
Hit Parade: The Fab Four Sweep Edition
05/26/17 • 51 min
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In episode two, Chris Molanphy takes a look at the historic week the Beatles swept the entire Billboard Top Five. You can see that chart right here. It’s a feat that’s never been repeated. But the Fab Four’s total domination of the pop charts was both a reflection of their massive popularity and a huge screwup by their American record label. Here’s the story of how Capitol Records nearly sabotaged the biggest rock band of all time. Join Slate Plus! Members get bonus segments, exclusive member-only podcasts, and more. Sign up for a free trial today at Slate.com/gistplus.
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In episode two, Chris Molanphy takes a look at the historic week the Beatles swept the entire Billboard Top Five. You can see that chart right here. It’s a feat that’s never been repeated. But the Fab Four’s total domination of the pop charts was both a reflection of their massive popularity and a huge screwup by their American record label. Here’s the story of how Capitol Records nearly sabotaged the biggest rock band of all time. Join Slate Plus! Members get bonus segments, exclusive member-only podcasts, and more. Sign up for a free trial today at Slate.com/gistplus.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Previous Episode

Hit Parade: Red, Red Wine Edition
In this debut episode, Chris Molanphy tells the story of “Red, Red Wine”: a song written in the 1960s by a certain journeyman singer-songwriter who loves a Hot August Night. Improbably, it became a reggae song, before the ’60s were even over—and then, even more improbably, in the 1980s it was transformed into a lilting, toasting reggae-pop global smash. And it would have been a flop in America if it hadn’t been for an enterprising deejay, who ignored the record labels and picked his own hits. With this song, he even started a two-year fad and a radio mutiny.
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Next Episode

Hit Parade: The Imperial Elton and George Edition
When Elton John came out as bisexual in 1976, it was a really big deal. It was covered on the evening news. There were angry letters and a decline in sales. And for a generation of queer musicians, like George Michael, it was a lesson: Be careful what you reveal about your sex life to the public. On this episode, we look at the friendship, collaboration, and chart rivalry of the two British icons, who collided on the Billboard Hot 100 for one week in 1988—and later topped the chart together.
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