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I Love Tattooing - I Love Tattooing Episode 6: Minimum Charge

I Love Tattooing Episode 6: Minimum Charge

Explicit content warning

07/17/23 • 67 min

I Love Tattooing

Minimum Charge

Quote: “The only thing worse than a cheapskate customer is a cheapskate tattooer” - Bill Waverly

In most tattoo shops there is an agreed upon minimum charge that is the base price for all tattoos. This charge is intended to be the basic starting point for the cost to the clients. What is the right number? Is this a good idea? How do tattooers use this to decide the price for their customers? Do customers price shop using the minimum? When a client asks for the minimum before discussing the design they want, how should an artist respond? Should you work with other artists and shops in your area to establish a local base price for tattoos? How should you feel about the guy down the street who charges less? These are some of the questions we will explore in this episode.

Tattooing has a value, it is subjective, but the skills required to be a good tattooer are unique and that makes it valuable. Charging the proper amount for your work is not an exact science, and understanding the way to determine the price of a tattoo is difficult. Often we quote a price and the client is delighted that it isn't more expensive, other times we are met with disdain and a question like: “Why is it so much?” Clients know what they want to spend but every tattoo is unique so agreeing on a price isn't always easy. How do you know when a tattoo is the minimum or when you should charge more? Is your minimum charge fair to you and your clientele?

Some folks have said there should be no minimum, others believe there should be a consensus among artists for minimum in a specific geographic area. Some people claim that the minimum is actually zero. Tattoos are sometimes priced by the hour, and other times they are priced by the piece. Clients and artists are not always on the same page when it comes to the price of a tattoo and the minimum charge is no exception. Artists get insulted at low ball price suggestions and requests for a “good deal” from someone who they have never tattooed, and clients can be offended by the price of something when they don't understand what it takes to perform the tattoo in question.

There are a lot of issues surrounding the minimum charge when it comes to tattooing. The opinions on this vary as much as the kinds of people who get tattoos. I doubt there is one correct answer to any of these questions. This will certainly be a controversial episode and we are looking forward to your opinion about the topic.

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Minimum Charge

Quote: “The only thing worse than a cheapskate customer is a cheapskate tattooer” - Bill Waverly

In most tattoo shops there is an agreed upon minimum charge that is the base price for all tattoos. This charge is intended to be the basic starting point for the cost to the clients. What is the right number? Is this a good idea? How do tattooers use this to decide the price for their customers? Do customers price shop using the minimum? When a client asks for the minimum before discussing the design they want, how should an artist respond? Should you work with other artists and shops in your area to establish a local base price for tattoos? How should you feel about the guy down the street who charges less? These are some of the questions we will explore in this episode.

Tattooing has a value, it is subjective, but the skills required to be a good tattooer are unique and that makes it valuable. Charging the proper amount for your work is not an exact science, and understanding the way to determine the price of a tattoo is difficult. Often we quote a price and the client is delighted that it isn't more expensive, other times we are met with disdain and a question like: “Why is it so much?” Clients know what they want to spend but every tattoo is unique so agreeing on a price isn't always easy. How do you know when a tattoo is the minimum or when you should charge more? Is your minimum charge fair to you and your clientele?

Some folks have said there should be no minimum, others believe there should be a consensus among artists for minimum in a specific geographic area. Some people claim that the minimum is actually zero. Tattoos are sometimes priced by the hour, and other times they are priced by the piece. Clients and artists are not always on the same page when it comes to the price of a tattoo and the minimum charge is no exception. Artists get insulted at low ball price suggestions and requests for a “good deal” from someone who they have never tattooed, and clients can be offended by the price of something when they don't understand what it takes to perform the tattoo in question.

There are a lot of issues surrounding the minimum charge when it comes to tattooing. The opinions on this vary as much as the kinds of people who get tattoos. I doubt there is one correct answer to any of these questions. This will certainly be a controversial episode and we are looking forward to your opinion about the topic.

Previous Episode

undefined - i Love Tattooing Episode 5: What are the Qualifications Needed to Have an Apprentice?

i Love Tattooing Episode 5: What are the Qualifications Needed to Have an Apprentice?

What are the Qualifications Needed to Have an Apprentice?

“Do not seek to follow in the footsteps of the wise. Seek what they sought.” -Matsuo Basho

What qualifies someone to have an apprentice? There is no one answer to this question. The combination of skills and experience necessary to successfully teach someone how to tattoo are numerous. Tattooing is a form of art, it is also a technical skill, in addition to being a personal service. Some say it takes a lifetime to master tattooing. If that’s true, when is someone qualified to instruct another on the methods of tattooing?

Teaching tattooing requires many things. Patience is mandatory, as are good communication skills. Extensive knowledge and experience in the technical aspects of tattooing is obviously necessary. Understanding and practicing the ethics and etiquette of tattooing are equally as important, but often overlooked.

Tattooing has been primarily an oral tradition passed down for generations. Now with the advent of technology the pace of tattooing’s growth is faster than it has ever been. The need to preserve the traditions and culture of tattooing is greater than ever. For someone to be qualified to train another in all aspects of tattooing it takes a wide range of skills and experience.

Being an accomplished tattooer is not qualification enough. One must have a desire to pass along the knowledge, wisdom, and experience they have in addition to the skillset necessary to teach it. Discipline, dedication, and determination must be coupled with a sincere love of the craft and the yearning to give back more than you received.

The ultimate reward for a good mentor is the students surpassing them in the field. We always want the next generation to be better than we were. This requires humility, perhaps the most important characteristic a mentor can possess.

Share your thoughts on what it takes to be successful at teaching someone to be a great tattooer, we would love to hear your perspective.

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