Discourse in Magic
Jonah Babins and Tyler Williams
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Magic Appetizer: A Case For Counting Tricks
Discourse in Magic
07/06/23 • 9 min
In this magical appetizer, Jonah makes a case for counting tricks. Love them or hate them Jonah is convinced that they should be a staple trick in your roster and lays out his reasons why.
Specifically we are discussing one type of card trick, the counting card trick, where you end up counting to a number. It could be any number, a card, a position, weighing the cards, or an actual trick where you are dealing lots of cards.
Misconceptions of Counting Tricks
Maybe, when you hear counting tricks, you immediately think of some of the problematic counting tricks like the 21 Card Trick. What we are hopefully going to express to you in this episode is that most of the challenges that you have with counting tricks are actually with dealing tricks. Those are tricks where you are dealing for a long period of time without any justification for why you’re doing it. If you don’t have a reason for the actual counting through the cards then what you’re doing is boring and, for the most part, audiences are smart and they know when you are dealing through a deck, over and over and over again, that there’s some sort of mathematical mumbo jumbo going on.
You probably know of a couple of tricks that are mathematical card tricks in nature, and they probably deal with lots and lots of dealing, and those are not the ones that we are making a case for. We are making a case for when you count and you get closer and closer to the number.
Embedded Suspense
Jonah likes to do a multi-phase weighing the card trick where he ends up counting through more than half of the deck multiple times and people go crazy. Usually if you’re doing a card trick you want to build a little bit of suspense. Maybe someone picks a card, they shovel inside the deck, you get a card out, and then they name the card and you look at the card and maybe pause for a second and look at them. You’re trying to build this drama, trying to manufacture drama by not just turning over the dang card. If a card is at a position, like the 21st position for example, you actually have to count one by one by one to get to that position. There is no other way to get there. So instead of there being manufactured drama, which an audience can feel, now there is built in drama.
The best example outside of card magic is the nest of boxes. As you’re opening a box and a smaller box in a smaller box, in a smaller box, getting closer and closer to what is going on, there is anticipation and excitement and the suspense is building because there’s no other way for you to get to that smallest box in the middle, aside from opening the biggest and then the next, and the next, and the next. There’s no faking that kind of drama, it’s built into the magic.
Becoming The Conductor
One big thing in magic that Jonah is a big fan of is the rhythm in magic. When somebody is picking a card, when you’re returning it, and when you’re building suspense, there is rhythm. Quite literally, the drama gets closer and closer and closer. You can imagine and draw out the rhythm of what a trick looks like. There’s rhythm built into different magic tricks.
Imagine you tear a card once and then you tear it again and then you put your hands together and then, boom, it restores. There’s rhythm to those moments, how long you want to pause between each thing. With counting card tricks you become the conductor of that rhythm. You can decide at what pace you are getting towards the punchline, the climax. You get to conduct the rhythm of how people respond. You can get louder as you get closer to the number or you can go slower as you get closer to the number. The point is, you can really decide how people are experiencing the punchline of this trick.
If the card is the 30th, you have to deal 30 cards. There’s no other way to get there but you can decide exactly how you want to arrive there and take the audience with you.
Invite Jonah To Your Next Magic Lecture
This episode is an excerpt from Jonah’s lecture notes, which you can only see if he lectures in your city. So if you want Jonah to lecture in your city, and you want to get some lecture notes, then you can send an e-mail to [email protected] and we will see if we can make our way to your city in 2024.
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Three Things I Learned During My Second Appearance On Fool Us
Discourse in Magic
11/09/23 • 12 min
Jonah returns from the wild to let you know that tomorrow, November 9 2023, he and Ben Train will be appearing for the second time on Penn & Teller’s Fool Us!
In this special magic appetizer, Jonah offers up the three biggest lessons he learned on his second appearance of Fool Us and why you should apply to appear on this show or any other.
Lesson 1: Getting Back On The Show
Jonah and Ben’s second appearance on Fool Us is a very different story than the first time last year. This time they had much less time to prepare and the trick they were rehearsing was originally designed for a different show altogether. Jonah shares what he and Ben had to do to apply to Fool Us, listen to the feedback from the producers, and modify what they were pitching so they’d be accepted back.
