
Episode 15: Depicting War in Art and Music: Of Fallen Heroes and Epic Battles
02/11/25 • 65 min
Description
In this episode of Hot Takes on the Classics, Emily Maeda and Tim McIntosh shift their focus to the depiction of war in art and music. They explore how Beethoven’s Eroica Symphony, Tchaikovsky’s 1812 Overture, and iconic paintings like Napoleon Crossing the Alps and Washington Crossing the Delaware capture the complexities of heroism, leadership, and the costs of war. The conversation unpacks how the Enlightenment and Romantic eras shaped these artistic works and their depictions of war. Emily’s hot take questions whether liberal democracies can balance the need for heroic figures with their commitment to equality and the rule of law.
Show Guide
00:00 Opening Remarks and the Challenge of Depicting War in Art
04:15 The Enlightenment and the Absence of War Literature in the 18th Century
09:24 Beethoven’s Eroica: From Dedication to Disillusionment
18:09 Napoleon in Art: David’s Napoleon Crossing the Alps
27:56 Washington as the Anti-Napoleon: Washington Crossing the Delaware
34:11 Tchaikovsky’s 1812 Overture: A Celebration of Russian Resilience
42:00 Goya’s The Third of May: The Brutality of War on the Common Man
50:10 Emily’s Hot Take: The Heroic Ideal and Liberal Democracies
55:30 Closing Remarks and Next Episode Preview
Key Topics & Takeaways
- Beethoven’s Disillusionment with Napoleon: The Eroica Symphony began as a tribute to Napoleon’s leadership but became a reflection of disillusionment after Napoleon declared himself emperor.
- Napoleon vs. Washington in Art: Jacques-Louis David’s Napoleon Crossing the Alps glorifies a solitary and triumphant figure, while Leutze’s Washington Crossing the Delaware emphasizes collective effort and duty.
- Tchaikovsky’s Musical Nationalism: The 1812 Overture uses motifs like the French national anthem and a Russian hymn to narrate Napoleon’s failed invasion of Russia.
- The Brutality of War: Goya’s The Third of May offers a harrowing depiction of the human cost of war, contrasting with more glorified portrayals.
- Heroism in Liberal Democracies: Emily argues that modern democratic values complicate the creation of heroic figures, as equality and rule of law clash with the concept of larger-than-life leaders.
Questions & Discussion
- How does Beethoven’s Eroica reflect the shift from Enlightenment ideals to Romantic individualism?
Analyze how Beethoven’s relationship with Napoleon influenced the symphony’s themes of heroism and disillusionment. - What are the differences between Napoleon and Washington in art?
Explore how their depictions serve distinct political and cultural narratives. - How does Tchaikovsky musically convey the story of Napoleon’s defeat in Russia?
Discuss the use of nationalistic and religious motifs in the 1812 Overture. - What does Goya’s The Third of May reveal about the personal toll of war?
Consider how the painting portrays the contrast between power and vulnerability. - Can liberal democracies produce heroic figures?
Reflect on the tension between democratic values and the desire for inspiring leaders.
Suggested Viewing & Listening
- Beethoven’s Eroica Symphony
- Tchaikovsky’s 1812 Overture
- Jacques-Louis David’s Napoleon Crossing the Alps
- Emanuel Leutze’s Washington Crossing the Delaware
- Francisco Goya’s The Third of May 1808
- The Battle of Borodino painting
Description
In this episode of Hot Takes on the Classics, Emily Maeda and Tim McIntosh shift their focus to the depiction of war in art and music. They explore how Beethoven’s Eroica Symphony, Tchaikovsky’s 1812 Overture, and iconic paintings like Napoleon Crossing the Alps and Washington Crossing the Delaware capture the complexities of heroism, leadership, and the costs of war. The conversation unpacks how the Enlightenment and Romantic eras shaped these artistic works and their depictions of war. Emily’s hot take questions whether liberal democracies can balance the need for heroic figures with their commitment to equality and the rule of law.
