Suspension of Disbelief: How Theatre, Religion, and Politics Shape Our Perceptions

01/22/25 • 15 min

Suspension of disbelief, as it is often understood today, traces its formal articulation to the English poet and philosopher Samuel Taylor Coleridge, who coined the phrase “willing suspension of disbelief” in 1817 in his critical work “Biographia Literaria.” Coleridge proposed that readers and audiences consciously set aside the knowledge that what they are witnessing is artificial in order to be moved, entertained, or enlightened by the piece of art before them.

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From 18th-Century Portrait Painters to AI Imagery

In the mid-to-late 18th century, as portrait painters struggled to preserve their art form against the sudden intrusion of photographic technology, one can imagine the rumblings across the parlors, salons, and academies of Europe and America. Painters, who had long been accustomed to controlling the manner, mood, and meaning of a subject’s likeness through the deliberate strokes of their brushes, saw photography as not just a mechanical rival, but a dull and unfeeling intruder onto a sacred terrain they had cultivated for centuries.

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God on Our Side? The Cultural Dangers of Invoking Divinity in Sports, Politics, and War

Throughout history and into our contemporary world, the invocation of divinity in everyday life—particularly in non-religious arenas such as sports and politics—highlights the deeply rooted cultural inclination to attribute human successes or failures to supernatural favor. When a professional athlete declares that a victory occurred because “God was on our side,” it potentially diminishes both the skill and the diligence that contributed to the win.