Lesson 2: The Week Of
Jonah and Ben made a huge mistake the week of their second appearance on Fool Us. That huge mistake was attending the Magic Live convention. It’s an amazing convention but with Fool Us on their minds neither Jonah or Ben could really enjoy the convention and with the distraction of Magic Live they weren’t able to properly prepare for their appearance on Fool Us. If he had to do it again Jonah would have made sure to keep his head clear in the week leading up to Fool Us and he offers his insight on what you should do in the final days before appearing on any show
Lesson 3: The Day Of
You might recall that last year when Jonah and Ben first appeared on Fool Us they had a stressful rehearsal where the ribbon they used around the watermelon broke. Back then the producers were calm and collected, offered some advice, and the two of them were able to successfully perform in front of Penn & Teller. This year they thought their rehearsal went really well but this time the producers approached them with a concern that the photographs they were using, which were integral to the entire trick, were using a colour that the cameras weren’t able to capture.
With only three hours until taping, Jonah and Ben had to scramble to create new pictures, get them printed, and all the other secret arts and crafts that had to be done to make the trick work.
So what should you do when everything starts to go wrong just before the cameras are rolling? Jonah shares his insight on those final moments on the day of their shoot.
This Friday!
If you want to find out if Jonah and Ben successfully fooled Penn & Teller you can watch their appearance on tomorrow’s broadcast on The CW!
Jonah will be back to recording more interviews and lessons for you in the coming months but until then if you’re thinking of applying to appear on a show like Fool Us, you should!
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Finding Your Voice with Jamy Ian Swiss
Discourse in Magic
07/25/19 • 132 min
Jonah is joined by Jamy Ian Swiss this week to discuss persona, creativity and the importance of learning the classics. Alongside being a dedicated, lifelong student of magic, Jamy is a prolific writer, sleight of hand artist, and magic historian.
Growing up as a shy, introverted child, Jamy was often introduced to new hobbies by his parents in an attempt to bring him out of his shell. His first introduction to magic came at the age of seven when his father purchased a colour vision box from Tannen’s and performed it for Jamy at dinner. From that moment, Jamy’s passion for magic began and he quickly became a lifelong student dedicated to mastering the art.
At first, Jamy’s father would go to Tannen’s to purchase magic every time Jamy mastered a trick. When he was 11, Jamy started attending the store himself to watch and learn from the magicians who attended the store. Louis Tannen, Presto, Al Koran, all became important mentors in Jamy’s initial years of learning magic, and they continue to influence him.
Magic, however, was just a passion. A hobby. He didn’t want to be a kid’s performer like his friends because he dislikes performing for kids. Additionally, while he had grown up recognizing the importance of the arts, he had been instilled with the bias that no sane person would consider pursuing an artistic career. Magic simply remained a hobby for him while he pursued a more traditional career. Jamy would proceed to lock himself in a room for a year to practice before emerging a year later, booking two corporate gigs, and never looking back.
Mentors
Jamy recognizes that he had the privilege of being surrounded by great mentors throughout his career in magic. Now, as his mentors slowly leave him, Jamy recognizes more than ever the impact his mentors had on his life. In turn, he has tried to pay it forward to help the newer generation.
When looking for a mentor, it’s not enough to just find someone with more experience than you.
Not only should they be more intelligent and skilled than you, they need to jive with your magic interests without being afraid to give you honest critiques; you shouldn’t be taking advice from somebody who is going to impose their thoughts on you. However, you shouldn’t try to learn in a vacuum which is why it’s important to surround yourself with people who scare the living hell out of you.
Confronting Discomfort
Magic, at its core, is a disconcerting experience. A cognitive dissonance for the spectator is created as their understanding of the world is challenged which can result in an uncomfortable situation for the audience and the magician. However, rather than avoid this feeling, Jamy believes magicians should embrace it.
Jamy isn’t interested in upholding the status quo; he’s interested in experiences and art that provoke thought and feeling. He doesn’t seek to please or be pleased with his art because, at the end of the day, if you’re trying to please everyone, no one will ever be passionate about what you’re doing.
If you are setting out to create “childlike wonder” in adults, you’re taking the wrong approach to magic. Children believe anything is possible which is why it isn’t fun doing magic for younger people. If your audience can’t tell the difference between fantasy and reality, what impact does magic have? Referencing Max Maven, Jamy explains that this is why magic has been rendered trivial as the performer is making fun of magic rather than embracing the provocative nature of the art.
