
Reading and Righting
01/30/23 • 52 min
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Let The Children Come
Don’t miss this week's classic session, In The Studio With Michael Card. We’ll open the archives and start with Michael focusing on Jesus’ teaching about the importance of children found in Matthew’s gospel. Listen in for the lessons we can learn about the values of the Kingdom from the faith of the young. Then we welcome Kevin Twit who is Michael’s friend involved with Reformed University Fellowship and Indelible Grace Music. Kevin’s work with college student ministry has given him a unique perspective on the power of the classic hymns on the next generation. And in the second half of the program we welcome singer and songwriter Sara Groves. We’ll hear Sara’s powerful and personal account of her spiritual journey and how that is reflected in her music. And Sara will perform several songs in the Mole End studio. Conversation grounded in the God’s word and music that amplifies what we discover together through this session, In The Studio with Michael Card.
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Understanding the Inexpressible
This week’s edition of In the Studio with Michael Card gives you an opportunity to meet new friends and learn about the people who have shaped Michael’s teaching and music. We’ll start the hour with a conversation with Dr. John Long who was one of Michael’s professors at Western Kentucky University. We’ll hear why the book “Inexpressible” is dedicated to him. In our commentary segment Michael gives broad overview of the word hessed as it is used in the Old Testament, by Jesus, Paul and how it shaped the modern Jewish faith. Then in the second half we’ll meet Olivier Melnick from Chosen People Ministries. You won’t want to miss a spirited conversation about the rise of antisemitism, reaching out to Jewish friends and the story of how Michael and Olivier met at the Wailing Wall. The discussions will challenge your thinking and the music will stir your soul as we seek to follow Christ in a confusing world. Enjoy and share this hour together, In The Studio with Michael Card.
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