Silhouettist Kara Walker on early fame and symbols of Black servitude

01/17/23 • 49 min

There are whole histories of African American artists wrestling with stereotypical depictions and minstrelsy - and it seemed worthy anyway to me as an artist to consider them as some kind of artwork.

American painter and silhouettist Kara Walker rose to international acclaim at the age of 28 as one of the youngest-ever recipients of a MacArthur Genius grant. Appearing in exhibitions, museums, and public collections worldwide, Walker’s work wrestles with the ongoing psychological injury caused by the legacy of slavery.

In this episode, Walker shares how she navigates her own inner conflicts, how a curiosity for history led her to the silhouette, and what happens when making use of symbols of Black servitude brings one acclaim.

References:

Buster Browns

RISD - Rhode Island School of Design

My Complement, My Enemy, My Oppressor, My Love

University of the Pacific

Robert Wilson

Einstein on the Beach

Stanley Whitney

Glen Ligon

Kehinde Wiley

There are whole histories of African American artists wrestling with stereotypical depictions and minstrelsy - and it seemed worthy anyway to me as an artist to consider them as some kind of artwork.

References:

Buster Browns

RISD - Rhode Island School of Design

My Complement, My Enemy, My Oppressor, My Love

University of the Pacific

Robert Wilson

Einstein on the Beach

Stanley Whitney

Glen Ligon

Kehinde Wiley

Previous Episode

Smithsonian director Kevin Young on the power of unexpected transformations

I like to say we're living in a precedent time, not an unprecedented one. How do we understand that? Being at the museum or writing histories both in poetry and in non-fiction are ways of trying to understand that.

“Gatekeepers” hold an essential role in our culture as those in positions of power who determine what we see and hear — and therefore how we understand our world. The poet Kevin Young holds dual gatekeeping roles as both director of the Smithsonian’s National Museum of African American History and Culture as well as the poetry editor for The New Yorker magazine.

In this episode, Young talks about how he holds these responsibilities and likens reading a poem to entering into a museum. He also shares his belief in the power of unexpected transformations, which songs have brought him comfort, and how it’s always easiest to write about the place you’ve just left.

References:

Smithsonian's National Museum of African American History and Culture

Public Enemy

Chuck D

Parliament Funkadelic

African American Vernacular English

Sister Sonya Sanchez

Langston Hughes

Gwendolyn Brooks

Harriet Tubman's shawl

David Hammonds’ African American Flag

Willie Nelson

Earth, Wind and Fire

John Coltrane's Love Supreme

I Want You - Marvin Gay

Mary Lou Williams

Jean-Michel Basquiat

Make Good the Promises

Ida B. Wells

Book of Hours - Kevin Young

Stones - Kevin Young

Next Episode

Writer Macarena Gómez-Barris on finding beauty in ambiguity

This [term] 'femme' becomes more possible to me as a figure for not just embodiment, but for thought, action, engagement, connection.

Macarena Goméz-Barris is Professor and Chair of Modern Culture and Media at Brown University, founder of the Global South Center at Pratt Institute, an organization which supports artists, activists, and scholars in their efforts to decolonialize local and global communities.

In this episode, Goméz-Barris talks about how one can and must find beauty in the most ambiguous of places, how she uses the word “femme” to escape the embattled histories of the word “female," and how she has—and hasn’t—moved on from a traumatic early swimming lesson with her father.

References:

Constantine Petrou Cavafy

Waiting for the Barbarians

Audre Lorde

Uses of the Erotic, The Erotic is Power

Saidiya Hartman

Octavia E. Butler

Parable of the Talents