Filk Fusion: Where Sci-Fi Meets Folk Music

Explicit content warning

02/12/25 • 35 min

2 Listeners

In the 1950s, an article about the popularity of folk music among science fiction fans had a typo where “folk” was written as “filk.” From then on, filk music became a staple at grassroots sci-fi conventions. Filkers would either write parody lyrics to existing folk songs, or they’d invent entirely new speculative worlds in 3-4 minute songs. Filk has evolved beyond just being folk. It's gone electric and embraced other genres of music. But sci-fi fantasy fandom has changed a lot as well. Does filk still have a place in a more corporate fantasy world? Can it survive the competition from Nerdcore or social media? Can it transition from the boomer generation that started it? I talk with folklorists Sally and Barry Childs-Helton of the group Wild Mercy, Rand and Erin Bellavia of the group Via Bella, and Eric and Jen Distad of the group The Faithful Sidekicks about the past, present and future of filk.

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This week’s episode comes from our Patreon podcast Between Imaginary Worlds. It’s a more casual chat show that appears between ad-free episodes of Imaginary Worlds for listeners who support the show on Patreon. I wanted to play this episode for you because it gives a good sense of the types of conversations we’re having on Between Imaginary Worlds. I talk with the anime voice actress Veronica Taylor about her career dubbing characters in shows like Pokémon, Dragon Ball Z, Sailor Moon, One Piece and Yu-Gi-Oh. We also discuss the differences between working with anime and working with American cartoons, like Teenage Mutant Ninja Turtles. Here is the link to support the show on Patreon.

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