Show Guide
00:00 Opening Remarks and the Challenge of Depicting War in Art
04:15 The Enlightenment and the Absence of War Literature in the 18th Century
09:24 Beethoven’s Eroica: From Dedication to Disillusionment
18:09 Napoleon in Art: David’s Napoleon Crossing the Alps
27:56 Washington as the Anti-Napoleon: Washington Crossing the Delaware
34:11 Tchaikovsky’s 1812 Overture: A Celebration of Russian Resilience
42:00 Goya’s The Third of May: The Brutality of War on the Common Man
50:10 Emily’s Hot Take: The Heroic Ideal and Liberal Democracies
55:30 Closing Remarks and Next Episode Preview
Key Topics & Takeaways
- Beethoven’s Disillusionment with Napoleon: The Eroica Symphony began as a tribute to Napoleon’s leadership but became a reflection of disillusionment after Napoleon declared himself emperor.
- Napoleon vs. Washington in Art: Jacques-Louis David’s Napoleon Crossing the Alps glorifies a solitary and triumphant figure, while Leutze’s Washington Crossing the Delaware emphasizes collective effort and duty.
- Tchaikovsky’s Musical Nationalism: The 1812 Overture uses motifs like the French national anthem and a Russian hymn to narrate Napoleon’s failed invasion of Russia.
- The Brutality of War: Goya’s The Third of May offers a harrowing depiction of the human cost of war, contrasting with more glorified portrayals.
- Heroism in Liberal Democracies: Emily argues that modern democratic values complicate the creation of heroic figures, as equality and rule of law clash with the concept of larger-than-life leaders.
Questions & Discussion
- How does Beethoven’s Eroica reflect the shift from Enlightenment ideals to Romantic individualism?
Analyze how Beethoven’s relationship with Napoleon influenced the symphony’s themes of heroism and disillusionment. - What are the differences between Napoleon and Washington in art?
Explore how their depictions serve distinct political and cultural narratives. - How does Tchaikovsky musically convey the story of Napoleon’s defeat in Russia?
Discuss the use of nationalistic and religious motifs in the 1812 Overture. - What does Goya’s The Third of May reveal about the personal toll of war?
Consider how the painting portrays the contrast between power and vulnerability. - Can liberal democracies produce heroic figures?
Reflect on the tension between democratic values and the desire for inspiring leaders.
Suggested Viewing & Listening
- Beethoven’s Eroica Symphony
- Tchaikovsky’s 1812 Overture
- Jacques-Louis David’s Napoleon Crossing the Alps
- Emanuel Leutze’s Washington Crossing the Delaware
- Francisco Goya’s The Third of May 1808
- The Battle of Borodino painting
Previous Episode

Episode 14: Paradise Lost: The Cosmic Battle of Good and Evil
Description
In this episode of Hot Takes on the Classics, Emily Maeda and Tim McIntosh delve into John Milton’s Paradise Lost, a towering epic of English literature that grapples with theology, cosmology, and human nature. They discuss Milton’s attempt to craft a Christian epic, his complex portrayal of Satan, and the cosmic war between good and evil. Emily offers her provocative hot take on Milton’s theological influences, questioning whether his depiction of Christ reflects heretical Arian leanings.
Show Guide
00:00 Opening Remarks and Milton’s Epic Invocation
01:06 Why Paradise Lost Is So Difficult (and So Worthwhile)
04:15 The Epic Tradition: How Milton Engages Homer, Vergil, and Dante
09:24 Milton’s Life, Revolutionary Ideas, and Personal Struggles
12:45 The War in Heaven: Can You Kill an Angel?
19:05 Satan’s Rebellion and Abdiel’s Heroic Defiance
23:30 The Fall of Satan and the Construction of Hell
26:40 Milton’s Cosmology: Mapping Heaven, Hell, and Earth
32:00 The Temptation of Adam and Eve
35:20 Emily’s Hot Take: Milton’s Arian Theology and Its Impact
38:30 Closing Remarks and Next Episode Preview
Key Topics & Takeaways
- Epic Ambition: Milton situates his work within the tradition of classical epics, calling on the Holy Spirit as his muse to tell the Christian story of creation, rebellion, and redemption.
- Satan’s Complexity: Milton’s Satan is a charismatic and tragic figure, raising questions about free will, rebellion, and the nature of evil.
- The War in Heaven: Milton vividly imagines angelic conflict, complete with celestial cannons and mountains wielded as weapons, exploring the cosmic implications of rebellion.
- Milton’s Theology: The poem reflects Milton’s intellectual engagement with Christian doctrine, but Emily’s hot take questions whether his portrayal of Christ hints at Arianism.
