FENCE Magazine - Poetry Fiction Essay Other

Featuring the work of FENCE 36 contributors:

Nonfiction on music by Adam Kinner, Poetry from Gabrielle Jennings, and a phone conversation between Adam Kinner and Gabrielle Jennings about music, art practice, and appropriation.  Opening and Closing noise by Jason Zuzga.

More on Normal State: Bandmember Covelline Blue's Art and Music Website.

A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and Interviews

With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, FENCE is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated.

Rebecca Wolff is the founder and editor-in-chief of FENCE magazine.

This podcast was produced and edited by Jason Zuzga. 

Support the show (https://www.fenceportal.org/subscribe/)

Support the show (https://www.fenceportal.org/subscribe/)

Support the show (https://www.fenceportal.org/subscribe/)

Featuring the following FENCE Issue 36 Contributors:

Poetry from Damon Moore,  Phyllis Peters, Lesle Lewis, Colleen O'Brien, Sarah Heady, a conversation between Collen O'Brien and Sarah Heady, poetry from José Luis Moctezuma, and music from Cove Blue of Normal State.

More on Apollinaire: "La parole au timbre juste": Apollinaire, poetry audio, and experimental French phonetics by Chris Mustazza.

Apollinaire's early recording at PennSound.

More on Normal State: Bandmember Covelline Blue's Art and Music Website.

Rep. Barbara Jordan's full remarks: Barbara Jordan on the Constitution and the Nixon Impeachment Hearings.

A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and Interviews

With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated. 

Rebecca Wolff is the creator and editor-in-chief of FENCE magazine.

This podcast was created and edited by Jason Zuzga.  

Support the show (https://www.fenceportal.org/subscribe/)

Featuring the work of FENCE 36 contributors.

Poetry from Brandon Downing, Nonfiction from Adrienne Walser, Music by Cove Blue of Normal State, Poetry from John McShea, Fiction from Robert Lopez,  and Poetry from Peter Giebel.  Episode Three coming soon!

More on Normal State: Bandmember Covelline Blue's Art and Music Website.

A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and Interviews

With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, Fence is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated.

Rebecca Wolff is the founder and editor-in-chief of FENCE magazine. 

This podcast was produced and edited by Jason Zuzga. 

Support the show (https://www.fenceportal.org/subscribe/)

Featuring the work of FENCE 37/38 contributors. In this episode, we begin with the poet Delicia Daniels, reading with the eerie lulling sound of the sea from poems based on chilling research into antebellum law archives. Next up is Jordan E. Franklin, reading the exuberant poem, "Sometime in January (after David Bowie)." Josh May reads a poem. Josh is followed by Kyle Booten reading his poems "Window Scene Beginning with Lines Written by a Stranger," "Autocomplete Poem," and "Rx #854243." Then we slide into a song, "Autumn Knows Icicles," performed by Dave JaVu, whose array of many songs are all available on Soundcloud. Poems by Austin S. Lin follow the music, including "One Last Biology to Unravel (Mariana Trench, 7 mile mark)," A bridge in America shouldn’t just fall down," and "Scotland Kept Trying to Sell Us American Garlic Bread." Christopher Randall reads his poem “What is normal now.” The story in this episode is "The Emmigrant" by Scott Lambridis. And then we close with another song by Dave JaVu, called "To infinity." Opening and Closing noise by Jason Zuzga.
A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and Interviews
With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, FENCE is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color.
Rebecca Wolff is the founder and editor-in-chief of FENCE magazine.
This podcast was produced and edited by Jason Zuzga.

Support the show (https://www.fenceportal.org/subscribe/)

Featuring the work of FENCE 37/38 contributors. The poems "celery" and "What's Wrong with?" by Stine An, "Lover's Trilogy" by Zosia Wiatr, "Lil Miquela," "Sunnyvale," "Bad Actors," and "Confessionalisms" by Caitlyn Tella. poems " The story "As Something Breaks" by Sara Duff. Also including the music of KIKA, whose numerous songs, such as the two in this episode, are available for your listening pleasure on Soundcloud, Apple Music, Spotify. Bandcamp, Pandora, Tidal, Opening and Closing noise by Jason Zuzga.
A HISTORY OF FENCE: Including Essays by FENCE Editors and Selected Articles and Interviews
With most of the entirety of the published journal's contents read aloud by the authors, the FENCE audiobook/podcast continues to push boundaries in literary publishing. In continuous publication since 1998, Fence is a biannual print journal of poetry, fiction, art, and criticism that redefines the terms of accessibility by publishing challenging writing distinguished by idiosyncrasy and intelligence rather than by allegiance with camps, schools, or cliques. FENCE is committed to publishing from the outside and the inside of established communities of writing, seeking always to interrogate, collaborate with, and bedevil all the systems that bring new writing to light. As a non-profit, FENCE is mandated to make decisions outside of the requirements of market force or capital concern, and only in keeping with its mission: to maintain a dedicated venue for writing and art that bears the clear variant mark of the individual’s response to their context; and to make that venue accessible to as many, and as widely, as possible so that this work can reach others, that they may be fully aware of how much is possible in writing and art; such that Fence publishes almost entirely from its unsolicited submissions; and is committed to publishing the literature and art of queer writers and writers of color. All material is (c) Fence Magazine, Incorporated.
Rebecca Wolff is the founder and editor-in-chief of FENCE magazine.
This podcast was produced and edited by Jason Zuzga.

Support the show (https://www.fenceportal.org/subscribe/)