
Hattie McDaniel: The Beginning
Explicit content warning
06/19/18 • 29 min
All episodes of Hollywood in Color are heavily researched. Here are the major sources used for this episode:
Hattie McDaniel: Black Ambition, White Hollywood (book) by Jill Watts
Hattie: The Life of Hattie McDaniel (book) by Carlton Jackson
Hattie McDaniel and the Culture of Dissemblance (article) by Victoria Sturtevant
African American Actresses: The Struggle for Visibility, 1900-1960 (book) by Charlene B. Regester
Clinging to Mammy: The Faithful Slave in 20th Century America (book) by Micki McElya
This Is Not Dixie: Racist Violence in Kansas, 1861-1927 (book) by Brent M.S. Campney
Music used in this episode (listed in order heard):
Theme song (intro and outro): Hombre (Instrumental) by Kevin J. Simon (marmosetmusic.com)
Danse Morialta by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Ave Marimba by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Small Daffs by Axletree (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Hyperfun by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Ave Marimba by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Nostalgic Piano by Rafael Krux (freepd.com) — Public domain
Impromptu in Quarter Comma Meantone by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Cheap Arp Guitar by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Media Cited:
Gone with the Wind (1939) dir. Victor Fleming
Hattie McDaniel Arrives at the Coconut Grove (2004) by Rita Dove
I Wish I Had Somebody (1926) by Hattie McDaniel
Boo Hoo Blues (1926) by Hattie McDaniel
Any Kind of Man Would Be Better Than You (1929) by Hattie McDaniel
That New Love Maker of Mine (1929) by Hattie McDaniel
*Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research
Hollywood in Color artwork designed by Shelby Moring
Follow Hollywood in Color on all social media @hwoodincolor and visit the show at hollywoodincolor.org
All episodes of Hollywood in Color are heavily researched. Here are the major sources used for this episode:
Hattie McDaniel: Black Ambition, White Hollywood (book) by Jill Watts
Hattie: The Life of Hattie McDaniel (book) by Carlton Jackson
Hattie McDaniel and the Culture of Dissemblance (article) by Victoria Sturtevant
African American Actresses: The Struggle for Visibility, 1900-1960 (book) by Charlene B. Regester
Clinging to Mammy: The Faithful Slave in 20th Century America (book) by Micki McElya
This Is Not Dixie: Racist Violence in Kansas, 1861-1927 (book) by Brent M.S. Campney
Music used in this episode (listed in order heard):
Theme song (intro and outro): Hombre (Instrumental) by Kevin J. Simon (marmosetmusic.com)
Danse Morialta by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Ave Marimba by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Small Daffs by Axletree (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Hyperfun by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Ave Marimba by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Nostalgic Piano by Rafael Krux (freepd.com) — Public domain
Impromptu in Quarter Comma Meantone by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Cheap Arp Guitar by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Media Cited:
Gone with the Wind (1939) dir. Victor Fleming
Hattie McDaniel Arrives at the Coconut Grove (2004) by Rita Dove
I Wish I Had Somebody (1926) by Hattie McDaniel
Boo Hoo Blues (1926) by Hattie McDaniel
Any Kind of Man Would Be Better Than You (1929) by Hattie McDaniel
That New Love Maker of Mine (1929) by Hattie McDaniel
*Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research
Hollywood in Color artwork designed by Shelby Moring
Follow Hollywood in Color on all social media @hwoodincolor and visit the show at hollywoodincolor.org
Previous Episode

Las Reinas of Los Angeles: The End
All episodes of Hollywood in Color are heavily researched. Here are the major sources used for this episode:
Dolores Del Rio: Beauty in Light and Shade (book) by Linda B Hall
Lupe Vélez: The Life and Career of Hollywood's Mexican Spitfire (book) by Michelle Vogel
Lupe Vélez: Queen of the Bs (in the book From Bananas to Buttocks: The Latina Body in Popular Film and Culture) by Rosa Linda Fregoso
Spitfire: Lupe Velez and the Ambivalent Pleasures of Ethnic Masquerade (article) by Victoria Sturtevant
"You Don't Say That in English!": The Scandal of Lupe Velez (book chapter) by Henry Jenkins
The Assumption of Lupe Velez (thesis) by Rita Gonzalez
Decade of Betrayal: Mexican Repatriation in the 1930s (book) by Francisco E. Balderrama
