
Live with Sven Pape an A.C.E. Award nominee! - Filmmaking Times Live #5
07/09/16 • 62 min
Join me as I talk with film editor Sven Pape. He is an A.C.E. Award nominee, whose credits include work for directors James Cameron (GHOSTS OF THE ABYSS - 3D Imax), Joseph Gordon-Levitt (Emmy winning HitRECORD on TV) and James Franco (GOOD TIME MAX - Tribecca Film Fest). Sven cuts his latest film FLESH & BLOOD for filmmaker Mark Webber. Their first collaboration THE END OF LOVE was nominated for the Grand Jury Prize at the Sundance Film Fest.
Sven's youtube channel https://www.youtube.com/user/svenpape/
My filmmaking gear kit ➡ https://kit.co/TomAntos
Exclusive tutorials ➡ https://tomantosfilms.com/store/
Gear I recommend ➡ https://www.amazon.com/shop/tomantos
Support my work by purchasing my tutorials and LUTs ➡ https://tomantosfilms.com/store/
Donate! https://www.paypal.me/TomAntosFilms
Sign up to my NEWSLETTER ➡ https://tomantosfilms.com/newsletter-sign-up/ My website ➡ https://tomantosfilms.com/
Join me as I talk with film editor Sven Pape. He is an A.C.E. Award nominee, whose credits include work for directors James Cameron (GHOSTS OF THE ABYSS - 3D Imax), Joseph Gordon-Levitt (Emmy winning HitRECORD on TV) and James Franco (GOOD TIME MAX - Tribecca Film Fest). Sven cuts his latest film FLESH & BLOOD for filmmaker Mark Webber. Their first collaboration THE END OF LOVE was nominated for the Grand Jury Prize at the Sundance Film Fest.
Sven's youtube channel https://www.youtube.com/user/svenpape/
My filmmaking gear kit ➡ https://kit.co/TomAntos
Exclusive tutorials ➡ https://tomantosfilms.com/store/
Gear I recommend ➡ https://www.amazon.com/shop/tomantos
Support my work by purchasing my tutorials and LUTs ➡ https://tomantosfilms.com/store/
Donate! https://www.paypal.me/TomAntosFilms
Sign up to my NEWSLETTER ➡ https://tomantosfilms.com/newsletter-sign-up/ My website ➡ https://tomantosfilms.com/
Next Episode

Netflix camera requirements - Filmmaking Times Live #23
Netflix has a specific set of requirements for their original shows and films. These are a set of rules of how each project has to be shot and how the post production and final delivery is to be done. Including what specific cameras they approve. Why are they so specific? Here is the new set of requirements and approved cameras by Netflix: https://goo.gl/kykPrZ
My filmmaking gear kit ➡ https://kit.co/TomAntos
Exclusive tutorials ➡ https://tomantosfilms.com/store/
Gear I recommend ➡ https://www.amazon.com/shop/tomantos
Support my work by purchasing my tutorials and LUTs ➡ https://tomantosfilms.com/store/
Donate! https://www.paypal.me/TomAntosFilms
Sign up to my NEWSLETTER ➡ https://tomantosfilms.com/newsletter-sign-up/ My website ➡ https://tomantosfilms.com/
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