“To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art
In the Foreground: Conversations on Art & Writing03/12/24 • 44 min
In this continuation of a season focused on the craft of writing in art history, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks to Shira Brisman, a historian of early modern art and assistant professor of the history of art at the University of Pennsylvania. Through the lens of her two books, the first on Albrecht Dürer, and the second, forthcoming, on the goldsmith Christoph Jamnitzer (1563–1618), Brisman explores how art can shape communities, and can either draw people together or divide them. She discusses the idea of a “craft” of writing, the impact of poetry on her own prose, and how an “off stage bibliography” can provide a generative set of thematic, linguistic, and structural alternatives that amplify one’s understanding of their own scholarly writing projects.
03/12/24 • 44 min
In the Foreground: Conversations on Art & Writing - “To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art
Transcript
Caroline Fowler: Welcome to In the Foreground: Conversations on Art and Writing. I am Caro Fowler, your host and director of the Research and Academic Program at the Clark Art Institute in Williamstown, Massachusetts. In this series of conversations, I talk with art historians and artists about what it means to write history and make art, and the ways in which making informs how we create not only our world, but also ourselves.
Sara Houghteling: For this season, you'll hear fr
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