficult topics, but it came at a price just like it did for the male comix artists. Undercover police, raids, and lawsuits while not necessarily the norm, seemed to be always looming. While some comix titles managed to run longer than others, the heyday of comix was all but over by the mid 1970s. However, the influence of underground comix is evident in the comics and graphic novels being published today that are willing to have serious discussions about equally serious topics.
TIMELINE
1880s – Comics began publication in American newspapers
1895 – The Yellow Kid by Richard Outcault first published
1914 – Krazy Kat by Geroge Herriman first published
1920s – Tijuana Bibles began to be published
1930s – Comic book began in America
1931 – Alice Schenker (born Alice Olsen) born in Racine, WI
1933 – Jerry Siegel and Joe Shuster created Superman
1936-1939 – The comic magazine format became popular
1936 – Victor Moscoso born in Spain
1937 – Frank Stack born in Houston, TX
1938 – Gary Arlington born in San Jose, CA
1938 – Trina Robbins born in Brooklyn, NY
1939 – “She Saw The World’s Fair” published by Wesley Morse
1939 – Harvey Pekar born in Cleveland, OH
1939 – Richard “Grass” Green born in Fort Wayne, IN
1940-1950s – Comic burnings became common in America
1940 – Gilbert Shelton born in Houston, TX
1940 – Manuel “Spain” Reodriguez born in Buffalo, NY
1941 – Vaughn Bodé born in Utica, NY
1941 – S. Clay Wilson (Steven Clay Wilson) born in Lincoln, Nebraska
1941 – Jack “Jaxon” Jackson born in Texas
1942 – Rand Holmes born in Nova Scotia
1942 – Dan O’Neil born
1943 – Joel Beck born in Ross, CA
1943 – Robert Williaams born in Los Angeles, CA
1944 – George Herriman dies
1944 – Howard Cruse is born in Birmingham, AL
1943 – Robert Crumb born in Philadelphia, PA
1944 – Rick Griffin born in California
1944 – Bill Griffith born
1944 – Kim Deitch born in Los Angeles, CA
1944 – Max Gaines establishes Educational Comics
1944 – Mervyn “Skip” Williamson born in San Antonio, TX
1945 – Lee Mars born
1947 – Jerry Siegel and Joe Shuster sued in NY Supreme Court to regain their rights to Superman; they lose the case and their jobs at DC Comics
1947 – Jay Lynch born in Orange, NJ
1947 – Max Gaines dies in a boat crash; son William Gaines takes over EC Comics
1948 – Art Spiegelman born in Stockholm, Sweden
1948 – Barbara “Willy” Mendes born
1948 – Aline Kominsky-Crumb born in Long Beach, NY
1949 – Marry Wings born Mary Geller in Chicago, IL
1950s – Student Press Movement starts
1950 – Educational Comics becomes Entertaining Comics under William Gaines
1950 – Gary Panter born in Durant, OK
1951 – Mary Fleener born
1952-1956 – Harvey Kurtzman is the editor of MAD Magazine
1953 – Roberta Gregory born in Los Angeles, CA
1954 – “Seduction of the Innocent” by psychiatrist Frederick Werthan published
1954 – Comics Code Authority established
1954 – Victor Moscoso starts at Cooper Union Art School in Manhattan
1955 – William Gaines starts humor magazine, MAD Magazine
1955 – Charles Burns born
1956 – After being cited by the CCA, EC comics diverts resources to new title MAD Magazine
1956 – Ralph Bakshi starts animating at Terrytoons
1956 – Alice and Don Schenker marry
1956 – Lynda Barry born in Richland Center, WI
1957 – Harvey Kurtzmaan’s Trump magazine published
1957 – Peter Baagge born in New York
1957-1960 – Spain Rodriguez studies at Silvermine Guild School of Art in New Canaan, CT
1958 – Moe Moskowitz moves to Bay Are and opens bookstore
1958 – Robert Crumb and his brother Charles publish satire magazine “Foo”
1958-1962 – Frank Stack and Gilbert Shelton edit University of Texas at Austin’s newspaper, The Texas Ranger
1959 – Victor Moscoso moves to San Francisco, CA
1960s – Underground comix movement started
1960 – MAD Magazine had circulation of 1.4 million
1960 – Rick Griffin met filmmaker John Severson at screening of Surf Fever movie
1960 – Harvey Kurtzman starts Help! Magazine
1960 – Phoebe Gloeckner born in Philadelphia, PA
1960 – Alison Bechdel born in ...
