ECHO - The Podcast

On December 31, 1999, the world was on edge about a possible technological shutdown. Due to a programming bug that only allowed the last two digits of the year to update, people theorized that a society that relied on technology would fall into complete disarray when the date failed to change at the turn of the millennium. Much to people’s relief, the “Y2K Bug” caused minimal disruption. However, what if the widespread panic had been warranted? Kyle Mooney and Evan Winter imagine a possible doomsday scenario in their apocalyptic comedy, Y2K.

In the film, outcasts Eli (Jaeden Martell) and Danny (Julian Dennison) are determined to end New Year's Eve with a kiss from popular high school basketball star Laura (Rachel Zegler). But when the clock strikes midnight, the festivities quickly turn to mayhem as technology revolts, transforming into monstrous, humanoid killing machines. As the chaos unfolds, the characters embark on a wild, action-packed adventure to survive—narrowly escaping death and avoiding becoming slaves to the machines. Along the way, they receive help from unlikely sages, including Limp Bizkit's Fred Durst and video store clerk Garrett (played by Mooney).

Other familiar faces include '90s icon Alicia Silverstone and music artist The Kid Laroi.

We sat down with Mooney and Winter to chat about all things Y2K.

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Thumbnail photo courtesy of A24

Inspired by the curiosity and determination of bildungsroman Alice and her adventures in Wonderland, Emei is descending into her own mad metamorphosis on her new EP RABBITHOLE.

Following the success of her debut album, SCATTERBRAIN, this EP serves as a continuation of her brand of alt-pop confessionalism. Across five tracks, Emei unapologetically dives into her own struggles with anxiety, insecurity, and relationships.
On our latest episode of ECHO - The Podcast, we sat down with Emei to chat about writing and producing the EP and its five part visualizer series, as well as her upcoming THE RABBITHOLE TOUR.

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Thumbnail photo credit: JORDAN KELSEY KNIGHT

You may not know the name Tai Verdes, but you’ve definitely heard his music on TikTok. His breakout single, “Stuck In The Middle” has been used in 2.6 million videos across the platform.

His new single, “we would have some cute kids” is already gaining traction with its fun narrative, catchy lyrics, and idyllic video.

We chatted with Tai about the new single, his upcoming debut album 'TV,' and more!

File under “mellifluous.” That’s how Los Angeles’ Powell Aguirre likes to think of the music he makes as Surf Mesa. It’s electronic, but full of organic texture. It’s rooted in dance, but sounds best by the light of the full moon. It’s sweet, but also thoughtful. In other words, as Surf puts it, “music for good feels.” That phrase certainly sums up his biggest hit to date, “ily (i love you baby)” featuring Emilee, a tropically tinged bop that was born on TikTok, but quickly conquered listening platforms around the world, amassing over820million combined streams to date, topping U.S. and Global Viral Charts, and debuting on Top 40 radio. Early press has included Rolling Stone, Billboard, HITS, Idolator, Soundazed and Fresh Music Freaks.

Though he’s only 20, Surf has logged an impressive number of hours honing his craft. He grew up in Sammamish, Washington, outside Seattle, where an older brother hooked him up with FL Studio –when Surf was in third grade. The summer after his senior year,Surf broke his leg and was bedridden for months. Unexpectedly, that time stuck at home paid off in the form of an EP, titled bedroom, of course. When the cast came off, he wasted no time moving in with musician friends in Los Angeles.

Then one night scrolling TikTok, he came across Batesville, Arkansas’ Emilee Flood playing an acoustic cover of Frankie Valli’s 1967 hit “Can’t Take My Eyes Off You.” Captivated by her honeyed voice, Surf dropped the audio into his DAW and, within hours, had posted his remixon SoundCloud. Soon, label reps were blowing up his phone. He signed with Astralwerks.

There’s no shortage of collaborations in the works, beginning with Surf’s remix of Marshmello and Halsey’s “Be Kind” and his new single, “Somewhere” ft. Gus Dapperton. While the electronic landscape evolves at a dizzying speed, Surf knows what he wants from his own music. He calls it “electronic alternative”–a style that balances digital textures with piano, guitar, and even acoustic drums, and focuses on songwriting as much as sick beats. It’s catchy. It’s chill. It’s mellifluous.

We chatted with Surf Mesa about his music and future in the music industry and much more.

Home is anywhere you find Ben L’Oncle Soul.

Whether in the studio or on stage surrounded by fans, music is where the multi-platinum French soul artist feels most at ease. He channels that warmth into his irresistible new single, “I GOT HOME,” which he describes as his “ode to joy.”

Produced by Danny Van ‘T Hoff (Smino, Earthgang) and Bastien Cabezon, the track captures the exhilaration Ben feels on stage as his soulful vocals groove along a retro R&B bassline and gospel-inspired harmonies.

On the latest episode of ECHO - The Podcast, we sat down with Ben to chat about “I GOT HOME,” his forthcoming seventh studio albumSad Generation (via Enchanté/Believe), and more!

Photo Credit: Guillaume Landry

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