Learning the Classics
Just because it’s new, doesn’t mean it’s good, Jamy explains.
The classics are classics for a reason. If you want to gain a fundamental understanding of magic, he recommends learning the classics like Vernon’s cups and balls. It is only after you have a thorough understanding of the classic routines that you should consider branching out to your own unique takes on magic. When you do decide to branch out, Jamy believes that you should research every iteration of an effect you can find to understand the work that has gone into the effects before you. With Dennis Behr’s Conjuring Archive, researching effects is easier than ever.
Jamy notes that there is an issue with the onslaught of products that are released everyday. Primarily, products that have been developed by magic newcomers who believe that they’ve either created a new miracle or are releasing an older effect under the impression that they are the first to discover it. Often, these effects aren’t very good or somebody has developed it before, demonstrating that the person didn’t conduct their research before releasing the product. Jamy explains that good magic is hard to find, let alone create, and that the overwhelming amount of material on the market is difficult for newcomers to comprehend.
The Importance of a Message...
Coin Magic & The Suspension of Disbelief with Tyler Rabbit
Discourse in Magic
10/07/21 • 105 min
This week Jonah connects with Tyler Rabbit to talk all about his amazing work with coin magic and his thoughts on the suspension of disbelief and the rise of exposure videos.
Tyler Rabbit is an incredibly talented coin magic performer, who has also performed at The Magic Castle. But it wasn’t always this way and this conversation Tyler shares with Jonah his love-hate relationship with magic and what pushed him to give up on magic entirely before returning seven years ago and starting fresh with a focus in coin magic.
Performing With Limitations
Tyler admits that coin magic has a well deserved reputation of having the smallest effort to pay-off ratio. You’re going to put in a lot of work and ultimately you’re not getting that much magical effect out of it compared to putting in the same level of effort into card magic.
That limitation and challenge is one of the reasons that Tyler is so attracted to coin magic. He shares with Jonah how he challenges himself to innovate with such heavy (and with coins that’s literally heavy) limitations. By focusing on making sure his sleights are in service to his concept and plot he’s discovered limitless possibilities for his routine.
The Fake Exposure
When Tyler is not innovating with coin magic he’s battling online content creators who expose magic secrets. And while he’s found some success in engaging in the comments section, including having some videos taken down, he’s found a more novel approach to both combat exposure culture and satiate his weird sense of humour.
On his Coin Magic Underground channel on Youtube he released a video entitled How To Vanish A Coin From A Spectator’s Hand, a fake exposure video that is the first step in a series of hidden clues and puzzles that will eventually, if the the person is dedicated enough, reward you a treasure trove of actual coin magic explanations. Tyler doesn’t actually hate exposing magic’s secrets, after all it was from a library book that he found that got him started in the first place, but he does believe that someone should put in the legwork if they want to learn the tricks of the trade.
Wrap-UpEndless Chain
Jackson “Jax” Ridd is one of Tyler’s closest friends and one of the minds behind Four Suits Magic.
Cydney Kaplan is an up and coming magician performing at the Magic Castle right now.
Mokoto is wise beyond his years and is primarily known for his coinistry and street magic.
What do you like about modern magic? What do you not like?
Tyler likes all the new stuff, including cardistry. He thinks cardistry is awesome and they go really well with card magic. He also loves that it’s flying in the face of the male stoicism that persists in magic circles.Tyler is not crazy about exposure videos and tutorial videos. He also personally doesn’t like doing Zoom shows. He recognizes that there is amazing work being done there but doing magic live on video just doesn’t do it for him.
Plugs
The Coin Magic Underground YouTube Channel
You can follow Tyler on Instagram at @tylerrabs
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How We Got On Fool Us
Discourse in Magic
11/10/22 • 53 min
Jonah and Ben answer all your questions about how they got their appearance on Penn and Teller’s Fool Us, and how you can get yours too.
How Did We Get On?
Ben had actually been approached before as his name was passed around as a potential candidate, but back then when he applied they declined. As years went on and Jonah and Ben found themselves locked down together during the pandemic they decided to work together and apply a duo act, a new pairing that they hadn’t tried before but found they enjoyed working together.
Jonah and Ben share with you how they worked together as a team to invent the trick they performed on Fool Us and how they have worked out their dynamics as they’ve moved from solo performances to a duo act.
