51 - The Lion and the Letter-Cutter

01/23/24 • 67 min

1 Listener

In the 1440s a goldsmith from Mainz called Johannes Gutenberg developed a movable type printing press which catalysed the European printing revolution. It heralded a technological leap in communication tools which had far reaching consequences for the societies of the Low Countries, particularly in urban centres where print shops were established. A large market for books already existed in the Low Countries, in no small part because of the existence of Common Life schools and subsequent high rates of general literacy. With the copying and widespread distribution of texts becoming so much quicker and easier, other fields of work began to shift and develop, as different skills and networks were needed to smoothly bring content to the public. In this episode we are going to first take a look at what a 15th century printing workshop might have been like, before meeting some of the pioneers who would pull the printing presses and perfect the processes pertaining to the profitable publication of pamphlets, prayer books and other pre-16th century paper imprinted particularities.

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Previous Episode

BONUS: Simon Gronowski's escape from the 20th Convoy

We meet Simon Gronowski, a 92 year old jazz pianist, lawyer and Holocaust survivor. At the age of eleven, Simon was locked in a cattle wagon with his mother and around 50 other people after a month’s imprisonment at the Dossin Barracks in Mechelen for the crime of being Jewish. The train they had been herded onto was bound for the extermination camp of Auschwitz-Birkenau, the 20th such mass deportation of Jews from Belgium. But this train trip would be unique in world war two. The 20th convoy became the only deportation train in the entire continent which was attacked and stopped by resistance fighters, allowing around a hundred people to escape. Simon Gronowski was one of these people and it is his story that we are going to explore in today’s episode.

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Next Episode

BONUS: Not Rembrandt

They both lived during the Dutch Golden Age, grew up in Leiden, were taught by the same painter, shared a studio, received all the praise, and painted the rulers of their time. And yet, Jan Lievens is not as famous today as his friend Rembrandt.

In this episode of The Low Countries Radio, we reconstruct the lives and works of these two giants of art, showing how trends and the zeitgeist can drive or hinder an artist's career, but how their legacy is bound to the whims of fate and fortune.

Do you want to know more about Flemish and Dutch history and culture? Visit www.the-low-countries.com.

Music provided by Storyblocks: "Jazz Bass And Drums Solo" by Volodymyr Piddubnyk https://www.storyblocks.com/audio/stock/jazz-bass-and-drums-solo-bjj7ev19vkhjpmbps.html

"Minimal Documentary Background Music" by Volodymyr Piddubnyk https://www.storyblocks.com/audio/stock/minimal-documentary-background-music-skxjrbbvvketzhdzl.html "Documentary Corporate Marimba Background Music" by Media-Music Group https://www.storyblocks.com/audio/stock/documentary-corporate-marimba-background-music-rivttg71dkk2oc0dt.html

"Lofi Jazz Beat (Paris Caf Version)" by The Turquoise Moon https://www.storyblocks.com/audio/stock/lofi-jazz-beat-sdve38movkgogrl4f.html

“Cousing Mischief” by Facundo Alvarez https://www.storyblocks.com/audio/stock/cousing-mischief-rpgn65n8dkfs85l7u.html

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