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Phish's three-night run at Alpine Valley
Deadhead Cannabis Show
07/29/24 • 90 min
Phish's three-night run at Alpine Valley
Larry Mishkin features a Grateful Dead concert at a "funky" venue on July 29, 1994, at Buckeye Lake, Ohio. The Grateful Dead opened with "Rain" by the Beatles, reflecting their admiration for the Beatles' music. "Rain," primarily written by John Lennon, was a song exploring themes of reality and illusion and was notable for its use of reverse audio effects. The Grateful Dead incorporated several Beatles songs into their performances, demonstrating their appreciation for the band.
The conversation touches on the Grateful Dead's setlist, which included several opening songs like "Feel Like a Stranger" and "Bertha." The speakers recall personal experiences and the excitement of attending these concerts, sharing memories of Buckeye Lake as a vibrant venue despite unpredictable weather. The conversation transitions to "Wang Dang Doodle," a blues standard written by Willie Dixon and performed by artists like Howlin' Wolf and Koko Taylor. The Grateful Dead's affinity for blues music and their ability to blend various musical influences into their performances is highlighted.
Larry changes his focus and shifts to a discussion about the band Phish, detailing a recent three-night run at Alpine Valley. He express his excitement and nostalgia for the venue, sharing experiences of attending concerts there over the years. The recap of Phish's performances includes a detailed analysis of the setlists, noting songs like "46 Days," "Moma Dance," "Cities," "Cavern," "Axilla," "Down with Disease," "Bathtub Gin," and a cover of Led Zeppelin's "Good Times Bad Times." Larry's enthusiasm is evident as he recount the energy and musicianship of Phish, highlighting the unique experience of attending their concerts and the connection it fosters among fans.
Grateful Dead
July 29, 1994 (30 years ago)
Buckeye Lake Ohio
INTRO: Rain
Track #1
:26 – 2:10
- John Lennon wrote most of "Rain." It was his first song to get really deep, exploring themes of reality and illusion - after all, rain or shine is just a state of mind.
- Written by John “about people moaning about the weather all the time” as he was becoming more in tune with his role as a social leader – as is evidenced by the lines “I can show you” and “Can you hear me”
Played 29 times
First: December 2, 1992 at McNichols Sports Arena, Denver, CO, USA
Last: June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA, USA
SHOW No. 1: Wang Dang Doodle
Track #4
4:03 – 5:43
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat.[1] It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart.[2] "Wang Dang Doodle" became a blues standard[3] and has been recorded by various ar...

Grateful Dead Gems: Reliving a Classic Ventura Show
Deadhead Cannabis Show
07/22/24 • 96 min
Phish Tour Kicks Off: Anticipation and Reflections from the Road
Larry Mishkin is excited about the ongoing summer tour of the band Phish, particularly looking forward to their upcoming shows at Alpine Valley and St. Louis. He reflects on a Grateful Dead concert from July 22, 1984, at Ventura County Fairgrounds, sharing personal memories of attending shows in 1984, which was a significant year for him. He discusses the song "Loser" by Jerry Garcia, noting its Americana themes and its history with the Grateful Dead. He praises Garcia's performance at the 1984 show and the song's growling vocals and guitar work.
Larry also talks about the song "Day Job," highlighting its unique history with the Grateful Dead as a song fans petitioned to be dropped from their setlists. He reflects on why the song wasn't popular among fans, comparing it to another song, "Liberty," which he personally didn't favor. Despite this, he appreciates the version performed at the Ventura show for its energy and Jerry's engagement.
In the music world segment, the he provides updates on Phish's summer tour, sharing setlists from recent shows in Mansfield, Massachusetts. He expresses excitement about attending multiple shows and describes how his appreciation for Phish has grown, comparing it to his experience with the Grateful Dead. He anticipates hearing specific songs and is eager to connect with fellow fans.
The show also features a segment on Stanley Jordan, a musician known for his unique guitar style. Jordan shares his journey to creating a project called Stanley Plays the Dead, a tribute to the Grateful Dead. He recounts meeting Phil Lesh and performing with him, which inspired his current project. Jordan's distinctive two-hand tapping technique on guitar is highlighted, along with his diverse musical collaborations over the years.