Halloween Special! Part 1
Incomplet Design History
11/14/24 • 79 min
REFERENCES
Tucker, I. (Ed.)(2018). FF DOT: The pixel art of final fantasy. Dark Horse Books.
Hendrix, G. (2017). Paperbacks from hell: The twisted history of ‘70s and ‘80s horror fiction. Quirk Books.
Chatziioannou, A. (2023). From ants to zombies: Six decades of video game horror. Bitmap Books.
Gianni, G. (2017). Gary gianni’s monstermen and other scary stories. Dark Horse Books.
Kochman, C. (Ed.)(2012). Mars attacks. Abrams ComicArts.
Vallejo, D. (2000). The art of rowena. Paper Tiger.
Voger, M. (2015). Monster mash: The creepy, kooky monster craze in America 1957-1972. TwoMorrows Publishing.
Jones, Stephen (2015). The art of horror: An illustrated history. Applause.
Allie, S. (Ed.)(2004). B.p.r.d.: The soul of venice and other stories. Dark Horse Comics.
Saunders, D. (2009). Rudolph belarski (1900-1983). Illustration, 7(27), 8–61.
McVittie, A. (2014). The art of alien:isolation. Titan Books.
Sadowski,G. (Ed.)(2017). Four color fear: Forgotten horror comics of the 1950s. Fantagraphics Books
Nourmand, T. & Marsh, G. (Eds.) (2006). Film posters: Horror. Evergreen.
Hodge, T. (2015). Vhs video cover art. Schiffer Publishing, Ltd.
Weist, J. (2002). Bradbury: An illustrated life. William Morrow
Boyreau, J. (2002). Trash: The graphic genius of exploitation movie posters. Chronicle Books.
Salisbury, M. (2014). Alien the archive: The ultimate guide to the classic movies. TitanBooks.
Ferris, E. (2016). My favorite thing is monsters: Book one. Fantagraphics Books.
Morton, R. (2005). King kong, the history of a movie icon: from fay wray to peter jackson. Applause Theatre & Cinema Books.
Landis, J. (2011). Monsters in the movies: 100 years of cinematic nightmares. Dorling Kindersley Limited.
Ortiz, L. (2011). Jack Gaughan. Illustration, 9(33), 2–27.
(2009). Deco devolution: The art of the bioshock 2. 2k publishing.
Humphreys, G. (2019). Hung, drawn and executed: The horror art of graham humphreys. Korero Press Ltd.
Gammil, K. & Spurlock, J.D. (2005). Famous monster movie art of basil gogos. Vanguard
Tucker, I. (Ed.) (2021). The art of arkham horror. Dark Horse Books.
D’Agostino, N. (2020). Sex and horror volume four. Korero Press.
Hulse, E. (2021). The art of pulp fiction: An illustrated history of vintage paperbacks. Elephant Book Company
Rodriguez, S. (2021). The art of goosebumps. Dynamite.
Nolen-Weathington, E. (2010). Modern masters volume twenty-four: Guy davis. TwoMorrows Publishing
Show more best episodes
Show more best episodes
FAQ
How many episodes does Incomplet Design History have?
Incomplet Design History currently has 46 episodes available.
What topics does Incomplet Design History cover?
The podcast is about Graphic Design, History, Design, Podcasts and Arts.
What is the most popular episode on Incomplet Design History?
The episode title 'When Book Design Gets Weird' is the most popular.
What is the average episode length on Incomplet Design History?
The average episode length on Incomplet Design History is 24 minutes.
How often are episodes of Incomplet Design History released?
Episodes of Incomplet Design History are typically released every 7 days.
When was the first episode of Incomplet Design History?
The first episode of Incomplet Design History was released on Sep 9, 2021.
Show more FAQ
Show more FAQ