I Think You're Interesting - Justina Machado is giving one of TV's best performances. Here's her acting advice.

Justina Machado is giving one of TV's best performances. Here's her acting advice.

01/31/18 • 65 min

"I have people that are not Latino arguing with me about what we’re like," Justina Machado says about two-thirds of the way through her chat with Todd. The actress, who joins ITYI to talk about the latest season of her Netflix sitcom One Day at a Time, has been giving superlative performances for two decades now, with a career that encompasses everything from the live episode of ER to an Arsenio Hall sitcom to the classic HBO drama Six Feet Under. But it's One Day at a Time that has given Machado a part that lets her show off all she's capable of. In any given episode, she might play the highs of being a hugely accomplished working mom, or the crippling lows of depression and PTSD. She gets to deliver wisecracks that bring instant laughter and long monologues that will wring tears. She gets to do anything and everything and a little bit of what's in between. That's why Todd wanted to have her on, but their conversation very quickly ranged from talking about One Day at a Time to talking about women of color finding work in Hollywood, while trying to avoid taking roles that are simple stereotypes, as well as what Machado has learned from getting to work with Rita Moreno (a pioneer when it comes to Latina actresses) on One Day at a Time. And lest you think that sounds too heavy, know that every answer Machado gives is punctuated by her amazing laugh — one of the best in show business.

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How Hans Zimmer found the music of the ocean

Blue Planet II is one of the most stunning visual achievements of the year. The new BBC America nature documentary takes viewers deep beneath the waves to observe strange creatures and the delicate balance that keeps the world's largest habitat in harmony. The miniseries is also a huge sonic accomplishment in representing the sounds of the sea. Crackling icebergs, creatures scuttling along the seafloor, and water washing along — they all contribute to a show that sounds like nothing else. Much of that is thanks to the music, composed by the team of Jacob Shea, David Fleming, and Oscar-winning composer Hans Zimmer. The series' musical themes evoke the undulation of the waves and the beauty of the undersea habitat. What Zimmer describes as the ocean's "epic" quality is evident throughout. Zimmer, Shea, and Fleming joined Todd this week to talk about writing the series' music, and after that conversation, he talks with series producers Orla Doherty, Mark Brownlow, and James Honeyborne about how the series captured some of the most dazzling images of the ocean ever put on film.

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"Narnia was not up to code": The Magicians' Lev Grossman on building fantastical worlds

Few fantasy series of the past 10 years have had the reach of Lev Grossman's Magicians trilogy, beginning with The Magicians in 2009, continuing with The Magician King in 2011, and concluding with The Magician's Land in 2014. The books, which attempted to blend the fantastical elements of books like Harry Potter and the Narnia series, garnered warm reviews (including from Todd), then were quickly scooped up to be turned into a TV series before the books had even completed the publication process. The process of adaptation took many years and several false starts, but the (excellent) TV show version of The Magicians finally debuted in December 2015 on Syfy, and it has gone on to forge its own identity — similar to the books but also separate from them. That made it a great time to talk to Grossman, whose books are probably more visible than ever but who also has to deal with readers who come to his books knowing the characters better for their TV versions, who have slightly different personalities and sometimes even different names. Grossman and Todd talk about learning to stop worrying and love your TV adaptation, his happiness that his books were all published before the TV show began, and his ideas for how to build a compelling fictional world, whether fantastical or realistic.

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