
Galen and the Elephant's Heart
08/03/16 • 15 min
Previous Episode

The Non-sense of Art
For a while now, David Schuman, a fiction writer and the director of the Creative Writing MFA program at Washington University in St. Louis, has been interested in--what he calls--"the Void." The Void can also be thought of as the ineffable quality of art, the thing too great to be expressed in words, or as a musical score, or even with paint or clay, but that is felt nonetheless. Call it what you will, David wrestles with the unnamable and calls upon other writers and artists who have shared his fascination with the Void.
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Venus, Deconstructed
As a follow-up to last week's episode with Luis Salas on the ancient history of medicine and anatomy, we're reaching into the archives to share the story of story of one museum, La Specola, and its infamous 18th century exhibit of gruesome wax anatomical models. Our guide is Rebecca Messbarger, a professor of Italian and Women, Gender, and Sexuality Studies and director of the Medical Humanities minor at Washington University in St. Louis. In this episode from 2014, Messbarger explains how La Specola and its wax inhabitants helped set the course for a new Enlightenment era, and how one figure, the Venus, became central to this new regime of the human body.
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