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Everyone Thinks is Queer Except You and Me - Second Series

Rodrigo Canete

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This Podcast is the result of ten years of arts criticism in the legendary -South American blog loveartnotpeople.org that, since 2012, shocked and changed the perception of art and, more specifically, of their cultural elites and their exclusionary practices. But now, I want to elevate blogging to artistic status and also to refer to my reality in the UK and its critical present. Intellectual, artists and academics will pass by this space only to reinforce our commitment to freedom of speech at a time identity politics is weaponised to censor and silence. Entirely in English, it will take decolonial and queer methodologies to their logic extremes..

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Racist Academia: From Microagressions and Threats to Witch-Hunts

Everyone Thinks is Queer Except You and Me - Second Series

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05/16/23 • 109 min

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In this episode, I had to ask Professor Erika Edwards to come back because you wanted more. In the previous episode we discussed her recently published books both in the US and in Argentina where she counters the widespread belief that the Argentine black population was killed in the War against Paraguay when in fact, practices of whitening through marriage, cohabitation and love by African slaves provided them the right to be Argentines and even disguise themselves in its alleged whiteness. Argentina claims not to be racist and even people from my generation accuses me of wagging the issue on my benefit when cancelled for daring to criticise and laugh about people who have chosen to put themselves in the public eye. Many others have said far worse things but I criticised in full knowledge of what I was criticising and with reason not only artists but also the artistic elite., So when I won the Peter Marzio Award and my History of Argentine Art was published by Penguin Random House, the real scandal exploded. Nothing had changed except that this time, the US had acknowledged my scholarly work and made me credible. So I was cancelled and a disappointingly weak Mary Carmen Ramirez who had signed up as director the award the jury allocated me in a fair competition, rescinded it without even giving me the benefit of a phone call. I was treated as garbage. Similarly, when Erika wrote her article for The Washington Post asking why there are not black fútbol players in the national team, she received insults, threats and a series of letters addressed to the dean of the university where she teaches and does her research asking him to fire her. It was then when the true colours of a violent, unfair and racists country appear to her. We discussed that but I also share my experience in British Academia where the ambivalence of my class, looks, sexuality and ethnicity has turned me into a threat not once but twice.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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05/16/23 • 109 min

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The Second Part of My Interview with Laureate Chilean Poet Carmen Berenguer In Spanish

Everyone Thinks is Queer Except You and Me - Second Series

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09/07/23 • 63 min

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In the previous to the last episode, I published the first part of my interview with Laureate Chilean poet Carmen Berenguer who is a lighthouse for many of us and also for new generations. Her friendship and mentorship of Queer Performance Artist and author, Pedro Lemebel, made her a referent for us Queers which is added to her seminal work for the International Feminist Movement.

I thought it was a good opportunity becuase she is finalising the details of her long awaited Chilean Hamlet where she uses elements of what Jacques Derrida and Mark Fisher called as hauntologie, a methodology that allows us to set a series of genealogies where mourning becomes productive and the lack of future presents an opportunity to rethink the present. In the first part we saw how her Chilean Hamlet aims at realising the ideals of the Avant Garde unifying very private issues with public ones. It is also the long awaited return of aesthetics as a decisive component of art making. The issue of desaparecer as a condition of existence in our cultures and how much the value of such a word has changed. Back then, to go missing meant horror, today it is a privilege of a few.
A main conclusion of the first part was that, language cannot be thought as ornamental or mere discourse but must always say and mean something.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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09/07/23 • 63 min

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Addendum to Ep.8: Jonathan Kemp Reads His Most Real Piece of Queer Writing on Chemsex

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07/07/23 • 6 min

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If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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07/07/23 • 6 min

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DI noticed Daniel Loedel’s Hades Argentina by chance in the books published by Penguin Random House global but I couldnt find much of it in Argentina with the exception of one of those insipid Infobae reviews. The New York Times however added Loebel to a canon in the making of contemporary Argentine fiction has been to take the country’s dark recent history — the state terrorism of the ’70s and ’80s, the subsequent economic crises that brutalized the poor — and channel it into ghost stories. In Mariana Enriquez’s short story “The Inn,” for instance, a tourist-town hotel that served as an army barracks during the dictatorship is haunted by spirits from the bad old days; in César Aira’s novel “Ghosts,” a gang of naked shades haunts a Buenos Aires construction site, visible to the workers and their families, invisible to the rich people set to move into the building once it’s finished. Those tales are part of a tradition critics have called “Argentine Gothic,” one founded by names like Silvina Ocampo, Julio Cortázar and Jorge Luis Borges. “Hades, Argentina” is the first novel by Daniel Loedel, an American book editor. It is the kind of reflection on our past that I have been waiting for a long time because of its simple complexity and its modest wisdom but also because of its smart aesthetic choices. Immediately, the distances dissolved and this New Yorker was closer to me than any self proclaimed activist today. I hope you enjoy it.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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01/15/23 • 90 min