Grateful Dead
July 22, 1084 (40 years ago)
Ventura County Fairgrounds
Ventura, CA
_____________________________________________
INCOMPLETE BUT IT HAS ALL THE MUSIC CLIPS
CAN WE TAPE TOMORROW AT 10 A.M. MY TIME?
Let me know.
Thank you
______________________________________
Fake Intro for my nephew, Ben Mishkin’s 11th birthday, I will just introduce it as “my podcast”, play the clip and wish him a happy birthday, then we cut back to our normal intro tune and I do a regular introduction. What do you think?
Bennie and the Jets - Elton John - Live in London 1974 HD (youtube.com)
0:08 – 1:18
"Bennie and the Jets" (also titled "Benny & the Jets") is a song written by English musician Elton John and songwriter Bernie Taupin, and performed by John.[3] The song first appeared on the Goodbye Yellow Brick Road album in 1973. "Bennie and the Jets" has been one of John's most popular songs and was performed during his appearance at Live Aid.
The track was a massive hit in the United States and Canada, released in 1974 as an A-side using the spelling "Bennie". In most territories the track was released as the B-side to "Candle in the Wind", using the spelling "Benny". Album artwork (back-cover track listing and center-panel design) consistently lists the song as "Bennie" while either "Bennie" or "Benny" appears on the vinyl album depending on territory. The track was released as an A-side in the UK in 1976, as "Benny and the Jets".
It is ranked number 371 on Rolling Stone's list of The 500 Greatest Songs of All Time.
Happy Birthday to my nephew Ben who turns 11 today while at summer camp in the Poconos. Great time to be alive. There with his big sister Lily and lots of good friends while his younger brother Nate has the run of the house! Have a great day big guy.
And now, back to our regularly scheduled show:
Normal house intro music
Great show today from one of the Deadhead’s favo...

"From Bertha to Walkin' Blues: An Iconic Grateful Dead Setlist"
Deadhead Cannabis Show
07/15/24 • 78 min
"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"
Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.
The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band’s setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.
Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album.
Grateful Dead
Deer Creek Music Theater Center
Noblesville, IN
With: Judy, Andy K., Lary V., AWell and others
First Dead show ever at Deer Creek which had just opened that year. Became a regular stop on the Dead’s summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours. Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer tour shows were confined to Soldier Field with 60,000 attendees.
INTRO: Bertha
Track #2
1:20 – 3:00
Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)
Played: 401
First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USA
Last: June 27, 1995 at the Palace of Auburn Hills, Detroit, MI
SHOW No. 1: Walkin Blues
Track #5
1:38 – 3:20
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions.
"Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners. However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to...

The Dead and the Allmans Tear It Up at RFK; share the stage for a famous and awesome set of jam band music at its finest
Deadhead Cannabis Show
06/10/24 • 80 min
"From Morning Dew to Dark Star: The Grateful Dead's Masterpiece Concert in 1973"
Larry Mishkin's featured concert is the Grateful Dead's legendary performance at Robert F. Kennedy Stadium on June 10, 1973. This show is celebrated as one of the band's greatest, partly because of its remarkable opening with "Morning Dew," a song that symbolized the special nature of the event. The concert, part of a two-day festival with the Allman Brothers Band, included an extraordinary setlist and performances that have become iconic.
The show started with "Morning Dew," a rare and significant opener, setting the tone for the night. The first set included 13 songs, ending with an 18-minute "Playing in the Band." The second set opened with a 22-minute "Eyes of the World," followed by Jerry Garcia singing "Morning Dew," "Stella Blue," and "Warfrat," which was a rare combination for a single show. The set also featured a 12-minute "Bird Song" and an 11-minute "Here Comes Sunshine," showcasing the band's range and intensity.
A highlight of the concert was a 26-minute "Dark Star" that led into a sequence of "He's Gone," "Warfrat," "Truckin'," and "Sugar Magnolia," making for an over-hour-long jam to close the second set. The encore was equally impressive, featuring eight songs with guest performances by Dicky Betts and Butch Trucks from the Allman Brothers Band. This show exemplified the Grateful Dead's ability to create a transcendent musical experience.
