EU Scream

Standing up to bullies was ingrained in Frans Timmermans from his schooldays. The Dutchman came to prominence six years ago as his country's foreign minister with an emotional speech at the United Nations. Russian-backed separatists had shot down Flight MH17 packed with Dutch nationals, and Timmermans channelled the sentiments of a shocked nation to the world. In his next job as first vice president of the European Commission, he squared off with right-wing populists like the U.K.’s Nigel Farage and with autocratically minded leaders in Hungary and Poland. Last year Timmermans, a member of the Dutch Labour Party, led a passionate and energetic campaign to become the president of the Commission. And for a week it seemed he would be appointed. But his tenaciousness had stirred too much bad blood with Budapest and Warsaw, and that opened the way for conservatives to coalesce around a Christian Democrat alternative, Ursula von der Leyen. Timmermans took a role overseeing the European Green Deal as one of the Commission’s three Executive Vice Presidents. To succeed he needs to stand up to governments and vested interests rushing to reboot economies crashed by the coronavirus. That means ensuring the trillions of euros that the EU and its member states spend transform rather than entrench polluting industries and infrastructure. Timmermans starts off his first podcast interview with how songwriters from Jacques Brel to Bruce Springsteen have been a source of solace and inspiration for him. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.

Lockdowns in response to the coronavirus mean cities are quieter, skies clearer, and breathing is easier. For many city dwellers the lack of cars tearing through their streets has been a revelation amid the suffering and loss inflicted by Covid-19. Now, as lockdowns ease, some cities are putting plans to keep cars out into hyperdrive. Those moves foretell the kind of Europe where living together more sustainably becomes the norm. But such an outcome is not inevitable. Pollution lobbies and the challenges facing mass transit systems are among factors that could hold back a green recovery in some cities, says Mark Watts who heads the influential C40 network of global megacities. Pascal Smet is the popular secretary of state for urban development in Brussels who has fought for car-free urban space for years. In car-addicted Belgium, that goal once seemed like a galaxy far far away. Now it seems tantalisingly within reach. We’re grateful to the European Cultural Foundation for supporting this episode as a contribution to its Europe Day celebration. Visit the foundation's Europe Day website for more to see, read and experience. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.

Italians were hit hardest when the coronavirus landed in Europe but the European Union was slow to help the country. The president of the European Commission Ursula von der Leyen has apologised — twice. The contrition is better late than never, says Marco Zatterin, deputy editor of La Stampa newspaper in Turin. Even so, far-right anti-European forces have been able to exploit the procrastination to regain traction. That has renewed anxiety about an Italexit — a scenario where Italy falls out of the Eurozone and even the EU. Throughout the crisis, Zatterin, a former Brussels correspondent and an accomplished author, has led one of two teams at La Stampa that published the newspaper without interruption as the virus tore through Turin and the neighboring Lombardy region. The episode also features poems by Ben Ray whose volumes include What I heard on the Last Cassette Player in the World. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.

The coronavirus outbreak has been a pretext for government censorship and a crackdown on journalists, who have been exposed to new criminal charges as well as violent attacks. Among those targeted by official smear campaigns is Blaž Zgaga, a best-selling author from Slovenia. To keep tabs on the abuses linked to Covid-19, press freedom organization Reporters sans frontières has created a service called Tracker 19. Head of the organization’s Brussels office Julie Majerczak warns that the ongoing assault on free expression is a profound threat to public health that's already cost lives. Director of the Bulgarian service for Radio Free Europe/Radio Liberty Ivan Bedrov observes that showy donations by China make it even more of a struggle to report on the significant role the European Union can play in fighting the virus. The episode also features a poem by Ben Ray, whose volumes include What I heard on the Last Cassette Player in the World. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.

Eric Mamer took over last year as chief spokesperson for the European Commission, an institution he’s served since mid-1990s. When journalists were barred from his press room in March because of coronavirus, the amiable Frenchman had to improvise. His challenge is to put a crisis to good use: by reaffirming the relevance of the Commission’s midday briefing even as member states stretch the rules his institution is meant to enforce to breaking point. Israel Butler is head of advocacy for Liberties, a Berlin-based civil liberties organisation. Butler describes how citizens and journalists can frame discussions about Covid-19 in ways that burnish the appeal of democratic freedoms, rather than detract from them. “Beethoven Symphony No. 9 in D minor, Op. 125” by Papalin is licensed under CC by 3.0. "Magic Hour" by Three Chain Links is licensed under CC by 4.0. Wael Koudaih kindly contributed his track “Thawra” to this episode. You’ll find more of his music under the name Rayess Bek. Visit our website for episode art and for more EU Scream.