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In Site

In Site

Zion Canyon Mesa

Stories and interviews addressing the intersection of the creative process, community, and place. Welcome to In Site, a podcast from the Zion Canyon Mesa, a nascent arts and humanities residency center in Springdale, Utah, surrounded by Zion National Park. One of the primary drivers for these podcasts is concern for our times. To paraphrase Yeats, the center feels besieged. So we’ll consider the many crux issues we face, with an eye towards how creative thinking can play a role. We will engage a wide spectrum of artists, writers, musicians, and thought leaders, and hopefully enjoy the journey. As our name implies, we also want to root firmly within our community, our home in southwest Utah on the Markagunt Plateau. We will give backstory and context for controversial, regional issues here in Utah. We’ll also try to act as an honest broker for dialogue, seemingly a lost art. But our concept of home also radiates out from here to the Colorado Plateau, the Intermountain West, the U.S. in general and on from there. Our name sounds out four different ways, and we identify with each: to get it in sight, to gain insight, and perhaps to incite. There is an additional aspect embedded in the idea of In Site that we will continue to explore: the intersection of vision and place. Very often an artist’s inspiration entwines with or emerges from their chosen landscape. At times they are simply one in the same. We believe creativity is crucial to imagining the future we want to see, especially in these uncertain times, and for us to nurture this creativity, perhaps we should examine and embrace this relationship more deeply. http://zioncanyonmesa.org/podcast
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It’s impossible. A horn section in Burkina Faso backs a string quartet in Lyon, France, together with guitarists in Nepal and Madrid while a choir in Manila supports the singer in Haiti and an African kora soloist, and we aren’t halfway through the video. Everyone plays outside, in city streets, courtyards, in front of temples, in marketplaces, train yards, beaches, jungles and deserts, visuals that immediately impart a compelling sense of that place. Each player brings nuances from their own musical culture, resulting in a fresh and distinct feel. One could write a book just about these rhythmic confluences. As a Playing For Change Foundation school teacher observed, “it’s where all cultural diversities collide into one beautiful harmony.”
Informed by years of recording studio experience and powered by his love and utter faith in music, Mark Johnson pursued his vision of traveling songs around the world to bring people together. Along with co-founder Whitney Kroenke Silverstein, they’ve grown a single such video, “Stand By Me,” into an international movement. It’s a new art form, a sound engineer’s vision. And in this moment that finds us isolated by Covid and wounded by the toxins coursing through our social media, they prove that such technology can also unite through the intimacy and immediacy of music.

The hundreds of songs he’s recorded and filmed take many forms. Some for the pure joy of music, some for healing by embracing different sides within a violence-torn country like Colombia, or between musicians at home and expatriated across the world as with Cuba, or between Israelis and Palestinians, or only with children. In the process they have recorded more than 1200 musicians in over sixty countries, generated over a billion YouTube hits, created a touring band, founded the Playing For Change Foundation — a separate 501(c)(3) organization that currently supports fifteen music and arts schools in eleven countries, and partnered with the UN for a global virtual event in celebration of their 75th anniversary.
Today we talk with Mark about how he made all this happen, building schools, producing concerts and especially his trust in music and what it’s like to circle the globe with songs in search of musicians and dancers.
Please check out both their organization and foundation websites (links in the show notes below) to read about their many awards, videos, partners, and supporters.
“It’s an unbroken chain of human connectivity, one to the next that keeps going around and around the world.”

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In her new book Gender(s), a new volume in the MIT Press Essential Knowledge series, Kathryn Bond Stockton explores the fascinating, fraught, intimate, morphing matter of gender. Stockton argues for gender's strangeness, no matter how normal the concept seems; gender is queer for everyone, she claims, even when it's played quite straight. And she explains how race and money dramatically shape everybody's gender, even in sometimes surprising ways. Playful but serious, erudite and witty, Stockton marshals an impressive array of exhibits to consider, including dolls and their new gendering, the thrust of Jane Austen and Lil Nas X, gender identities according to women's colleges, gay and transgender ballroom scenes, and much more.

Stockton also examines gender in light of biology's own strange ways, its out-of-syncness with male and female, explaining attempts to fortify gender with clothing, language, labor, and hair. She investigates gender as a concept--its concerning history, its bewitching pleasures and falsifications--by meeting the moment of where we are, with its many genders and counters-to-gender. This compelling background propels the question that drives this book and foregrounds race: what is the opposite sex, after all? If there is no opposite, doesn't the male/female duo undergirding gender come undone?