How Did We Pick The Trick?
How did they pick the trick they performed on Fool Us? They didn’t!
At first Ben and Jonah submitted their tricks they were doing for their virtual Zoom shows. The response from the show producers was that they liked their energy but the tricks needed tweaking.
Ultimately their answer would lie in their Youtube series diving into the Tarbell books in magic. In that series Jonah and Ben would each challenge each other to find a different Tarbell trick and give it a modern twist. It was from that series that the Watermelon Trick was born.
Jonah and Ben break down the entire process of developing the Watermelon Trick and what it was like auditioning it to the Fool Us producers, what worked, what didn’t, and what changed before it made it onto television.
How Did We Prepare?
Finally they had caught the interest of Fool Us, but unfortunately it was for a new trick they had never performed before. How did Jonah and Ben prepare to perform the Watermelon Trick in front of Penn & Teller? How did they work out what to say, where to stand, and where to look? They go over all the meticulous planning, practicing, and rehearsing that went into getting the trick up to the quality that they’d perform on Fool Us.
Plugs
Check out the Toronto Magic Company’s Youtube Channel to watch the performance on Fool Us as well as the Tarbell Challenge videos that started the journey to discovering the trick they performed for Penn & Teller.https://www.youtube.com/c/TorontoMagicCompany
And check out Jonah’s previous conversation with Teller:
https://discourseinmagic.com/a-life-of-magic-with-teller/
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Helping Your Clients and Hearing Your Audience with Suzanne
Discourse in Magic
04/27/17 • -1 min
In this episode we had the pleasure of interviewing our friend Suzanne. We met Suzanne at Sorcerers Safari (RIP) last summer! Suzanne is an expert restaurant magician. To be a great restaurant magician you have to be good at more than just magic. You need to be able to work well with people. Be a part of team. And make sure your spectators are both seen and heard.
Suzanne taught us a thing or two about compassion. Let’s start with when you’re actually getting the restaurant gig.
She teaches us not to promise that we’re going to bring in people. But to let our actions speak for themselves! It’s important to find a venue that truly understands the value of regular magic.
Whether that’s because they’ve worked with a performer before, or because you can convince them the value. It’s important that you both know why you’re there.
For us as magicians it’s important that we remember we’re not there to show off our own ability. We need to be a valuable part of the team, and we need to be a chameleon when it comes to helping the restaurant in the waitstaff
If that means we have to run to table 6 to perform for 10 minutes to stall the drink order coming out, then that is what we have to do to be most valuable.
Maybe it means we have to stand by the front and performance for the guests who are waiting for their reservation and getting antsy.
Magic is such a fascinating and valuable tool in a restaurant. Treat it like one!
We are there to make sure the guests have a great time and return. But we’re also there to help the restaurant bring people in, order food and drinks, and turn over the tables.
Then Suzanne teaches us how to work with the audience. Suzanne’s style is with caring. Just like before, performing is not all about us.
We need to be able to feel the vibes of the table. Anything from the table who’s there to party, to the one there to grab a bite to eat after their mother’s funeral.
It is our job to make sure that the customers are seen and heard. Sometimes that means hearing them say that they do not want to see us perform.
But sometimes, it means they should have the starring role in your magic.
The dining experience is all about being served: You’re served food made specifically for you. From a waiter that was designated to serve you. Then the magician comes over to your table and explains how he’s the most magical person in the world???????????
Something doesn’t fit!!!!!
How about this:
The magician comes to your table and shows you why YOU are the most magical person the world, or this is the most magical evening in the world! Anything but being all about the magician!!
As Suzanne puts it, it’s all about caring. Actually listening to others. Hearing them. Actually paying attention to what they say. And responding accordingly
I thought this was a fantastic episode.It was full of love and full of compassion. The way to Magic should be!
Contact
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How to Fool Penn & Teller and Win FISM… Twice with Shawn Farquhar
Discourse in Magic
08/25/16 • 95 min
In this Episode we got to sit down with the one and only Shawn Farquhar to talk about how to fool Penn and Teller, or win a contest like FISM, twice!
If you haven’t had the opportunity to see any of Shawn’s recent fooling videos you can check them out here:
In our episode we walk through both of his Fool Us performances, and how he did it. Since we’re catching him right on the front end of his second Fool Us performance going viral, we chatted quite a bit about the experience.
