
Jason Anick: Jay-tudes and Jazz
12/15/20 • 64 min
One of the youngest violin professors at Boston’s Berklee College of Music, Anick is considered “a rising star in the world of jazz violin and mandolin” (Downbeat Magazine). In addition to leading various groups under his own name and performing with the Rhythm Future Quartet, Anick has been touring and recording with Grammy award-winning Nashville guitar virtuoso John Jorgenson since 2008 when he was recruited while still a senior at the Hartt Conservatory.
Over the past few years, Jason has been focusing on arranging and composing for the Rhythm Future Quartet, Jason Anick Acoustic Trio, and the Anick/Yeager Quartet. The Rhythm Future Quartet, which Jason started with Finish guitar virtuoso Olli Soikkeli, is rapidly becoming one of the preeminent Gypsy jazz groups in the country. The group just released its third album, "RFQ and Friends" which was praised by JazzTimes as "packed to the gills with feeling... dynamic, full of virtuosity and swing".
The Jason Anick Acoustic Trio, which formed in 2017, applies Jason's formidable improvisational and compositional chops to the roots/fiddle music of his youth. The Jason Anick/Jason Yeager Quartet draws on the wide swath of musical interests of its co-leaders, blending straight-ahead and post-bop jazz, world music, funk and pop, eagerly embracing what Anick and Yeager have defined as “jazz without borders.” Their debut album, United, garnered rave reviews including 4.5 stars from Downbeat Magazine.
A versatile musician and sought after side-man, Anick has also shared the stage with an array of artist like Stevie Wonder, Tommy Emmanuel, Hamilton de Holanda, The Jim Kweskin Jug Band, John Sebastian, Delta Rae, and Ward Hayden and the Outliers. With performances all over the world from China, Europe, and Japan and renowned venues like the Montreal Jazz Festival, Blue Note, Smalls Jazz Club, Scullers Jazz Club, Yoshi's, Iridium, TD Garden, Regattabar, NPR, and The Late Night Show, Jason has proven himself to be a leader in the ever-growing contemporary string world.
Jason is also a sought-after educator, and has taught jazz violin and mandolin to students of all ages at string camps, workshops, and clinics around the world. Jason regularly contributes educational columns to Fiddler Magazine and instructional videos to DC Music and Christian Howes' Creative Strings Academy.
One of the youngest violin professors at Boston’s Berklee College of Music, Anick is considered “a rising star in the world of jazz violin and mandolin” (Downbeat Magazine). In addition to leading various groups under his own name and performing with the Rhythm Future Quartet, Anick has been touring and recording with Grammy award-winning Nashville guitar virtuoso John Jorgenson since 2008 when he was recruited while still a senior at the Hartt Conservatory.
Over the past few years, Jason has been focusing on arranging and composing for the Rhythm Future Quartet, Jason Anick Acoustic Trio, and the Anick/Yeager Quartet. The Rhythm Future Quartet, which Jason started with Finish guitar virtuoso Olli Soikkeli, is rapidly becoming one of the preeminent Gypsy jazz groups in the country. The group just released its third album, "RFQ and Friends" which was praised by JazzTimes as "packed to the gills with feeling... dynamic, full of virtuosity and swing".
The Jason Anick Acoustic Trio, which formed in 2017, applies Jason's formidable improvisational and compositional chops to the roots/fiddle music of his youth. The Jason Anick/Jason Yeager Quartet draws on the wide swath of musical interests of its co-leaders, blending straight-ahead and post-bop jazz, world music, funk and pop, eagerly embracing what Anick and Yeager have defined as “jazz without borders.” Their debut album, United, garnered rave reviews including 4.5 stars from Downbeat Magazine.
A versatile musician and sought after side-man, Anick has also shared the stage with an array of artist like Stevie Wonder, Tommy Emmanuel, Hamilton de Holanda, The Jim Kweskin Jug Band, John Sebastian, Delta Rae, and Ward Hayden and the Outliers. With performances all over the world from China, Europe, and Japan and renowned venues like the Montreal Jazz Festival, Blue Note, Smalls Jazz Club, Scullers Jazz Club, Yoshi's, Iridium, TD Garden, Regattabar, NPR, and The Late Night Show, Jason has proven himself to be a leader in the ever-growing contemporary string world.
Jason is also a sought-after educator, and has taught jazz violin and mandolin to students of all ages at string camps, workshops, and clinics around the world. Jason regularly contributes educational columns to Fiddler Magazine and instructional videos to DC Music and Christian Howes' Creative Strings Academy.
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Episode 17: Kate Kayaian and the Profit Pivot
Kate Kayaian is a professional cellist, teacher, musician’s coach, and the creator and artistic director of the Virtual Summer Cello Festival–the very first full-length summer festival program to be offered online in 2020.
As a cellist, Kate has performed as soloist, chamber musician and recitalist in a myriad of venues from art galleries in Seattle to Jordan Hall in Boston, and in some of the top concert halls of Europe.
She attended the New England Conservatory of Music in Boston and was subsequently awarded a fellowship at the New World Symphony Orchestra in Miami. She performs and records often with the Grammy award-winning contemporary music ensemble, Boston Modern Orchestra Project, and was embarking on a US tour of her solo recital program: The Voice of the Cello when the current COVID-19 pandemic hit.
Drawing from her 5 years of experience as a pioneer in the world of online teaching, she created the 7-week Virtual Summer Cello Festival for highly talented high school and college aged cellists as a response to the cancelation of traditional summer festivals due to the current public health crisis.
This fall she is unveiling 2 of her latest projects: The Bridge Online Cello Studio–created for advanced high school and college level– which combines her current online private teaching studio with the group structure of the festival, creating an incredible opportunity for students all over the world to study. And The Profit Pivot–a 10 week long group coaching program for professional musicians who are ready to take the reins on their careers and their bank accounts.
She writes about career and life issues for classical musicians on her blog, Tales From The Lane, and coaches musicians and other creatives on career and mindset pivots to ensure financially stable lives for them and their families.
Join her Tales From the Lane Facebook Group! https://www.facebook.com/groups/Talesfromthelane
Instagram: https://www.instagram.com/kkayaian/?hl=en
Website: https://katekayaian.com/
Blog (Tales From The Lane): https://talesfromthelane.com/
Virtual Summer Cello Festival: https://virtualsummercellofestival.wordpress.com/
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Episode 19: Brian Pertl and the 21st Century Conservatory
Brian Pertl is currently the Dean of the Lawrence Conservatory. He is a trombonist, ethnomusicologist, didjeridu player, Deep Listener, and an advocate for music education at all levels. Brian believes that creating a conservatory music culture that honors diversity, multi-musicality, creativity, exploration, collaboration, curiosity, and play is key to producing musicians and entrepreneurs who will best overcome the obstacles and capitalize on the opportunities facing today’s graduates. Brian is endlessly optimistic that the properly prepared music graduate will have more opportunities to create a musical life than ever before.
https://lawrenceuniversity.org
https://deeplistening.org
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