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Decolonising Pedro Lemebel, The Man that Everybody Feared

Everyone Thinks is Queer Except You and Me - Second Series

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03/04/23 • 50 min

This week we pay hommage to Pedro Lemebel, a performer and writer that changed my life and that of many queers who thought in the Pride Revolution that came after the StoneWall riots, the hope of integration with 'normal' society through gay marriage and conspicuous consumption. But with normalisation came AIDS that equated an actualisation of the colonial bonds between the Global North and the Global South through bio politics and Pharma. I decided to do this in two parts. One is for the Spanish speaking world, in particular, for a Chilean and Argentine audience already acquainted with his work. This is in my YouTube Chanel. I wanted however, to evangelise people from the Global North on what Pedro Lemebel's performative turn even though is not his invention, it pushes forward a type of art tightly linked to activism that has become currency these days. His constant deconstruction of hegemonic discourse was by definition decolonial.
I also take this opportunity to ask you that if you like this podcast , leave a review or at least put as the 5 stars you think we deserve. It would make it easier for others to find us in the platforms. Also if you access this podcsat through my blog, remember to subscribe to it, to my Youtube channel in youtube.com/@RodrigoCanetelanp

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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03/04/23 • 50 min

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From Slave to Señora Cordobesa y Argentina: Romantic Love to Build a White Nation

Everyone Thinks is Queer Except You and Me - Second Series

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04/02/23 • 112 min

Chapter 3 of Erika Edwards fascinating, surprising and at times, against the grain “Hiding in Plain Sight: Black Women, The Law and the Making of a White Argentine Republic” opens the following way:
On December 26, 1793, the ecclesiastical notary Tomás Montano informed don José Lino de Len, a vicar of the Catholic Church in Córdoba, that he had caused a scandal of paramount proportions. According to the formal accusation, don José Lino had defamed his position "with little fear of God" by partaking in a scandalous relationship with his slave, Bernabela, treating "her less like a slave and more like a concubine." The prosecutor presented four pieces of evidence to support his accusation. First, he argued, Bernabela had a child out of wedlock.

He revealed that don José Lino had purchased Bernabela and her eight-year-old daughter for 400 pesos from don Benito Cevallos.' Second, while a slave of don José Lino, Bernabela had another child, although the child later died. The identity of the child's father remained a mystery, but the prosecutor suspected don José Lino. Third, Bernabela wore clothes and accessories that were prohibited prohibited by the Edicts of Good Gov-ernment. Fourth, don Jose Lino manumitted her, and she managed the household as if she were the señora (lady of the house).? Don Jose Lino had cohabitated with Bernabela for ten years, and the ecclesiastical court found him guilty. However, don José Lino proclaimed his innocence, asking "how was it possible for him to engage in such acts as he was a priest and man of the Church?"

These two paragraphs shows that in XVIII century Cordoba a priest and a slave were ready to do what was necessary to stay together. They obviously loved each other and the system was more tolerant than expected because ten years together is a long time in a capital city that was no more than a village at that point. What broke the tolerance? She dared to use the garments of the señora and that was it. Women against women in a world ruled like men.
These are topics that we cover with Erika, who seems to be in the perfect place and moment to give a balanced account of a rather “tolerant” society where love is not just what Silvia Federici believes was introduced to compensate women for dealing with social reproduction but something else. Erikas own experience in a devastated country after the economic collapse of 2001 places her passport as a US citizen at the centre of a reversal of the story of our heroine but, as she tells us, it came with a series of issues.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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04/02/23 • 112 min

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Jonathan Kemp’s Chemsex Chronicles: The Joyful Embrace of the Queer Collegiate

Everyone Thinks is Queer Except You and Me - Second Series

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06/15/23 • 35 min

Episode 8
Us, humans, are usually and paradoxically incapable of feeling what we fear. But what do we fear? The different. But, mostly, the other that reminds us of the inadequacy of our inherited choices. Choices we did not even made. I often talk about the gay trauma that derives from the place of discomfort that oppression leaves. In this episode,however, we will talk about the place of vitality that oppression and death open. And freedom... Kemp’s unpublished book is titled 52 and I have the impression that his relationship with his agent did not survive the discussion of that book in a publishing industry that considers the author not as an artist but as part of a production chain. At a point of the chat he says that his agent thought he depicted Chemsex in too much of a positive light. Such discussion happened in the context of the consolidation of corporate cultural industries, amongst which the publishing industry is fundamental. Aesthetic decisions belong to the author until a marketing specialist decides that that is not the best for profits so without even asking for permission, the author is suddenly left out of his creation. The result is a literary market without literature or with one that poses as such telling half baked truths for an increasingly zombie like population.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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06/15/23 • 35 min

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If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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07/10/23 • 57 min

