Expendable Australians (2022) | Kylie Moore-Gilbert, Peter Greste, Ian Kemish & Sangeetha Pillai

01/22/24 • 60 min

We all have assumptions of what citizenship means. However, in recent years we are starting to see the envelop pushed with more common law rights being taken away. From Australia shutting its doors during the pandemic to authoritarian regimes acquiring the habit of turning travellers into political prisoners, where is it becoming too dangerous to go? And if an Australian passport does not protect you, what are you owed by your government?

Kylie Moore-Gilbert is a scholar of Middle Eastern and Islamic Studies. She was falsely charged with espionage and imprisoned in Iran from September 2018 to November 2020 before being released in a prisoner exchange deal negotiated by the Australian government.

Peter Greste is a journalist, author, media freedom activist and professor at Macquarie University. Before joining academia in 2018, he spent 25 years as a correspondent in the Middle East, Latin America and Africa. In 2013, he and two colleagues were arrested in Cairo on terrorism charges. They were convicted and sentenced to seven years in a case regarded as an attack on press freedom. Egypt released Peter after 400 days, and he has since become a press freedom advocate.

Ian Kemish AM served as Australian High Commissioner to Papua New Guinea, Ambassador to Germany, Head of the Prime Minister’s international division, and Head of the consular service in a diplomatic career that spanned twenty-five years. He is an adjunct professor in history at the University of Queensland, a non-resident fellow with the Lowy Institute, a director of the Australia–Indonesia Centre and an Honorary Fellow of Deakin University.

Dr Sangeetha PIllai is a constitutional lawyer and a Senior Research Associate at the Andrew & Renata Kaldor Centre for International Refugee Law at UNSW Sydney. She is an expert on Australian citizenship law and the scope of government power over citizens and non-citizens. She has published widely on this topic, and is a regular commentator on legal issues relating to citizenship, immigration and refugees in a range of media outlets.

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Drawing Truth to Power (2022) | Badiucao, Dan Ilic & Cathy Wilcox

Drawing truth to power is more dangerous in some parts of the world than others. The combination of satire and anger can make the best political cartoons lethal to politicians, unveiling truths around human rights, leadership and freedom. But where do we draw the line between humour, offence and legality? And for cartoonists trapped between censorship and cancellation, what is there still left to draw?

Badiucao is one of the most popular and prolific political artist from China, and he confronts a variety of social and political issues head on in his work. He uses his art to challenge the censorship and dictatorship in China.

Cathy Wilcox is a cartoonist and illustrator who currently draws editorial cartoons for the Sydney Morning Herald and The Age. Over the years she has illustrated over 20 children’s books and been involved in several theatre productions. She has received several Stanley Awards, three Walkley Awards and has twice been named Political Cartoonist of the Year by the Museum of Australian Democracy.

‘Investigative Humourist’ Dan Ilic is one of Australia’s most prolific comedy voices, known for his work across TV, film, radio and stage. Co-host of the popular podcast and live comedy show A Rational Fear, Dan Ilic and Lewis Hobba brings together industry leaders to use comedy to explore big issues.

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Molly Crabapple (2016) | From the frontline

In a time of turmoil, what happens when art and politics collide? From prisons, refugee camps and war zones, artist and journalist Molly Crabapple has documented the astounding courage of people living in the worst possible circumstances.

Crabapple wonders whether art is sharp enough to cut through razor wires. Is it time to move art out of galleries and use it as a real agent for change?

Molly Crabapple is an artist and writer who has been published in the New York Times, The Paris Review, Vanity Far, The Guardian, The New Yorker and Rolling Stone. She became a journalist sketching the frontlines of Occupy Wall Street, before covering, with words and art, the Russian invasion of Ukraine, Lebanese snipers, Guantanamo Bay, the US-Mexican border, Pennsylvania prisoners, New York cabbies, Greek refugee camps, and the ravages of hurricane Maria in Puerto Rico.