
Ep6 - Frank Galati: "Stumbling Forward"
Explicit content warning
07/21/20 • 37 min
Cliff Chamberlain catches up with ensemble member Frank Galati in this conversation that covers Galati's first theatrical experiences, his attachment to Illinois, and what drew him to a career as a director and adapter. A master storyteller, Galati takes a deep dive into some of his most beloved Steppenwolf productions, including The Grapes of Wrath and Kafka on the Shore.
Interview begins at 3:03
Frank Galati has been a member of the Steppenwolf ensemble since 1985. Frank won two Tony Awards for his adaptation and direction of Steppenwolf's production of The Grapes of Wrath on Broadway and was nominated for a Tony Award in 1998 for directing the musical Ragtime. Although he is known primarily as a director of epic plays and musicals (Steppenwolf's Homebody/Kabul, Broadway's Ragtime) he is an equally adept actor (Steppenwolf's The Drawer Boy, The Tempest) and adaptor (Academy Award nomination for Best Screenplay for The Accidental Tourist.) he directed his adaptation of Murakami’s Kafka on the Shore at Steppenwolf in 2008. His productions at the Goodman Theatre, where he was an associate director from 1986-2008, include She Always Said Pablo, The Winter’s Tale, The Good Person of Setzuan and Cry the Beloved Country and Mr. Galati is a professor emeritus in the department of performance studies at Northwestern University. He now is an artistic associate at Asolo Repertory Theatre in Sarasota, Florida. Frank is also currently working on a new musical called Knoxville with Lynn Ahrens and Stephen Flaherty.
This episode was co-sponsored by Lynn Lockwood Murphy, honoring Aidan Murphy and Kenyon College Class of 2020.
The excerpted poetry in this episode is from “The Waking” by Theodore Roethke (1953).
Learn more at steppenwolf.org. Want to get in touch? Email [email protected].
For a transcript of this episode, got to: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep6-transcript.pdf
Cliff Chamberlain catches up with ensemble member Frank Galati in this conversation that covers Galati's first theatrical experiences, his attachment to Illinois, and what drew him to a career as a director and adapter. A master storyteller, Galati takes a deep dive into some of his most beloved Steppenwolf productions, including The Grapes of Wrath and Kafka on the Shore.
Interview begins at 3:03
Frank Galati has been a member of the Steppenwolf ensemble since 1985. Frank won two Tony Awards for his adaptation and direction of Steppenwolf's production of The Grapes of Wrath on Broadway and was nominated for a Tony Award in 1998 for directing the musical Ragtime. Although he is known primarily as a director of epic plays and musicals (Steppenwolf's Homebody/Kabul, Broadway's Ragtime) he is an equally adept actor (Steppenwolf's The Drawer Boy, The Tempest) and adaptor (Academy Award nomination for Best Screenplay for The Accidental Tourist.) he directed his adaptation of Murakami’s Kafka on the Shore at Steppenwolf in 2008. His productions at the Goodman Theatre, where he was an associate director from 1986-2008, include She Always Said Pablo, The Winter’s Tale, The Good Person of Setzuan and Cry the Beloved Country and Mr. Galati is a professor emeritus in the department of performance studies at Northwestern University. He now is an artistic associate at Asolo Repertory Theatre in Sarasota, Florida. Frank is also currently working on a new musical called Knoxville with Lynn Ahrens and Stephen Flaherty.
This episode was co-sponsored by Lynn Lockwood Murphy, honoring Aidan Murphy and Kenyon College Class of 2020.
The excerpted poetry in this episode is from “The Waking” by Theodore Roethke (1953).
Learn more at steppenwolf.org. Want to get in touch? Email [email protected].
For a transcript of this episode, got to: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep6-transcript.pdf
Previous Episode

Ep5 – Storycatchers Theatre & StepEd: “I got your back”
In this episode of Half Hour, ensemble member Caroline Neff interviews Cydney Cleveland and Tamara Drew from Storycatchers Theatre, as well as Abhi Shrestha from Steppenwolf Education. Listen to learn about the vital performing arts programs that Storycatchers run inside and outside of juvenile justice facilities in Illinois, as well as their methodology and philosophy underpinning that work, and how their programs intersect with Steppenwolf Education’s.
Interview begins at 2:30.
This episode of Half Hour is sponsored by John Hart and Carol Prins in memory of Louise Hart, and co-sponsored by Winston & Strawn LLP.