Larry also discusses the song "Wave That Flag," played for the last time at this concert, which evolved into "US Blues." This track, notable for its evolving lyrics and style, was a precursor to a fan-favorite encore tune.
In music news, Larry highlights the release of Widespread Panic's new LP, "Snake Oil King," their first in nine years, set to be released on June 14, 2024. The band, known for their jam band status, recorded the album at John Keane Studio in Athens, Georgia, and it features six tracks with high-quality vinyl mastering.
The discussion also touches on Dead and Company's recent performances at the Sphere in Las Vegas, noting the innovative visuals and varied setlists. The band continues to break out new tunes and maintain the excitement of live shows.
Finally, a humorous note mentions a Phish fan who was banned from all MSG venues for posting a video of himself taking a bong hit inside the Sphere during a concert, highlighting the strict enforcement of venue policies.
Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-show
Larry Mishkin - https://podconx.com/guests/larry-mishkin
Rob Hunt - https://podconx.com/guests/rob-hunt
Jay Blakesberg - https://podconx.com/guests/jay-blakesberg
Sound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/

Neil Young's Postponed Concert and a Look Back at 1989
Deadhead Cannabis Show
05/27/24 • 81 min
"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"
Larry Mishkin highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world.
Grateful Dead
May 27, 1989
Oakland Alameda County Stadium
Oakland, CA
A Day On The Green: Aids Benefit Concert:
- Tracy Chapman
an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995). Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who’s cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.
John Fogerty
Of Credence Clearwater Revival fame
- Los Lobos
- Joe Satriani
an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]
In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.
Tower of Power, and, last but not least Dead
INTRO: Althea
Track #3
4:51 – 6:21
From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece. Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story. Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove.
Played 273 times
First: August 4, 1979 at Oakland Civ...

Jay Blakesberg on the New Grateful Dead Exhibit and His Iconic Photography
Deadhead Cannabis Show
05/20/24 • 67 min
Behind the Lens: Jay Blakesberg’s Las Vegas Grateful Dead Exhibit
Larry Michigan is joined by Jay Blakesberg, a well-known photographer and frequent guest. They discuss various topics related to the Grateful Dead, including a specific 1973 performance and Phil Lesh's "Box of Rain." Jay shares details about his involvement in the Dead Forever Experience, a fan exhibit in Las Vegas, which includes a curated photography exhibit called "An American Beauty, Grateful Dead Photography, 1965-1995," and other memorabilia. Jay also mentions his exhibit "Retro Blakesberg" at the Contemporary Jewish Museum in San Francisco, showcasing his photography work from 1978 to 2008, which will move to the Grammy Museum in Los Angeles. Additionally, he talks about collaborating with his daughter Ricky on various photography projects and exhibitions through their business, Retro Photo Archive. The conversation includes anecdotes about Jay's experiences, including rare portraits he took of Owsley Stanley and his approach to shooting photos at concerts, particularly at the new Sphere in Las Vegas.
https://deadforeverexperience.com/
https://www.retrophotoarchive.com/
Grateful Dead
May 20, 1973
Harder Stadium
UC - Santa Barbara
Santa Barbara, CA
INTRO: Box of Rain
Track #3
3:44 – 4:59
SHOW No. 1: The Race Is On
Track # 7
:46 – 2:19
SHOW No. 2: They Love Each Other
Track #11
3:30 – 5:03
SHOW No. 3: Mexicali Blues
Track #15
1:24 – 2:30
SHOW No. 4: Nobody’s Fault But Mine jam
Track #26
0:00 – 1:17
OUTRO: Sugar Magnolia
Track #31
5:37 – 7:03
Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-show
Larry Mishkin - https://podconx.com/guests/larry-mishkin
Rob Hunt - https://podconx.com/guests/rob-hunt
Jay Blakesberg - https://podconx.com/guests/jay-blakesberg
Sound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/

Adapting to the Grateful Dead Culture: Mark Karan discusses the welcoming yet challenging atmosphere stepping into a tight-knit group like the Grateful Dead.