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What constitutes a community? What do they form around, the seed? What makes them persist over time?

Helper, Utah was founded as a “helper engine” town in 1881. Here trains would pick up an extra engine to help them up the steep, relentless grade of Price Canyon and over Soldier Summit. At the beginning of the 20th century, Helper was a booming railroading and coal mining community. It was also the most diverse place in Utah, with 27 different languages spoken in the town. Coal later diminished in value, and eventually started to run out, and the community has been forced to find a new way. From flower-planting to the inception of an annual arts festival, to the revitalization of Main Street’s historic buildings, Helper is finding ways to hold onto its story, while simultaneously moving forward with an entirely new economy, one based on the arts and tourism.

To understand how Helper found itself in this moment, where an economic shift is necessary, and to find out if locals are on board with this shift, we interview three Helper residents. In this episode, we speak with Jean Boyack, sometimes referred to as the “Mother of Helper”. We also talk to Richard Colombo, long-time owner of the R&A Market in Helper. He also served with the Helper Fire Department for 41 years, recently retiring from his position as Chief. And we speak with Mike O’Shea, who was born and raised in Helper and was the principal at a local elementary school. Each of these residents came from coal mining or railroading families and has observed Helper through boom times, decline, and revitalization.

Listen to find out what is contributing to the apparent ease and speed with which Helper's economic shift is taking place. Is it Helper's history of diversity? Its union history? Could the name Helper play some role here? Does economic revitalization just take a few individuals who care? Are new residents and old-timers alike on board with change? Is it the creation of opportunity, gentrification, or both? What does the future hold for Helper, Utah?
A few but not all of these questions we hope to answer in part one of this series on Helper, Utah.

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According to the Oxford English Dictionary, a friend is “one joined to another in mutual benevolence and intimacy. Not ordinarily applied to lovers or relatives...a boon companion.” It first appears in “Beowolf” in 1018 A.D. as “freondum.” Though the opposite of “fiend,” both words root in the same Germanic word soup for “love” and “hate,” so therefore inextricably intertwined.

Here, two old friends, Teresa Jordan and Judith Freeman, both remarkable and accomplished writers and artists, born and bred in the American West, examine their own enduring relationship through the lens of Judith’s latest novel, the incisive, insightful, at times ruthless “MacArthur Park.” The novel’s core finds two older women, both accomplished writers and artists, born and bred in the American West, attempting to re-kindle their lifelong friendship after intimate convolutions blew them apart. Spoiler alert: marrying the same man may become a problem. No, not Teresa and Judith; her characters Verna and Jolene as they road trip across the West towards some notion of their shared childhood. What destroys friendships? Can good intentions alone heal those implosive moments of toxic intimacy almost inevitable in friendships? Who here has not lost a friend?

SHOW NOTES: Please spend some time on both their websites to appreciate the depth and quality of their respective creativity.

Judith Freeman: https://judithfreemanbooks.com/

Discussed in the Podcast:

Carolee Schneeman: https://www.moma.org/artists/7712

Judy Chicago: https://www.judychicago.com/

Elena Ferante: http://elenaferrante.com

Valeria Luiselli: “Lost Children Archive”: https://www.valerialuiselli.com/

Here’s great conversation about writing with Judith’s friend Barbara Feldon, yes, that Barbara, from “Get Smart: https://www.youtube.com/watch?v=7NM1Vi-q1dg

A special shout-out for her novel “Red Water” where Judith imagines John D. Lee's extraordinary frontier life and his disturbing, still controversial role in the Mountain Meadows Massacre through the eyes of three of his nineteen wives. Emma is a vigorous and capable Englishwoman who loves Lee unconditionally. Ann, a bride at thirteen, is an independent adventurer. Rachel, though she married Lee to be with his first wife, her sister Agatha Woolsey, is also utterly devoted to him.

Teresa Jordan: https://teresajordan.com/

In addition to all the writing, painting, sketching and storytelling you can find on her website, Teresa just returned from her residency at the Mesa Refuge, having been awarded the Marion Weber Healing Arts Fellowship to evolve her year of painting and drawing a different bird every single day into a book.

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We’ve podcasted about the Lake Powell Pipeline, so we thought, as the drought continues and water levels continue to drop, let’s go have a look. We told our board about the idea and it turns out that board member Catherine Smith rafted the Colorado River through Glen Canyon as a teenager in 1955. We were so pleased that she insisted on coming along. We included David Petitt, a well-known photographer now painter, and of course, our producer and host Logan, his wife Angie, and our assistant producer Ben.

