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Go Wild - Nature - Emma Turner; a life in the reeds

Nature - Emma Turner; a life in the reeds

06/14/19 • 27 min

Go Wild

In 1911 a photograph of young Bittern in the nest taken by Emma Turner proved that Bitterns were breeding again in Norfolk having been driven to extinction in Britain in the late 1800s.

Using extracts from her book, 'Broadland Birds', this programme tells the remarkable story of Emma Turner a pioneer of bird photography (1866-1940); who spent some 20 years at Hickling Broad in Norfolk, where she lived on a houseboat she designed named 'Water Rail' (after the first photograph she took in the Broadlands) and in a hut on a tiny island amongst the reeds (which became known as Turner's island).

After meeting and being inspired by Richard Kearton (who along with his brother Cherry Kearton was one of earliest wildlife photographers) she decided to take up wildlife photography and to document all the Broadland birds. She befriended two marshmen, Alfred Nudd and keeper Jim Vincent, and with their help she learned the ways of the marsh, and how to find, study and photograph the Broadland birds. It was Vincent who helped her find the young Bittern in 1911. She was awarded the Gold Medal of the Royal Photographic Society for her photograph of the bird.

Emma Turner was not only a pioneer bird photographer but a hugely respected ornithologist, whose studies of birds contributed enormously to our knowledge today. She died in 1940 with many accolades including having been one of the first ten women to be elected a fellow of the Linnaean Society and the first honorary ladies member of the British Ornithologists' Union.

Sound recordings by wildlife sound recordist Chris Watson. Produced by Sarah Blunt.

First broadcast on Tuesday 24 Jan, 2012.

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In 1911 a photograph of young Bittern in the nest taken by Emma Turner proved that Bitterns were breeding again in Norfolk having been driven to extinction in Britain in the late 1800s.

Using extracts from her book, 'Broadland Birds', this programme tells the remarkable story of Emma Turner a pioneer of bird photography (1866-1940); who spent some 20 years at Hickling Broad in Norfolk, where she lived on a houseboat she designed named 'Water Rail' (after the first photograph she took in the Broadlands) and in a hut on a tiny island amongst the reeds (which became known as Turner's island).

After meeting and being inspired by Richard Kearton (who along with his brother Cherry Kearton was one of earliest wildlife photographers) she decided to take up wildlife photography and to document all the Broadland birds. She befriended two marshmen, Alfred Nudd and keeper Jim Vincent, and with their help she learned the ways of the marsh, and how to find, study and photograph the Broadland birds. It was Vincent who helped her find the young Bittern in 1911. She was awarded the Gold Medal of the Royal Photographic Society for her photograph of the bird.

Emma Turner was not only a pioneer bird photographer but a hugely respected ornithologist, whose studies of birds contributed enormously to our knowledge today. She died in 1940 with many accolades including having been one of the first ten women to be elected a fellow of the Linnaean Society and the first honorary ladies member of the British Ornithologists' Union.

Sound recordings by wildlife sound recordist Chris Watson. Produced by Sarah Blunt.

First broadcast on Tuesday 24 Jan, 2012.

Previous Episode

undefined - The Flower Fields

The Flower Fields

There's a gold rush in Cornwall; it's been going on for more than a century - producing the first flowers of spring, daffodils especially. Like mining, it's marked the landscape, and there are networks of tiny fields west of Mousehole and in the Isles of Scilly. Smaller than tennis courts, they nestle, safe from the wind between high hedges, warm on south facing terraced cliffs. From these old flower fields, called quillets, came something even more valuable than the 'Golden Harvest' of daffodils that bloomed earlier than anywhere else in Britain - delicate Cornish violets, carnations and anemones. From Victorian times to the 1960s fragrant bunches of these sped overnight by rail to reach the London markets in the morning.

The writer Michael Bird, who lives in St Ives, listens while Bill Harvey works the plots his father tended. They are too small to admit machines and depend on the long-handled Cornish shovel. At Churchtown Farm on St Martins in the Scillies, Keith Low explains how the fields were created, by first building, then moving entire dry stone walls. With the internet and the post these old fields have become key to a modern business.

Michael walks the cliff gardens with the archaeologist Graeme Kirkham, who interprets the landscape they pass through. He draws on the recorded memories of flower farmers and workers to recapture the life of the flower fields and the industry's mysterious skills and traditions - such as boiling the soil in huge cauldrons at the end of the season to sterilise it for next year's anemones. And he meets Bob Paterson at Covent Garden market who remembers selling the violets and anemones that came on the Penzance trains, and hopes he might again.

Produced by Julian May.

First broadcast on Friday 12 October, 2012.

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undefined - Costing the Earth - Cycle City

Costing the Earth - Cycle City

The bulldozers have already begun work on London's 'cycle superhighways' or 'Crossrail for bikes'. Cycling enthusiasts have declared these segregated lanes to be the infrastructure which London needs to make cycling much more appealing for all. Andrew Gilligan, the Mayor's Cycling Commissioner says if Transport for London can get the engineering right then cycling in the capital will become safer and far more people might make the switch from cars, buses and trains to carbon free pedal power. The potential carbon and congestion savings are huge, up to 25% of transport emissions if we can reach the levels of cycling now seen in Copenhagen, and those who cycle are also healthier. However, to replicate Dutch or Danish bike culture cycling's appeal must move beyond the lycra-clad males to become the first choice for women, children and older people too.

Tom Heap finds out if these cycle superhighways can really deliver for the capital and if the huge amounts of money being spent here and elsewhere across the country can ensure a cycling revolution for all of Britain's would-be bikers.

Produced by Helen Lennard.

First broadcast on 14 April, 2015.

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