Larry Mishkin is joined by special guest, Mark Karan, a musician well known in Grateful Dead circles. They discuss Mark's experience playing with "The Other Ones" after Jerry Garcia's passing, as well as his time with Ratdog and reflections on the dynamics within these groups. They touch on topics such as the challenges of stepping into Jerry Garcia's shoes, the camaraderie among band members, and the influence of substances on musical performance. Additionally, they explore the enduring legacy of Grateful Dead music and fan reactions to different types of songs performed in concerts. Mark expresses his frustration with some Deadheads' reluctance to embrace non-Grateful Dead music, emphasizing the band's eclectic influences and the importance of openness to new sounds.
https://www.facebook.com/mark.karan.79/
The Other Ones, Alpine Valley Music Center, East Troy, WI
INTRO: Dark Star
Track #2
7:00 - 8:30
SHOW No. 1: Sugaree
Track #4
0:40 – 2:193
SHOW No. 2: Sugaree
Mark Karan and Robin Sylvester (RatDog bassist, passed away in 2022)
Terrapin Crossroads
San Rafael, CA
September 1, 2013
Grateful Dead - "Ship Of Fools" - by Mark Karan & Robin Sylvester (youtube.com)
0:30 – 2:00
SHOW No. 3: The Other One
Mark Karan and Scott Guberman, et al
Cage Brewing
St. Petersburg, FL
November 16, 2023
Mark Karan, Scott Guberman, Other One~ Cage Brewing St Pete 11/16/23 - YouTube
3:50 – 5:20
SHOW No. 4: The Eleven
Track #16 (Other One’s Link at the top)
2:30 – 4:06
OUTRO:
OUTRO: Rodeo
Mark Karan
0:00 – 1:29
Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-show
Larry Mishkin - https://podconx.com/guests/larry-mishkin
Rob Hunt - https://podconx.com/guests/rob-hunt
Jay Blakesberg - https://podconx.com/guests/jay-blakesberg
Sound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/

"Behind the Scenes with Rob Bleetstein: Archiving the Legacy of the NRPS"
Larry's guest, Rob Bleetstein, is known for his role as the host of the live concerts on the Sirius XM Grateful Dead station and as the voice of Pearl Jam Radio. In today's episode, he discusses the recently released live album "Hempsteader" by the New Riders Of The Purple Sage (NRPS), where he serves as the archivist and producer.
The New Riders of the Purple Sage is an American country rock band that emerged from the psychedelic rock scene in San Francisco in 1969, with original members including some from the Grateful Dead. Their roots trace back to the early 1960s folk and beatnik scene around Stanford University, where Jerry Garcia and David Nelson played gigs together. Influenced by American folk music and rock and roll, the band formed, including Garcia on pedal steel guitar initially.
The discussion delves into the background of the NRPS, their albums, and notable tracks like "Panama Red," written by Peter Rowan and popularized by the band. The album "New Riders of the Purple Sage" features Garcia on pedal steel guitar and includes tracks like "Henry," a humorous tale of marijuana smuggling.
Throughout the show, various NRPS tracks are highlighted, showcasing the band's eclectic style and songwriting. Additionally, news segments cover topics such as the DEA's agreement to reschedule marijuana and updates from the music industry, including rare concert appearances and tour plans.
Overall, the episode provides insights into the NRPS's music, their influence on the country rock genre, and relevant news in the marijuana and music industries.
Larry's Notes
Rob Bleetstein who many folks know as the host of the three live concerts played every day on the Sirius XM Grateful Dead station. Also the voice of Pearl Jam Radio. And, most importantly for today’s episode, the archivist for the New Riders Of The Purple Sage and the producer of the Hempsteader album.
Today, featuring recently released NRPS live album, “Hempsteader” from the band’s performance at the Calderone Concert Hall in Hempstead, NY on June 25, 1976, just shy of 48 years ago.
New Riders of the Purple Sage is an American country rock band. The group emerged from the psychedelic rock scene in San Francisco in 1969 and its original lineup included several members of the Grateful Dead.[2] The band is sometimes referred to as the New Riders or as NRPS.