- Themes of Freedom and Knowledge: Paradise Lost examines the tension between obedience and free will, challenging readers to consider the costs of rebellion and the pursuit of knowledge.
Questions & Discussion
- How does Milton’s Satan challenge traditional views of evil?
Reflect on whether Satan’s charisma makes him a sympathetic or cautionary figure. - What makes Milton’s depiction of the war in Heaven so striking?
Explore how the poem’s vivid imagery reimagines spiritual conflict in a cosmic setting. - How does Milton integrate theology, science, and poetry in Paradise Lost ?
Discuss his use of contemporary scientific knowledge to create a detailed cosmology. - Why does Milton emphasize free will and obedience in his epic?
Analyze how these themes shape the arcs of Satan, Adam, and Eve. - Was Milton’s theology unorthodox?
Consider Emily’s hot take on Milton’s possible Arian influences and their effect on his portrayal of Christ.
Suggested Reading
Next Episode

Episode 16: War and Peace: How to Defeat Napoleon? Do Nothing
Description
In this episode of Hot Takes on the Classics, Emily Maeda and Tim McIntosh tackle Leo Tolstoy’s monumental War and Peace. They explore how Tolstoy weaves the lives of Russian aristocrats with the chaos of Napoleon’s invasion, balancing themes of love, honor, fate, and the unpredictability of war. Tim delivers a bold hot take, arguing that Tolstoy belongs on the Mount Rushmore of Western literature and shares a practical strategy to help readers conquer this epic masterpiece.
Show Guide
00:00 Opening Quote and Episode Introduction
01:06 Why War and Peace Is Worth the Read (Despite Its Length)
04:15 Is War and Peace an Epic? (And Who Is the Hero?)
09:24 Russia vs. Europe: Tolstoy’s Cultural Commentary
12:45 Pierre Bezukhov: The Awkward Hero
18:09 Prince Andrei and Natasha Rostov: Duty, Desire, and Growth
23:30 General Kutuzov: The Wisdom of Patience in War
29:50 The Philosophy of History: Tolstoy’s Breaks in the Narrative
36:20 The Russian Soul vs. Enlightenment Rationality
41:00 Tim’s Hot Take: Tolstoy on the Mount Rushmore of Literature
47:01 Closing Remarks and Reading Challenge
Key Topics & Takeaways
- Life Amid War: Tolstoy masterfully captures the ordinary rhythms of life against the backdrop of Napoleon’s invasion, blending intimate human drama with sweeping historical events.
- Pierre Bezukhov, The Relatable Hero: Pierre’s awkwardness, existential questions, and search for meaning make him one of literature’s most human protagonists.
- Kutuzov’s Wisdom: General Kutuzov embodies the power of patience, showing that restraint and non-action can outmaneuver the Enlightenment ideal of rational warfare.
- The Philosophy of History: Tolstoy critiques the “great man” theory, arguing that history is driven by countless small, unpredictable factors rather than individual genius.
- Russia’s Identity Crisis: The novel explores the tension between Russian tradition and European influence, asking whether Russia should embrace Western ideals or remain true to its unique culture.
Questions & Discussion
- How does Tolstoy blur the line between fiction and history in War and Peace ?
Reflect on how historical figures like Napoleon interact with fictional characters like Pierre and Andrei. - What makes Pierre Bezukhov a compelling hero?
Discuss how Pierre’s internal struggles reflect broader themes of fate, free will, and the search for meaning. - How does General Kutuzov’s strategy challenge Enlightenment ideals about war?
Explore how patience and non-action serve as effective tactics against Napoleon’s forces. - Why does Tolstoy interrupt the narrative with essays on history and free will?
Analyze how these philosophical interludes deepen the reader’s understanding of the novel’s themes. - Is Tolstoy correct in criticizing the “great man” theory of history?
Debate whether history is shaped more by individuals or collective forces.
Suggested Reading
- War and Peace by Leo Tolstoy (Constance Garnett or Pevear & Volokhonsky translations)
- “Wisdom and Folly in War and Peace” (First Things article)
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/hot-takes-on-the-classics-604135/episode-15-depicting-war-in-art-and-music-of-fallen-heroes-and-epic-ba-84019802"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to episode 15: depicting war in art and music: of fallen heroes and epic battles on goodpods" style="width: 225px" /> </a>
Copy