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07/30/23 • 55 min

This is Everyone Thinks is Queer Except You and Me: The Podcast. In this 10th Episode we are going to do what we do very few times in this series which is to switch to Spanish for only these two episodes.. I will intertwine summaries of what is said as the podcast progresses. Please remember to leave a review in the platform where you listen this to make more people aware of its existence and if you havent subscribe it, do so. Carmen Berenguer matters becuase her mind has not aged. Contrary to Oscar Wilde’s Dorian Gray, Berenguer who is one of the leading figures of the Chilean Neo Avant Garde in differente media. Although she sees herself as a poet, she is a writer of chronicles, a visual artist, a performance artist. Her creative work is widely known in Latinamerica an abroad since the 1980s. She is one of those political conceptualists that since the 1980s and until today have transfomred their lives into artistic material. She is concerned with political opinion, cultural criticism and reflections about language. She has a particular acute sense of the importance of aesthetics at a time that it seemed to be a brougeois distraction. In 1987 she ideated the Congreso the Litertura Femenina that established postmodernism and deconstruction as lingua franca which created the condition for Buttler’s influence. In 2005 Carmen Berenguer obtained a grant “Creación del fondo del libro”. In 2006 published the poetry book “Mama Marx” which talks about the city defeats and two years later the house of poetry . In 2008 won the Pablo Neruda ibero-american poetry prize, first time has been awarded to a chilean writer.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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07/30/23 • 55 min

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Addendum with Sally Gardner Declaiming the Gayest Poem of Them All

Everyone Thinks is Queer Except You and Me - Second Series

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08/09/23 • 15 min

To realease a bonus minipodcast with the authors I have conversations reading some of their extracts have become a bit like that cherry that is delivered by the waiter a week later to your house. It comes late but it helps you reminisce that original moment. Sally Gardner is not only a gifted woman but a woman with a particular gift for gifts. A present from her is a serious matter because it is not thought for the person you think you are but who she thinks you could be. This, of course is not presented as a mandate but as a possibility. That is a rarity because for some mysterious reason my female friends deal with any aspect of my life with a problem solving approach and it is certainly not nice to be conceived all the time as a problem. So thinking about it that mysterious reason any need that appear from my part as requiring a solution some mysterious reason, although that reasons seems not mysterious after a bit of thought. Sometimes we choose our friends to hurt ourselves in the name of love and that is what internalised homophobia is all about. So the queerness in the rather heterosexual Sally Gardner, proud mother of three is that she does not use the gay friend as another potential territory to assert her patriarchal duties but instead listens so when I asked her to chose a poem for me she timely chose Noel Cowards’ I went to a marvelous party whose rendition, i mean Sally’s is proof of the polymath that she is because the inflections of the acting are superb and i must say, I prefer to Cowards Ubercamp version. Not quite Ken Loach-like or as Ken Loach as the daugher of a judge can go, her naturalistic bordering on realist undertone is something to be observed. But as I say Sally Gardner is about gifts and her books are full of those. Linked to what I was saying about the natural patriarchal drive of women who throught culture and even architecture they are domesticated to do the dirty work of patriarchy. So what a girl needs is not a heroine which confirms the structure of patriarchal domination but a thinking character like Coriander, that is the main character of I, Coriander, a girl with powers in Restauration England but most importantly a girl that does not follow fads not gets infatuated by exotic promises but instead prioritises self knowledge and elastic time. After Cowards poem that she read for my birthday, there is an extract of I, Coriander read by Juliet Stevenson. I want to also take a second to thank the incredibly talented and succesful Lucas Marti who gave us the music that opens and closes this podcast.

If you have any comment, suggestion, feedback or think that I should interview someone in particular, please send me your comments and feedback at [email protected] and DO SUBSCRIBE TO THIS PODCAST FOR FREE in loveartnotpeople.org or by searching ‘Everyone Thinks is Queer Except You and Me’ in Spotify, Amazon Unlimited, Apple Podcast, or whichever platform where you usually find the Podcasts you like. You can also find me in Instagram in @the_loveartnotpeople

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08/09/23 • 15 min

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How many episodes does Everyone Thinks is Queer Except You and Me - Second Series have?

Everyone Thinks is Queer Except You and Me - Second Series currently has 14 episodes available.

What topics does Everyone Thinks is Queer Except You and Me - Second Series cover?

The podcast is about Society & Culture, Activism, Music, Podcasts, Education, Queer and Blogging.

What is the most popular episode on Everyone Thinks is Queer Except You and Me - Second Series?

The episode title 'Racist Academia: From Microagressions and Threats to Witch-Hunts' is the most popular.

What is the average episode length on Everyone Thinks is Queer Except You and Me - Second Series?

The average episode length on Everyone Thinks is Queer Except You and Me - Second Series is 61 minutes.

How often are episodes of Everyone Thinks is Queer Except You and Me - Second Series released?

Episodes of Everyone Thinks is Queer Except You and Me - Second Series are typically released every 24 days, 23 hours.

When was the first episode of Everyone Thinks is Queer Except You and Me - Second Series?

The first episode of Everyone Thinks is Queer Except You and Me - Second Series was released on Nov 10, 2022.

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3 Ratings