The roots of the New Riders can be traced back to the early 1960s Peninsulafolk/beatnikscene centered on Stanford University's now-defunct Perry Lane housing complex in Menlo Park, California where future Grateful Dead guitarist Jerry Garcia often played gigs with like-minded guitarist David Nelson. The young John Dawson (also known as "Marmaduke") also played some concerts with Garcia, Nelson, and their compatriots while visiting relatives on summer vacation. Enamored of the sounds of Bakersfield-style country music, Dawson would turn his older friends on to the work of Merle Haggard and Buck Owens and provided a vital link between Timothy Leary's International Federation for Internal Freedom in <...

"Deadhead Diplomacy: Tucker Carlson's Musical Paradox"
Deadhead Cannabis Show
04/22/24 • 73 min
Brent Midland's First Show 45 Years Ago Today RIP: Dickey Betts, A True Brother
Larry Mishkin begins with a discussion about the significance of April 20th (420 Day) and reminisces about a Grateful Dead concert from 45 years ago on April 22nd, 1979, which marked Brent Midland's first show with the band. He delves into Brent Midland's impact on the band and his musical contributions. He also touches on recent concerts by Phish and the Sam Grisman Project.
Later, there's a surprising revelation that Tucker Carlson is a Grateful Dead fan, and it reflects on the diverse fanbase of the band. Larry also mourns the passing of Dicky Betts, a founding member of the Allman Brothers Band, highlighting his musical legacy and contributions to Southern Rock. Additionally, he mentions Betts' collaborations with the Grateful Dead and concludes with a tribute to him.
Vangst Jobs 2024 Jobs Report - https://www.vangst.com/2024-jobs-report
Grateful Dead
Spartan Stadium
San Jose CA
April 22, 1979 (45 years ago)
Brent Mydland’s first show
INTRO: Jack Straw
Track #1
0:07 – 1:41
Brent in on the harmonizing from the first song
SHOW No. 1: Minglewood Blues
Track #6
2:14 – 3:57
Brent’s first solo!
Music News:
Phish
Sam Grisman
Dickey Betts
SHOW No. 2: Promised Land
Grateful Dead w.Dickey Betts and Butch Trucks
June 10, 1973
RFK Stadium
Track No. 26
2:28 - end
SHOW No. 3: Passenger (Back to April 22, 1979 show)
Track #10
Start – 1:34
Brent joining in on the vocals
There are several original songs in the Grateful Dead repertoire with a one-time-only lyricist. In the case of “Passenger,” the added quirk is thrown in of someone other than the composer singing the song. So we have a song written by Peter Monk, with music by Phil Lesh, and sung by Bob Weir and Donna Jean Godcheaux on Terrapin Station.
Lesh wrote the song, admittedly based on Fleetwood Mac’s riff for their song “Station Man.” Lesh said, in an interview in Dupree’s Diamond News, “What's weird about that song is I sort of did it as a joke. It's a take on a Fleetwood Mac tune called ‘Station Man.’ I just sort of sped it up and put some different chord changes in there..."
Monk’s lyrics for the song have been the source of quite a bit of debate. There are quite a few alternate hearings, especially around the line: “Terrible, the only game in town,” which many, including myself, hear as “Parable, the only game in town.”
“Passenger” was first performed on May 15, 1977, at the St. Louis Arena in St. Louis (released on the May 1977 box set). It was performed regularly through1981, with its final performance on December 27, 1981, at the Oakland Auditorium.
Terrapin Station, which included the studio version of the song, was released on July 27, 1977. “Passenger” was released as a single, with “Terrapin Station” on the B side.
Great tune. I’m sorry I never got to hear it live.
Bootleg album: Live at Moe’s Place – open with it, used to listen to it at good friends’ Dinie and Janet’s place in Ann Arbor. Really jams.