Cydney Patrice Cleveland is the Production Director for Storycatchers Theatre. As Director, she oversees all production elements for the annual original one-act musicals presented at three juvenile justice facilities, and for the touring production of musical stories created by the Changing Voices Ensemble, Storycatchers’ post release performance employment program. Ms. Cleveland began her career at Storycatchers while a junior in high school at Young Women's Leadership Charter School of Chicago during a time when the organization worked in CPS schools in addition to juvenile facilities. Quickly moving up the ranks from participant, to administrative support, to program manager, and Production Director, Cleveland became a member of Storycatchers’ leadership team this year. She is responsible for creating a multi-year partnership with Steppenwolf Theatre Company. Together, the companies co-produce a multiple facility tour of a Steppenwolf Theater for Young Adults professional production.
Tamara Drew is a graduate of Millikin University where she earned a degree in both Theatre & Sociology. Currently, Tamara is the Artistic Manager of the Storycatchers Firewriters ensemble at IYC Chicago, is the Artistic Coordinator for Storycatchers Changing Voices Program, and is the Project Manager of the Storycatchers CPD training program. She is a mother to three sons, and serves as chair of the Fine Arts Magnet Education Committee at Ravenswood Elementary School.
Abhi Shrestha is a Chicago-based poet, arts educator, and theatre artist originally from Kathmandu, Nepal. Abhi is the Education Associate at Steppenwolf Theatre, serves on the Board of Directors for the Illinois Caucus for Adolescent Health (ICAH) and is the Resident Dramaturge and a Community Organizer with The Chicago Inclusion Project.
About Storycatchers Theatre: Storycatchers Theatre is dedicated to creating a safe, inclusive environment that uses the performing arts to prepare marginalized youth to envision and pursue productive futures. Through their healing-centered process, they believe that these resilient young people build agency and capacity to make productive life choices.
About Steppenwolf Education: Every season Steppenwolf for Young Adults (SYA) creates two full-scale professional productions specifically for teens. Programs include classroom residencies led by Steppenwolf-trained teaching artists; the Young Adult Council, an innovative year-round after-school initiative that uniquely engages high school students in all areas of the theater’s operation; in-depth mentorship programs for early-career professionals who will one day lead the American Theater.
Learn more at steppenwolf.org. Want to get in touch? Email halfhour@steppenwolf.org
For a transcript of this podcast, go to: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep5-transcript.pdf
Next Episode

Ep7 - Sydney Charles: “Triumph and Trouble”
Ensemble member Audrey Francis hosts actor, director, activist (and all-around bad ass) Sydney Charles for this frank, funny and warm conversation. Listen to learn about many of the vital movements in Chicago’s theater scene that are pushing institutions and individuals towards a more equitable field.
Interview begins at 2:35.
Sydney Charles is a Chicago-based actor, activist, and art maker and creator. Selected theatre credits include: The Color Purple (Drury Lane); Nina Simone: Four Women (Northlight Theatre); Flyin' West (American Blues Theatre); Lottery Day, Father Comes Home From the Wars (Goodman Theatre). Sydney can also be seen in episodes of The Haven, The T, Shameless and The Chi. She has lent her directing eye to Steppenwolf Theatre and Red Tape Theatre. She is particularly proud to be an artistic associate with Firebrand Theater. Sydney thanks God for every opportunity she is able to experience and her circle for supporting her every step of the way. Represented by Stewart Talent. AEA/SAG-AFTRA member
Follow Sydney Charles on twitter @mssydchas; on Instagram @mssydchas; or on her website at www.sydneycharlesexp.com
Learn more about We See You White American Theater at www.weseeyouwat.com or on Facebook and Instagram. Follow Second Act Chi on Instagram @thesecondactchi.
Learn more at steppenwolf.org. Want to get in touch? Email [email protected].
You can find a transcript of this podcast here: https://www.steppenwolf.org/globalassets/half-hour-podcast/half-hour-ep7-transcript.pdf
Half Hour - Ep6 - Frank Galati: "Stumbling Forward"
Transcript
Ep: 6 – Frank Galati: “Stumbling Forwards”
Date: 7/21/20
Featuring: Cliff Chamberlain, Audrey Francis, Frank Galati and Caroline Neff.
Frank Galati:
“I wake to sleep, but take my waking slow—"
Audrey Francis:
from Steppenwolf Theatre Company in Chicago, Illinois—
Frank Galati:
“I learn by going where I have to go.”
A
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