The level when we took our trip in May was only 1/4 full at 3523 feet – just 33 feet above the minimum power pool of 3,490 feet, or where there’s not enough water to run the power generators. Dead pool is 120 feet lower, at 3,370 feet. Because the lake dropped about 40 feet in 2021 they have been releasing 500,000 acre-feet from Flaming Gorge to delay that moment of truth.

But the big picture is that Lake Powell is really only of value to generate power, tourist economy aside. So if it drops below minimum power pool, then evaporation and rock-saturation coefficients start to play in. If preserving water is the sole priority, why expose all this surface area and let it seep into the sandstone? It starts to look like better water sense to send as much water as possible to Lake Mead. It’s an immense, critical set of decisions the water lords have to make in the face of the harshest drought in 1200 years, and due to climate change, looking like the new normal.

Now suddenly the Glen Canyon Institute — premised on draining the lake and revitalizing the river and deemed “looney” by Utah Senator Orrin Hatch — is gaining prominence, with Director Eric Balken finding himself in interviews in the New Yorker. At the end of the episode, we interview him too so he can help us make sense of our observations of both beauty and tragedy inherent in Glen Canyon’s re-emergence.

As we explored the re-emerging canyon, we also looked for Ancestral Puebloan evidence. Having found little, we reached out to Erik Stanfield, an archaeologist with Navajo Nation. You’ll his voice about halfway through the episode.

Our trip begins with a long walk down temporary ramps as Bullfrog Marina continues to have to move deeper and deeper into the canyon as water vanishes.

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For anyone concerned about the current global state of Democracy, which should be everyone, Audrey Tang, Taiwan’s Digital Minister, may be our greatest hope:

“I’m not here to make citizens transparent to government, I’m here to make government transparent to citizens.”

She has flipped Big Brother, proving that this very same unprecedented internet connectivity can be harnessed to cultivate and manifest the very best of us as well — connecting instead of isolating, confirming truths instead of spreading lies, distributing power instead of consolidating it.

Very much due to Audrey’s work, Taiwan shot from 31st to 11th on the Economist’s Global Democracy Index to become a “Full Democracy,” and Asia's most advanced democracy. At the same time, the U.S. dropped from 8th to 25th, now a “Flawed Democracy,” also due very much to one man.

Here’s a foundational story of how she started down this road. During the 2014 Sunflower Revolution in Taipei, students and dissidents peacefully occupied the Taiwan Yuan, or parliament, for 22 days protesting a trade deal with mainland China, or the PRC. Audrey flew in from Silicon Valley, borrowed a laptop, plugged into 300 meters of ethernet cable, and connected over 500,000 citizens and over twenty NGOs in a real-time dialogue towards what she would ultimately call “rough consensus.” The demonstration won the day and resulted in a new trade agreement, very much due to Audrey’s remarkable and unprecedented real-time connectivity. The students remained completely peaceful throughout and respectfully cleaned up the parliament before they left, unlike other Congressional occupations of late. Powerful people in Taiwan’s conservative government took note of what Audrey was doing, and called her in to talk... and so it began...

I’ve listened to this interview countless times while editing, and I’m still hearing new things, so the odds are she’s going to just lose you, both with the technology and her philosophy. So here are two quick shorthands for each.

Per the tech: Virtually everything referred to, from Distributed and Polycentric ledgers to Multi-dimensional spaces to reverse accountability assures transparency, and empowers citizens, inspiring openness, real-time action, and the deployment of people’s different viewpoints. It all encourages plurality as a way to demonstrate, as she puts it, “our shared values are hiding in plain sight.”

And all her philosophy, from calling herself a “post-gender, conservative anarchist” to the Lao Tzu and Taoist quotes sprinkled through this interview, are about cycling and returning power and voice to citizens, re-energizing the deepest, most fundamental precept of democracy: Power to the People.

View our complete show notes here: http://zioncanyonmesa.org/podcast-archive/steer-the-wind-audrey-tang-is-saving-the-world
https://oftaiwan.org/social-movements/sunflower-movement/
https://g0v.tw/intl/en/
https://en.wikipedia.org/wiki/Audrey_Tang
https://theasiadialogue.com/2018/05/23/tsais-second-year-the-emergence-of-non-partisans-in-taiwan/
https://wtfisqf.com/?grant=&grant=&grant=&grant=&match=1000
https://www.snopes.com/articles/386830/misinformation-vs-disinformation/
https://en.wikipedia.org/wiki/Quadratic_voting#:~:text=Quadratic%20voting%20is%20a%20collective,voting%20paradox%20and%20majority%20rule.

