“Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking
In the Foreground: Conversations on Art & Writing03/26/24 • 43 min
In this final episode of the season focused on the craft of writing, Sara Houghteling (special projects coordinator in the Research and Academic Program) speaks with Cammy Brothers, a scholar of art and architecture at Northeastern University. In this episode, Brothers examines Michaelangelo’s drawing practice and that of his contemporary, Giuliano da Sangallo, and the ways in which da Sangallo’s architectural drawings aim to assemble fragmentary images of Rome on the page. Brothers also reflects on her career and writing practice: on publishing a first book that was not an adaptation of her doctoral dissertation; on the ways in which recitation is integral to clear and compelling scholarship; and on composing endings that open new lines of thought rather than summarizing or foreclosing meaning. She also discusses her role as a critic for the Wall Street Journal and the craft of writing for a public readership.
03/26/24 • 43 min
In the Foreground: Conversations on Art & Writing - “Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking
Transcript
Caroline Fowler: Welcome to In the Foreground: Conversations on Art and Writing. I am Caro Fowler, your host, and director of the Research and Academic Program at the Clark Art Institute in Williamstown, Massachusetts. In this series of conversations, I talk with art historians and artists about what it means to write history and make art, and the ways in which making informs how we create not only our world, but also ourselves.
Sara Houghteling: For this season, you'll hear f
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