Played 99 times
First: May 15, 1977 at St. Louis Arena, St. Louis, MO, USA
Last: December 27, 1981 at Oakland Civic Auditorium, Oakland, CA
MJ News
SHOW No. 4: Shakedown Street
Track #24
5:00 – 6:41
Brent with music fills and vocals
ENCORE: Blue Sky
Eat A Peach
3:00 – end
College acquaintance and fellow Deadhead used to say that whenever she listened to this album, she would play Blue Sky twice and THEN play the album all the way through picking up a third Blue Sky. I tried it and discovered ...

A Journey to the Mondegreen Festival: Phish, Family, and Festivals Past
Deadhead Cannabis Show
08/26/24 • 91 min
A Festival Odyssey: Phish, Mondegreens, and Moments with My Son
Larry Mishkin reflects on his recent experience attending the Mondegreen Festival, a Phish festival in Dover, Delaware, with his son and friends. He shares his enthusiasm for the event, highlighting the performances and the significance of certain songs, including "The MoMA Dance" and "NICU," which have deep ties to Phish's history and fan culture. Larry provides a detailed history of Phish festivals, from the Clifford Ball in 1996 to the most recent Mondegreen Festival, noting memorable moments, attendance figures, and unique aspects of each event. The episode also includes a brief discussion on the 60th anniversary of The Beatles' performance at Red Rocks Amphitheatre in Denver, Colorado. Larry expresses his excitement about attending the festival with his son and reminisces about the special bond they shared during the event.
MONDEGREEN
Phish
August 15 – 18, 2024
The Woodlands
Dover Delaware
Band’s 11th festival, NOT counting Curveball set for 2018 that was canceled at the last minute due to contaminated water supply due to heavy rains and flooding.
Nine year gap between MagnaBall in March, 2015 and Mondegreen, biggest gap between festivals in band’s history.
INTRO: Moma Dance
Night One, August 15, 2024
First Night, First Set, First Song (into Back On The Train)
Track #2
2:31 – 4:05
By: Anastasio/Fishman/Gordon/McConnell/Marshall
Played:
First Played: 6/30/98 in Copenhagen, Denmark
Most recent: August 15, 2024 (Mondegreen)
Current Gap: 3 shows
The title of “Moma” is another example of Phish Phonetics, cleverly transforming the moment ends lyric into a reference to a display of “The Rhombus” at New York City’s Museum of Modern Art (MoMA).
Mondegreen: are they saying, “The Moma Dance” OR “the Moment Ends”??
SHOW No 1: NICU
Night One, August 15, 2024
First Set, 6th song (out of Roggae and into A Wave of Hope)
Track #7
3:00 – 4:56
By: Anastasio/Marshall
Played 156 times
First Played: 3.6.92 at The Music Hall in Portsmouth, NH
Most Recent: August 15, 2024 (Mondegreen)
Gap: 3 shows
Has any Phish song had as many names with as many explanations as “NICU”? At its debut in Portsmouth, New Hampshire, Trey introduced the song as “In an Intensive Care Unit.” Shortly thereafter, the name was changed to “NICU,” which some considered a play on a line from the backing vocals in the chorus (“and I see you”) and others noted was the abbreviation for the Neonatal Intensive Care Unit.
Shortly thereafter, the “controversy” began, as controversy can only begin among rabid Phish fans. Some called the song “And I See You.” Some stuck with the original “In an Intensive Care Unit.” Other interesting theories developed, including one from the Internet where a fan noted that the elements Nickel (NI) and Copper (Cu) are side-by-side on the
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FAQ
How many episodes does Deadhead Cannabis Show have?
Deadhead Cannabis Show currently has 276 episodes available.
What topics does Deadhead Cannabis Show cover?
The podcast is about Cannabis, Entrepreneurship, Music, Music History, Podcasts and Business.
What is the most popular episode on Deadhead Cannabis Show?
The episode title 'Phish's three-night run at Alpine Valley' is the most popular.
What is the average episode length on Deadhead Cannabis Show?
The average episode length on Deadhead Cannabis Show is 52 minutes.
How often are episodes of Deadhead Cannabis Show released?
Episodes of Deadhead Cannabis Show are typically released every 7 days.
When was the first episode of Deadhead Cannabis Show?
The first episode of Deadhead Cannabis Show was released on May 21, 2019.
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