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Dead Parents Society - Episode 14: Anna Strong Safford on "because my memories"

Episode 14: Anna Strong Safford on "because my memories"

Explicit content warning

07/02/19 • 44 min

Dead Parents Society
In our Season 2 premiere, Anna Strong Safford, instructor and curriculum specialist at Penn, joins Jamie-Lee and DPS brilliant pal Molly O'Neill to read and discuss her poem "because my memories" from her manuscript bled. Anna's poem inspires a conversation about the use of earthly (and, indeed, worldly) imagery in writing about one's memories of grief, the way parental grief can transfer and shift from one parent to the other, and how found language can inspire our work as writers.
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In our Season 2 premiere, Anna Strong Safford, instructor and curriculum specialist at Penn, joins Jamie-Lee and DPS brilliant pal Molly O'Neill to read and discuss her poem "because my memories" from her manuscript bled. Anna's poem inspires a conversation about the use of earthly (and, indeed, worldly) imagery in writing about one's memories of grief, the way parental grief can transfer and shift from one parent to the other, and how found language can inspire our work as writers.

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undefined - Episode 13: Rebecca Soffer of Modern Loss

Episode 13: Rebecca Soffer of Modern Loss

Rebecca Soffer, co-author of the book Modern Loss and co-founder of ModernLoss.com, joins Jamie-Lee and others in the Kelly Writers House garden for a live reading and conversation about writing about grief, the community that comes from it, and the various emotions and moods that this writing can evoke (spoiler alert: it doesn't always have to be sad!).

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undefined - Episode 15: Solomon Mussing on "Letter to My Father"

Episode 15: Solomon Mussing on "Letter to My Father"

Solomon Mussing, who also goes by the name L'Hussen Toure, an alum of the Summer Workshop for Young Writers at the Kelly Writers House, talks with Jamie-Lee about his piece "Letter to My Father," a memoir in the style of direct-address that he wrote to his father, who died by suicide. They discuss the obvious, unflinching directness of the mode, the way a writer considers his reader in this style, the risks involved in such a piece, and more.

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