If you want the inside scoop on how Penn and Teller act backstage after they were fooled Shawn goes into great detail about it in the episode.
It turns out that Shawn was more into putting on good TV then he was about fooling them – But it looks like he did both!
Then we trace further back in time to his two gold medals at FISM, and why it took some silver medals along the road to get there.
The secrets to both fooling Penn and Teller, and winning FISM turns out to be the same: know your audience.
For Penn and Teller, the secret is to play on their knowledge of magic, and for FISM – just play by the rules.
Through Shawn’s stories we dive into how he selects songs to go with his routines, and my favourite part is a long list of watch stealing stories that either went horribly wrong or horribly right.
If you are interested in Shawn you can usually find him on a cruise ship, or... lets be honest, at an airport.
Or, if you want to find him online check out his store Palmer Magic
Or check out his personal website and follow him on any and all of the social medias
Contact
As always please let us know what you think of the episode in the comments below
The post How to Fool Penn & Teller and Win FISM... Twice with Shawn Farquhar appeared first on Discourse in Magic.
Wagers, Bets, and Gambles with Norman Beck
Discourse in Magic
04/18/19 • 91 min
Gambling expert, Norman Beck, sits down with Jonah for episode 159 to discuss taking a logical approach, public speaking and when to take a bet. Alongside being a magician and public speaker, Norman has been the VP of Claims and Security for SCA for the past 24 years, spending his time working out how individuals may cheat the system.
Norman’s interest in magic started around the age of eight. While he was attending an event with the Boy Scouts, he went on stage with a a magician for the first time in his life. Soon after, his mother gave him the Boy Scouts’ magic book and his interest continued to grow since then. Like most magicians, Norman started out doing children’s birthday parties while he was in highschool. In college, he began to do close up magic at a restaurant. It was at the restaurants that Norman grew his skillset and learned what to do and not to do.
When he left college, Norman spent five years working as a police officer, using magic to connect with the community during their outreach times. After leaving his job, he moved to Arkansas and was briefly married. During his divorce, money became tight and he found himself leaning cold reading to get by. It would be years later that Norman would begin his current job of ensuring gambling games.
Claims and Security
If you’re hosting an event where individuals have the chance to win a sum of money, you’re probably working with Norman. To summarize what he does, Norman is the one flies who flies around the world, giving away money for contests like field goal kicks, publisher clearing house, or televised games shows. His job is to ensure that the games are being run fairly and, when there is a claim, that the claim is legitimate.
Norman found himself taking on the job about twenty four years ago after his friend and Bridge player, Bob Hammon, contacted him asking if he wanted to join his venture. Previously, Norman had turned down the job offer as he thought the concept of insuring games of chance was absurd. However, finding himself trapped in his job as an insurance adjuster, Norman accepted the offer and moved to Texas where’s he lived ever since.
When to Play
When you approach a gamble, wage, or bet, there are a few things you need to keep in mind. The first being that, if it didn’t cost you anything to play, there is no downside to playing. The second major thing to keep in mind is, never bet in a casino. The odds are heavily in the house’s favour and the best you can hope for is a short haul.
When determining if you should play a game or make a choice, Norman says it comes down to understanding what you’re getting yourself into. How are you spending your money? What knowledge do you have of the situation? What are the odds like for you, and how can you make them lean further in your favour? When you take a logical approach to a situation, you have a better chance of understanding what the outcome may be.
Public Speaking
A few years ago, Norman was asked to give a presentation about what he does for a living. Not wanting to do it, he quoted them an outrageous price, only for them to accept it. Begrudgingly, he did the speech only to learn that he actually enjoys public speaking more then magic. To him, where magic is away to help people momentarily escape the world, public speaking gives him the chance to help change the world.
When he gives speeches, Norman recounts his time of coping with a brain tumour. Six or seven years ago, he was diagnosed with a brain tumour the size of a baseball after going to the doctor to have his hearing checked. Taking the fact that he could die out of the equation, Norman approached his surgery in a very systematic way. He visited a malpractice doctor to understand if the surgeons were as skilled as it was claimed; he spoke with previous patients who had undergone similar surgeries; he hired a doctor to sit with his family during the operation so that if any questions were asked, the doctor could help them make the right call.
