Less Arc, More Contact: Karl Unnasch
High Visibility: On Location in Rural America and Indian Country03/01/21 • 57 min
In this episode, Karl Unnasch joins Matthew Fluharty for a conversation on his creative process, rural community, and bridging difference between cultures and geographies. Husk, his metal and stained glass sculpture of a crushed Busch Light can, is included in the High Visibility exhibition.
A rugged farm upbringing streaked with a penchant for the surreal: This has been the driving force behind the work of Karl Unnasch. With decades of expertise in wood, metal, stonework and stained glass, phantasmagorical combinations of media have become his hallmark. Backed by a comprehensive education in the arts (MFA 2003), his notions morph into works that toy with nostalgia, knitting together sources of collective memory while ringing with an element of his own whimsy.
Unnasch’s smaller-scale work has been exhibited as far as Europe and acclaimed in publications such as the New York Times and Art in London Magazine, while his larger-scale, award-winning public art has been featured on the likes of NBC’s Today show, Reader’s Digest and Voice of America. For over a decade, Unnasch has focused primarily on public and architectural art, typically incorporating backlit stained glass into sculptural installations. His work adorns educational facilities, banks, theaters, libraries, museum grounds, businesses and public gathering spaces across North America.
To dive deeper into Karl Unnasch's work:
http://www.karlunnasch.com/
For more information on the High Visibility exhibition at the Plains Art Museum:
https://plainsart.org/exhibitions/high-visibility/
High Visibility exhibition site: https://inhighvisibility.org/
In this conversation, Karl mentions the following works:
Operant, at the Rose Kennedy Greenway in Boston:
http://www.karlunnasch.com/project-pages/operant/2019-05-operant-an-oldowonk-cataract-stained-glass-dump-truck.html
Ruminant, in Reedsburg, Wisconsin:
http://www.karlunnasch.com/project-pages/ruminant/2013-10-ruminant-stained-glass-harvesting-combine.html
Slumgullion, at the Philbrook Museum of Art in Tulsa:
http://www.karlunnasch.com/project-pages/slumgullion/2018-10-slumgullion-the-venerate-outpost-philbrook-museum-tulsa-log-cabin.html
At the conclusion of our time together, Karl mentions some music that has been moving him lately:
Sturgill Simpson:
https://www.sturgillsimpson.com/
Waylon Payne:
https://waylonpaynemusic.co/
The HU:
https://www.thehuofficial.com/
We are grateful for the support of the Andy Warhol Foundation for the Visual Arts and the National Endowment for the Arts.
Explicit content warning
03/01/21 • 57 min
High Visibility: On Location in Rural America and Indian Country - Less Arc, More Contact: Karl Unnasch
Transcript
Hello, you're listening to high visibility.
Matthew FluhartyThis podcast welcomes into conversation artists, culture bearers and leaders from across rural America in Indian country, and is produced by art of the rural and Plains Art Museum. Our podcast is produced in conjunction with a high visibility exhibition, a collaboratively curated effort currently on view at Plains Art Museum through May
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