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Craig Childs makes a point of going to the very places he’s writing about and immersing himself in them. In The Secret Knowledge of Water, he traces his very being into the rock itself by mapping waterholes in the Cabeza Prieta. In House of Rain, he follows the Ancestral Puebloans across the desert, walking in their footsteps to gain a particular kind of understanding. In Virga and Bone, he immerses himself in aridness and walks through it with curiosity directed at his very affinity for it. In Apocalyptic Planet he backpacks through cornfields in Iowa, among other similarly wild trips, because, as he puts it, “that’s the way I prefer to be in the world.”

In this episode, Craig joins us from the front porch of his home in western Colorado, with snowflakes swirling around him and ravens croaking in the junipers. He talks about how stories are not the place but show the shape of a place. He shares several examples of how stories tend to repeat in the same places over and over again simply because of the geology, or other mysterious (but possibly simple) factors science hasn’t yet caught up to. We decided to save ghost stories for another time.

We ask Craig to share his thoughts on the many obstacles that can keep us from connecting deeply to place today. He touches on social media, the internet, and other things that can remove us further and further from the land. This removal results in disassociation, Craig says. “We won’t remain disassociated as a species and survive,” he continues, “because then you don’t care about anything.”

We discuss the conundrum of being descendants of white colonizers, while at the same time being rooted in the places where fate has deposited us. Craig believes that we have a responsibility to give back to these places and their people who have given so much to us. Much of his work is an effort to do this. “I’ll be dead and gone before I ever really figure out what needs to be fed back to this place and the people of this place,” he says. “But at least I can get close, at least I can do my best.”

Finally, Craig reads from his journal, excerpts that may or may not make it into Tracing Time, his forthcoming book about rock art, to be published by Torrey House Press.

Craig Childs has published more than a dozen books. He has won the Orion Book Award and has twice won the Sigurd F. Olson Nature Writing Award, the Galen Rowell Art of Adventure Award, and the Spirit of the West Award for his body of work. He is contributing editor at Adventure Journal Quarterly, and his writing has appeared in the New York Times, Los Angeles Times, Men's Journal, and Outside. He is a contributor to the blog “The Last Word on Nothing.” He has a B.A. in Journalism from CU Boulder with a minor in Women's Studies, and from Prescott College, an M.A. in Desert Studies. An occasional commentator for NPR's Morning Edition, he teaches writing at the University of Alaska in Anchorage and the Mountainview MFA at Southern New Hampshire University. He lives outside of Norwood, CO.

He is interviewed by Zion Canyon Mesa’s Ben Kilbourne.

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Having created historical context for the pipeline in two previous podcasts, In Site now explores the pipeline itself. Jane Whalen, board member of Conserve Southwest Utah and Coordinator of the Lake Powell Pipeline Coalition, was the primary architect of their collective, incredibly thorough and detailed one hundred and eighty-six page objection to the pipeline (see link below). Quite simply, nobody involved with the pipeline understands it better than Jane.

We focused on the pipeline because the Zion Canyon Mesa intends to actively participate in critical issues directly facing our home here in Washington County. In these strange, unmoored and disturbing times, it seems that part of the problem is we simmer too long in disconnected online ethers, then break into reality off kilter, and with increasing violence. We believe that rooting firmly in our chosen landscapes and communities will provide an immediate level of stability and sanity, and suggest a path forward as well.

We prioritized the pipeline issue because it was one of about sixty projects nationwide that the Trump administration placed on their Fast Track. This greatly compressed some review processes and outright dismissed others; approval seemed imminent.

However, that suddenly and utterly changed when the six other states of the Colorado River Compact (see the previous podcast with Eric Kuhn) submitted a joint letter to Utah threatening lawsuits, saying there were any number of Compact issues needing resolution before even entering a Fast Track. Utah’s two pipeline proponents, the Utah Department of Natural Resources and the WCWCD, responded by immediately withdrawing for at least two years to address the Compact concerns. To Jane’s credit, the issues she helped raise in the Coalition review match those expressed by the other Compact states, so our review here will touch on these comprehensive concerns.

