Episode 6. The resilient generation

09/13/22 • 58 min

The last straight line to graduation! The regular classes will soon be over. These final months are dedicated to creations with guest choreographers, personal projects and the realization of the students' Exiiit Festival. Throughout the hustle and bustle of the last semester, some personal explorations lead to major revelations. Eleni, Renátó, Marlla and Zoé manage to mark the tracks for their future... and we reunite in Brussels with Kia, for the celebratory ending of Generation XIII!

Classes, projects and music featured in this Episode: 1. Ballet, Lise Vachon, to live piano by Wannes Vanderhoeven 2. Contemporary technique, David Hernandez to CCMYK1 of Henrik Schwarz & Alma Quartet 3. Contemporary technique, Rakesh Shukesh to Eghass Malan of Les Filles de Illighadad 4. Ballet, Lise Vachon to live piano by Wannes Vanderhoeven 5. Creation A LOT A PART A BODY by Philipp Gehmacher to music of Peter Kutin 6. Contemporary technique, Diane Madden 7. Ballet, Douglas Becker to live piano by Bart Van Bulck 8. Creation Offering for a monster by Tamara Cubas 9. Creation Routes of Marlla Araújo & Luyd Carvalho 10. Creation FLIES of Renátó Miskolczi (at WIELS Art Center) 11. Creation You Wonder What I See of Eleni Roberts and Solal Mariotte to live music by Hippolyte Massini 11. Creation Where The Fuck Am I? of Per Anders Solli and Zoé Lakhnati 12. Students singing a spontaneous Generation 13 song at the graduation party.

P.A.R.T.S.
Concertgebouw Brugge
Kaaitheater
PACT Zollverein
STUK
De Singel
Dansens Hus Oslo
Etcetera
Vlaamse Gemeenschap
Brussels Hoofdstedelijk Gewest
Vlaamse Gemeenschapscommissie Brussel
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Previous Episode

Episode 4. I know myself better, thanks to Corona

The turn of the year marks a low point in the students’ resilience and morale. The school has lost the sense of home it previously gave them. With little to engage with outside of P.A.R.T.S. and with the diversity of the problems of the students highlighted, tensions can run high. But through this hardship, friendships also become more profound. And the students experience that growing up is first and foremost: learning to live with yourself.

Classes and music featured in this Episode: 1. Rhythm, Michael Schmid 2. Contemporary technique, Laura Aris, to music of Roger Marín 3. Singing, Lucy Grauman, Ach Elslein, Lieber Elslein of Ludwig Senfl 4. Workshop Cunningham technique, Cédric Andrieux, to live piano by Pieter Smout 5. Ballet, Douglas Becker, to live piano of Bart Van Bulck 6. Contemporary technique, Cassiel Gaube 7. Trio presentation of Zoé, Eleni and Macarena, to Joseph Haydn string quartet The Seven Last Words of Our Saviour on the Cross, live by Ellen Van Neste, Ine Van Dyck, Saar Van Bergen and Emiel Vertongen 8. Rhythm, Kaja Farszky on triangle 9. Contemporary technique, Laura Aris, to music of Samir Kadribašić for Under The Eyelids of Zagreb Dance Company

We are still waiting for the permission to use A Love Supreme by John Coltrane in this Episode. As soon as we get it, a new version will be uploaded.

Next Episode

Epilogue. Looking back and 10 years into the future

Three years of training at P.A.R.T.S. are over. Three years captured in the six Episodes of this podcast. In the Epilogue, we look back one more time. On a sunny Sunday in June 2022, Eleni, Renátó, Marlla and Zoé gathered around Delphine’s living room table of for a dinner and a conversation in four chapters, touching upon the different layers in this podcast: P.A.R.T.S. as a contemporary dance school / A generation of youngsters growing up in times of a global pandemic, debates on decolonisation, consent and gender diversity, climate crisis and war / Young artists carving out a path for themselves, while witnessing and supporting one another. And we hear how the students experienced being part of this podcast project, documenting their lives for three intense years.