The Rise of Spanish-Language Filmmaking: Out from Hollywood's Shadow, 1929-1939 (book) by Lisa Jarvinen
Making Cinelandia: American Films and Mexican Film Culture before the Golden Age (book) by Laura Isabel Serna
Mexico on Main Street: Transnational Film Culture in Los Angeles Before World War II (book) by Colin Gunckel
Whitewashed Adobe: The Rise of Los Angeles (book) by William Deverell
The History of Sound at the Movies (youtube.com) by Filmmaker IQ
SB-670 Chapter 663 Mexican Repatriation Program of the 1930s ( leginfo.legislature.ca.gov)
Music used in this episode (listed in order heard):
Theme song (intro and outro): Hombre (Instrumental) by Kevin J. Simon (marmosetmusic.com)
Lobby Time by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
No Disclaimer by Jesse Spillane (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Lonesome Liar Dancing Up in the Trees by We Is Shore Dedicated (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Get Ready by Kumiko (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Assignment 1 by Drake Stafford (freemusicarchive.org) — Modified and looped from original — Licensed under Creative Commons: By Attribution 4.0 License
July by Kai Engel (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Tumult by Kai Engel (freemusicarchive.org) — Modified and looped from original — Licensed under Creative Commons: By Attribution 4.0 License
Remember the Time We Use To Play by Komiku (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Accralate by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
On the Passing of Time by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
No soy de aqui, ni soy de alla by Chavela Vargas — Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research
Hollywood in Color artwork designed by Shelby Moring
Follow Hollywood in Color on all social media @hwoodincolor and visit the show at hollywoodincolor.org
Next Episode

Hattie McDaniel: Winning and Losing
All episodes of Hollywood in Color are heavily researched. Here are the major sources used for this episode:
Hattie McDaniel: Black Ambition, White Hollywood (book) by Jill Watts
Hattie: The Life of Hattie McDaniel (book) by Carlton Jackson
Scarlett, Rhett, and A Cast of Thousands: The filming of Gone with the Wind (book) by Roland Flamini
Memo from David O. Selznick (book) by David O. Selznick
White Robes, Silver Screens: Movies and the Making of the KKK (book) by Tom Rice
Gone with the Wind: Black and White in Technicolor (article) by Ruth Elizabeth Burks
The Rise of the Ku Klux Klan Right-Wing Movements and National Politics by Rory McVeigh
Race and the Cloud of Unknowing in Gone with the Wind (article) by Patricia Yeager
The Black Reaction to Gone with the Wind (article) by JD Stevens
The African American Press' Reception of Gone with the Wind (article) by James Tracy
Music used in this episode (listed in order heard):
Theme song (intro and outro): Hombre (Instrumental) by Kevin J. Simon (marmosetmusic.com)
The Wait by how the night came (freemusicarchive.org) — Licensed under Creative Commons: By Attribution 4.0 License
Pepper's Theme (full mix) by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Caught the Feeling (Instrumental) by SNVRS (marmosetmusic.com)
Anamalie by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Reflection by how the night came (freemusicarchive.org) — Looped — Licensed under Creative Commons: By Attribution 4.0 License
Ghostpocalypse 8 Epilog by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Poppers and Prosecco by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
To Move An Inch by Steve Combs (freemusicarchive.org) — Looped — Licensed under Creative Commons: By Attribution 4.0 License
July by Kai Engel (freemusicarchive.org) — Looped — Licensed under Creative Commons: By Attribution 4.0 License
Danse Morialta by Kevin MacLeod (incompetech.com) — Licensed under Creative Commons: By Attribution 3.0 License
Media Cited:
"Banning Gone with the Wind" September 2017, The View
Interview with Lennie Bluett, "Race and Hollywood," May 2006 by Turner Classic Movies
Gone with the Wind (1939)
Hattie McDaniel Winning Best Supporting Actress (1940)
*Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research
Hollywood in Color artwork designed by Shelby Moring
Follow Hollywood in Color on all social media @hwoodincolor and visit the show at hollywoodincolor.org
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/hollywood-in-color-378308/hattie-mcdaniel-the-beginning-54039378"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to hattie mcdaniel: the beginning on goodpods" style="width: 225px" /> </a>
Copy