Finally, we want to act as an honest broker for respectful dialogue about such issues. As such, this podcast was originally going to feature a dialogue between Jane and WCWCD representatives Zach Renstrom, General Manager, and Karry Rathje, their Communications & Government Affairs Manager. We want to really thank them for their willingness to participate in this discussion. However, recent events allow us all to step back and take a deep breath. We hope that Zach and Karry will join us soon so they can speak for themselves.

At stake: do we, the citizens of Washington County, collectively want to invest perhaps $2Billion of our tax dollars into this project?

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Today we talk with Daniel Kemmis. Daniel studied both philosophy and political science, and names Plato, Rousseau, Jefferson, and Gandhi as his primary influences. He was minority leader and speaker of the house in the Montana State Legislature during the ‘80s, when the Sagebrush Rebellion was at its height. Later, he served as Mayor of Missoula. The intense dysfunction of those times, together with the fiercely contested land issues, inspired Kemmis to write the seminal book Community and the Politics of Place, and develop the Kemmis method for finding compromise.

Some years back, Zion National Park’s gateway community of Springdale was deeply divided from intense growing pains, verging on violence to where county sheriffs needed to attend town meetings. Zion Canyon Mesa’s Chairperson Louise Excell, together with artist Lynn Berryhill, created the “Embracing Opposites” conferences to address this division and invited Daniel to share his methods. Here, Louise interviews Daniel to discuss those ideas, the remarkable repercussions of “Embracing Opposites," then dive into his latest book Citizens Uniting to Restore Our Democracy, which he wrote as a response to these even more contentious times.

We recorded this episode on the eve of the 2020 election, but even after, it is clear that our country is divided, and our democracy begs for a practical path forward. One of Kemmis's lodestones is Jefferson's vision of educated citizens deeply involved in public life. He argues that our loss of capacity for public life parallels our loss of sense of place. "A renewed sense of community, rooted in place, and of people dwelling in that place in a practiced way can shape politics into a more cooperative, productive, and satisfying enterprise."

Daniel says that this sense of place and sense of community is made more difficult by the failure of citizens to insist that corporations adhere to certain standards for the common good. He argues that corporations cannot be citizens in a true sense and that their power over our lives thwarts our own efforts at active citizenship. “If a corporation is going to call itself and claim the advantages of being a corporate citizen, it must put its shoulder to the wheel, and help build. Left to themselves, of course, corporations are not going to practice citizenship in this way. The main reason is that they are not inhabitants in the same way that other residents of a place are. The corporations’ chief loyalty is not to the place but to the shareholders and executives who almost always live somewhere else.”

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“I’m interested in the ways that our social structures and technologies shape how we think and what we value.” C. Thi Nguyen

This podcast is the first of a series on “The Anthropology of Truth.” Today in the U.S., truth, facts, and science are under unprecedented assault. What is happening? Is this just old news for us, perhaps forever stuck in Plato’s Cave, mesmerized by the shadows? Or is there something about our high-tech and social media landscapes that act as accelerants and multipliers of our flaws? Throughout this series, we’ll explore different aspects of the Truth to see if we can figure something out. We can’t think of a better way to start laying these issues on the table than with the philosopher Thi Nguyen.

With a solid background in classic Western Philosophy, Thi unleashes Descartes’ “Evil Demon” onto our current tech and social media landscape, then considers the resulting mayhem. The Demon disrupts our lines of trust, and at every turn offers us a clearer, easier but flattened interpretation of reality. Thi brings the current assault on truth, facts, and science into focus by combining the dynamics of echo chambers, “moral outrage porn,” game theory, and the hazards of quantifying complex environments.

“I'm associate professor of philosophy at University of Utah. I’m interested in the ways in which our rationality and agency are socially embedded – about how our ways of thinking and deciding are conditioned by features of social organization, community, technology, and art practices. I’m also interested in the structures and nature of the interdependences we have with one another – and with our artifacts, practices, and institutions.” C. Thi Nguyen

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FAQ

How many episodes does In Site have?

In Site currently has 21 episodes available.

What topics does In Site cover?

The podcast is about Society & Culture, Artist, Truth, Writers, Environment, Nature, Earth, Podcasts, Arts, Vision and Sustainability.

What is the most popular episode on In Site?

The episode title '“Wisdom In Patience” - The Re-Emergence Of Glen Canyon' is the most popular.

What is the average episode length on In Site?

The average episode length on In Site is 75 minutes.

How often are episodes of In Site released?

Episodes of In Site are typically released every 30 days, 16 hours.

When was the first episode of In Site?

The first episode of In Site was released on Sep 2, 2020.

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