He tells this story when he gives his speech so that his audience can understand that you can do certain things to help when you’re approaching a situation. Norman goes on to say that if you actually want to be like him, you need to accept that you’re not that smart.
Three People Who Shaped His Magic
Over his lifetime, Norman says there have been three conversations that have shaped his view on magic.
Don Alan
When Norman was fourteen, he attended his first magic convention where the headliner was Don. Not knowing who Don was, Norman reserved three seats near the front of the room at the request of veteran magicians. After watching Don perform an hour of close-up, Norman knew that that’s what he wanted to do. So much so, that Norman told Don that he was going to do everything he did.
Don, seeing a sixteen year old standing before him, told Nor...
Scaling Up your Performance with Haim Goldenberg
Discourse in Magic
01/17/19 • 93 min
Jonah sits down with Haim Goldenberg to discuss the business of magic, taking risks and finding your character for episode 146. Haim is an Israeli-Canadian mentalist who is behind Cryptext and the show Goldmind.
The first magician Haim saw was Uri Geller. Wanting to be like Uri, young Haim spent his time trying to bend spoons with his mind and hypnotizing people in the streets. Over time, he learned that Uri’s powers weren’t real and that he needed to learn magic to pull off the miracles he saw on television. Haim spent several years performing as a magician, primarily for kids shows, before switching fully to mentalism. While mentalism became his career, magic still remains his hobby.
Taking Risks
If you want to succeed, you need to be willing to adapt and change yourself to better suit the demands of your audience, Haim says. It is difficult to succeed if you don’t take risks. Switching to solely performing mentalism for adults was a huge risk for him. When he quit performing magic at kids shows, Haim took a financial hit during his first six months as he reestablished himself. However, he eventually started getting the shows that he wanted to perform and is now successful as a mentalist. The major risk he took in changing his performance style allowed him to succeed in an area that was truer to his character.
Finding your Character
When you’re performing, people are there to see you, they’re not there to just see magic tricks, so it’s important to find out who you are on stage. From there, you can determine what magic suits your character and how you can bring your own personality into the tricks you’re performing.
To uncover your character, you have to remain true to yourself. Don’t try to be like other magicians or performers on stage that you admire as it won’t be authentic. While you can play a character on stage, it needs to be a character that you created.
The only way to improve and understand who you are on stage is performing. Experience is the most important aspect in becoming a better magician as you can’t improve if you don’t perform. Overall, don’t try to impress your audience. You, as a person, are not trying to impress people in your everyday life, and you should be like that on stage. You want your audience to have fun with you, and Haim believes that the audience will love you because they want to love you.
Magic as a Business
When you’re starting out, money should not be your focus. Your focus should be on developing yourself and getting to a point where you can begin to raise your costs to better match your skill level. Haim emphasizes that you need to be aware of what you’re worth and that you should raise your costs in reasonable increments.
While you may be a good magician, you may not be great at the business or marketing aspects. It may be beneficial for you to find the right person who is able to sell you. If you are a professional, Haim recommends committing 90% of your time to marketing and 10% to practicing magic. After you perform, you should try to remain attached to your clients by keeping in touch with them. People may love you, but they will forget about you so reaching out to them will help keep you in their minds when they need an entertainer.
Creating for Television
Creating a television show is a huge undertaking and is the second risk Haim took in his career. When creating the pilot for Goldmind, Haim used his life savings to fund the episode; he vowed to quit magic if a producer didn’t pick the show up. After sending the pilot episode around to various studios, it was picked up for thirteen episodes.
Haim goes on to explain that his show succeeded because of his character. Referencing Justin Willman’s show Magic for Humans, Haim explains that a character is what separates you from other shows and makes the audience want to return. Just because you’re good onstage, doesn’t mean you’re good on television. A successful show requires directors and consultants who understand how television works and how to adapt your magic for the medium. Haim believes that if you want to succeed on television, you need to learn how to listen to professionals in the field.
Wrap Up
What do you like about 2018/19 magic? What do you hate?
Haim likes how fast pace everything has become. Additionally, he likes how connected the world is as you can see so many magicians that you may have otherwise never seen.
Haim dislikes how people have become lazy because they can get whatever they like when they want it. He feels people aren’t putting in the time and effort to learn.
Endless Chain
Lior Manor
Nimrod Harel
Amir Lustig
Lior Sucha...
