
Why Hank Green can’t quit YouTube for TikTok
08/02/22 • 75 min
2 Listeners
Today I’m talking to Hank Green. Hank doesn’t need much introduction. In fact, he invited himself on Decoder to talk about YouTube's partner program, which shares ad revenue between YouTube and the people making videos. The split is 55/45 in favor of creators. But other platforms don't have this. There is no revenue share on Instagram. There is no revenue share on Twitter. There’s no revenue on Twitter at all, really. And importantly there is no revenue share on TikTok: instead there’s something called a creator fund, which shares fixed pool of money, about a billion dollars, among all the creators on the platform. That means as more and more creators join TikTok, everyone gets paid. You might understand this concept as: basic division.
This episode is long, and it’s weedsy. Honestly, it’s pretty deep in our feelings about participating in the internet culture economy, and the relationship between huge platform companies and the communities that build on them. But it’s a good one, and it’s not really something any of us talk about enough.
Links:
Decoder interview with YouTube Chief Product Officer Neal Mohan
Viacom Has Officially Acquired VidCon, A Global Online Video Convention Series
Patreon Acquires Subbable, Aligning the YouTube Stars
The Kardashians hate the new Instagram
Hank Green: So... TikTok Sucks
Waveform: The MKBHD Podcast, “TikTok vs YouTube with Hank Green”
Transcript:
https://www.theverge.com/e/23051537
Credits:
Decoder is a production of The Verge, and part of the Vox Media Podcast Network.
Today’s episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.
The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino. Our Editorial Director is Brooke Minters. And our Executive Producer is Eleanor Donovan.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today I’m talking to Hank Green. Hank doesn’t need much introduction. In fact, he invited himself on Decoder to talk about YouTube's partner program, which shares ad revenue between YouTube and the people making videos. The split is 55/45 in favor of creators. But other platforms don't have this. There is no revenue share on Instagram. There is no revenue share on Twitter. There’s no revenue on Twitter at all, really. And importantly there is no revenue share on TikTok: instead there’s something called a creator fund, which shares fixed pool of money, about a billion dollars, among all the creators on the platform. That means as more and more creators join TikTok, everyone gets paid. You might understand this concept as: basic division.
This episode is long, and it’s weedsy. Honestly, it’s pretty deep in our feelings about participating in the internet culture economy, and the relationship between huge platform companies and the communities that build on them. But it’s a good one, and it’s not really something any of us talk about enough.
Links:
Decoder interview with YouTube Chief Product Officer Neal Mohan
Viacom Has Officially Acquired VidCon, A Global Online Video Convention Series
Patreon Acquires Subbable, Aligning the YouTube Stars
The Kardashians hate the new Instagram
Hank Green: So... TikTok Sucks
Waveform: The MKBHD Podcast, “TikTok vs YouTube with Hank Green”
Transcript:
https://www.theverge.com/e/23051537
Credits:
Decoder is a production of The Verge, and part of the Vox Media Podcast Network.
Today’s episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.
The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino. Our Editorial Director is Brooke Minters. And our Executive Producer is Eleanor Donovan.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Previous Episode

Rent the Runway CEO Jennifer Hyman thinks clothing rental is inflation-proof
Today we’re talking to Jennifer Hyman, co-founder and CEO of Rent the Runway.
Rent the Runway is a a pretty simple idea: it’s a clothing rental and subscription business for women which launched in 2008. The basic idea is pretty simple: you can rent clothes one by one, and Subscribers pay a certain monthly amount for a certain number of pieces that they can swap out anywhere from 1 to 4 times a month depending on the tier of their membership. Rent the Runway also lets customers buy secondhand clothing either after they rent it or just outright.
But Rent the Runway has had a pretty intense path from its founding in 2008 to going public in 2021: the onset of the pandemic in 2020 cratered the business as 60 percent of customers canceled or paused their subscriptions, and Jennifer was forced to make drastic cuts to survive. But she says that now things are swinging back, as more and more people are spending their dollars going out, traveling, and generally shifting their spending from things to experiences. There’s a post Covid wedding boom going on: Rent the Runway is right there for people.
Jenn and I talked about that swing in the business, but we spent most of this conversation talking about running a company that basically does really high-risk logistics: sourcing clothes, sending them to people, getting them back, cleaning them, and sending them out again. Spotify and Netflix run subscription businesses where the products never wear out or get dirty; Jenn has to deal with red win stains at scale. In fact, Rent the Runway runs one of the country’s biggest dry cleaning operations, which I find to be completely fascinating: what does dry cleaning innovation actually look like, and how does it hit the bottom line?
My favorite episodes of Decoder are the ones where simple ideas – renting clothes – turn out to be incredible complicated to execute. This is one of those.
Links:
Apple defends upcoming privacy changes as ‘standing up for our users’
Rent the Runway, a secondhand fashion site, makes its trading debut.
Transcript:
https://www.theverge.com/e/23041884
Credits:
Decoder is a production of The Verge, and part of the Vox Media Podcast Network.
Today’s episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.
The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino. Our Editorial Director is Brooke Minters. And our Executive Producer is Eleanor Donovan.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
Next Episode

The risky new way of building mobile broadband networks
In 2019, the Trump administration brokered a deal allowing TMobile to buy Sprint as long as it helped Dish Network stand up a new 5G network to keep the number of national wireless carriers at 4 and preserve competition in the mobile market. Now, in 2022, Dish’s network is slowly getting off the ground. And it’s built on a new kind of wireless technology called Open Radio Access Network, or O-RAN. Dish’s network is only the third O-RAN network in the entire world, and if O-RAN works, it will radically change how the entire wireless industry operates.
I have wanted to know more about O-RAN for a long time. So today, I’m talking to Tareq Amin, CEO of Rakuten Mobile. Rakuten Mobile is a new wireless carrier in Japan, it just launched in 2020 – it’s also the world’s first Open RAN network, and Tareq basically pushed this whole concept into existence. I really wanted to know if ORAN is going to work, and how Tareq managed to make it happen in such a traditional industry. So we got into it – like, really into it.
Links:
"Nobody ever got fired for buying IBM"
Rakuten Group to Acquire Mobile Industry Innovator Altiostar
Transcript:
https://www.theverge.com/e/23061797
Credits:
Decoder is a production of The Verge, and part of the Vox Media Podcast Network.
Today’s episode was produced by Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.
The Decoder music is by Breakmaster Cylinder. Our Sr Audio Director is Andrew Marino. Our Editorial Director is Brooke Minters. And our Executive Producer is Eleanor Donovan.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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