
S1E5. Live Between Us (The Tragically Hip, 1997)
09/28/20 • 83 min
There was no band bigger, no band greater, and no band that represented Canada better than The Tragically Hip. Their 1997 live album (the only full length live LP they ever put out) is both a snapshot of a band fully embracing their role in Canadian music, and a full-of-energy artifact of what the band could offer every night onstage. James and Dan talk about the late poet/frontman Gord Downie and his antics, the band's massive popularity in their home nation (while never really making a big splash in the US), and the evolution of The Hip from a solid barroom blues band to stadium kings.
There was no band bigger, no band greater, and no band that represented Canada better than The Tragically Hip. Their 1997 live album (the only full length live LP they ever put out) is both a snapshot of a band fully embracing their role in Canadian music, and a full-of-energy artifact of what the band could offer every night onstage. James and Dan talk about the late poet/frontman Gord Downie and his antics, the band's massive popularity in their home nation (while never really making a big splash in the US), and the evolution of The Hip from a solid barroom blues band to stadium kings.
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S1E4. Roseland NYC Live (Portishead, 1998)
In the 90s, there was no other group like Portishead. And there is no live album from the modern rock era that swings for the fences like this one, and pulls it off as beautifully. James and Dan both cite this album, the band, and the accompanying concert film as life changing for them as late teens, and they talk about the brilliant use of orchestration for an otherwise sample-heavy band, the delicacy of dynamics, and Beth Gibbons' haunting vocal range.
Next Episode

S1E6. Aretha Live at the Fillmore West (Aretha Franklin, 1971)
There are more Aretha Franklin live records out there than most bands have in their entire catalogs. Why this one? James and Dan get wowed not only by the Queen of Soul's not-of-this-world vocals, but by the fiery performance from King Curtis and the Kingpins, backed the Memphis Horns. Whether it's her superior takes on a few classic hits of the day, her own hits, or Aretha's gospel-steeped crowd work, there's a lot to talk about on this record that doesn't even clock in at an hour.
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