Magic Appetizer: Tools For Your Team
Discourse in Magic
07/15/21 • 15 min
This week Jonah shares with you six tools that will make working with your team easier as you expand your magic business.
#1: Slack
Slack documents your conversations. How many times have you communicated with a freelancer in an email thread that goes on and on and on and on, or have you shared information and you have to go and dig through it. Slack makes that communication a little bit easier, a little bit more searchable, and is a nice place to communicate with your team that is outside of email, outside of Facebook, outside of everything. With Slack, if you have multiple team members, then they all may have conversations with you and you may have conversations with other individuals, and they may have conversations with each other. For Jonath, that’s been a real lifesaver. Slack has a nice place to put everything to organize your work communications.
#2: Asana
With Asana, you can have a project within a project. You can have tasks and within those tasks you can have sub tasks. You can even have recurring tasks. You’ve got a place to track everything, and it really makes it simple because now you don’t have to dig through email or slack or anything else like that.
You can set goals, you can set deadlines, you can do tons inside of Asana. Jonah uses it completely entirely for free, and it really is a game changer and it gets you out of a long thread to give tasks and into a really easy place to write out tasks, communicate about tasks, add people, and manage people on task.
So if there’s one person doing something, you send it to them. If there’s multiple people and it’s all visible, it’s really effective. Jonah found this probably doubled or tripled the amount of work that he was able to do with his team, just because it was clear and organized and not very hard to learn.
#3: Loom
Loom is a screen or camera recorder that takes that file and immediately puts it in a folder on the web and gives you a link that you can share. It takes so long to record a video on your camera, upload it to a drive, and then send that drive link to someone. Same thing when you send some sort of screen recording, some sort of tutorial that also takes a long time, you have to save to your computer. And it’s usually a ginormous file.
Loom makes the whole process of recording yourself, recording your computer or recording yourself and your computer at the same time really, really easy.
#4: Google Drive
Google Drive is really important. Once you’re using a team that is going to be sharing files back and forth, you don’t want to just send a file that’s going to disappear. You want the space, and it’s really important to potentially pay Dropbox or Google Drive to get that couple hundred gigs or maybe terabytes of cloud storage to be able to put your photos or videos or projects or anything else like that. If you have to go and upload from your hard drive, photos or videos, every time you have a new project, it’s going to slow you down working with your team.
If you’re working with your team, if you’re writing things together, if you’re creating videos together, creating documents together, graphics together, anything, then you probably want to invest in some sort of cloud storage.
#5: Zoom
Zoom! Zoom is important to have meetings. And, as time goes on, we are going to have teams that are more and more global and it’s nice to be able to share your screen and also see each other and all that good stuff. You know Zoom, you just experienced a pandemic. So you know all about Zoom, but it really is that important.
If you don’t use Zoom, you can use Skype or another platform that you like to use but Zoom did a really good job and Jonah pays for it because he does virtual shows and it’s pretty good for his team. Jonah even pays for the recordings because it’s great to have the recordings of things that you teach to your team and you may want to use it later.
#6: LastPass
You need some sort of password manager and password sharer. Instead of you giving your team members your password to log into your Zoom account to grab a recording, you share with them the LastPass link. They click that link and it fills in the form and they don’t even see what the password is.
So they’re able to use any usernames and passwords that you have and log in from wherever they are. It’s so easy for LastPass. And at a low price point it’s very reasonable to manage all of Jonah’s passwords to make it easy to share with team members.
Upgrade Your Business
Jonah would love to know what software you use with your team. Was there one that he forgot here that you use? Do you think one of the ones that you use is a better version of something that we have here? And if you are growing your team and want help growing your magic business then send an email to info@disco...
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FAQ
How many episodes does Discourse in Magic have?
Discourse in Magic currently has 348 episodes available.
What topics does Discourse in Magic cover?
The podcast is about Podcasts, Arts and Performing Arts.
What is the most popular episode on Discourse in Magic?
The episode title 'Magic Appetizer: A Case For Counting Tricks' is the most popular.
What is the average episode length on Discourse in Magic?
The average episode length on Discourse in Magic is 56 minutes.
How often are episodes of Discourse in Magic released?
Episodes of Discourse in Magic are typically released every 7 days.
When was the first episode of Discourse in Magic?
The first episode of Discourse in Magic was released on Apr 20, 2016.
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