Criterion Close-Up – Episode 54 – Hausu Party

Explicit content warning

10/31/16 • -1 min

We let our hair down for Halloween and celebrate the oddity that is Ôbayashi’s House (1977). Dave and Jessica join Mark and Aaron. We agree that House is the most random and the most bonkers “horror” film in existence. Rather than break it down thematically, we celebrate its weirdness by pointing out the WTF moments and the occasions that make us laugh. Warning: this episode has a lot of profanity.

About the film:

How to describe Nobuhiko Obayashi’s indescribable 1977 movie House (Hausu)? As a psychedelic ghost tale? A stream-of-consciousness bedtime story? An episode of Scooby-Doo as directed by Mario Bava? Any of the above will do for this hallucinatory head trip about a schoolgirl who travels with six classmates to her ailing aunt’s creaky country home and comes 5face-to-face with evil spirits, a demonic house cat, a bloodthirsty piano, and other ghoulish visions, all realized by Obayashi via mattes, animation, and collage effects. Equally absurd and nightmarish, House might have been beamed to Earth from some other planet. Never before available on home video in the United States, it’s one of the most exciting cult discoveries in years.

Buy The Films On Amazon:

Episode Links & Notes

Special Guests: Dave Eves and Jessica Ramos. You can follow Dave on Twitter.

1:10 – 1:00 – Reflections on our last House episode.

2:50 – Welcome Dave and Jessica!

7:50 – House

Episode Credits

Mark Hurne: Twitter | Letterboxd
Aaron West: Twitter | Blog | Letterboxd
Criterion Close-Up: Facebook | Twitter | Email

Next time on the podcast: Cronos

About the film:

Buy The Films On Amazon:

Episode Links & Notes

Special Guests: Dave Eves and Jessica Ramos. You can follow Dave on Twitter.

1:10 – 1:00 – Reflections on our last House episode.

2:50 – Welcome Dave and Jessica!

7:50 – House

Episode Credits

Mark Hurne: Twitter | Letterboxd
Aaron West: Twitter | Blog | Letterboxd
Criterion Close-Up: Facebook | Twitter | Email

Next time on the podcast: Cronos

Previous Episode

Criterion Close-Up – Episode 53 – The Vanishing

Mark and Aaron cover the Dutch and French horror/suspense classic, The Vanishing. Having experienced this film numerous times before, we are able to explore the foreshadowing and narrative structure that led us on a wild journey to an even wilder ending. We talk about obsession, control, that harrowing ending, and yes, we even get into the American remake.

About the film:

A young man embarks on an obsessive search for the girlfriend who mysteriously disappeared while the couple were taking a sunny vacation trip, and his three-year investigation draws the attention of her abductor, a mild-mannered professor with a clinically diabolical mind. An unorthodox love story and a truly unsettling thriller, Dutch filmmaker George Sluizer’s The Vanishing unfolds with meticulous intensity, leading to an unforgettable finale that has unnerved audiences around the world.

Buy The Films On Amazon:

Episode Links & Notes

3:10 – October Horror Schedule

5:00 – Short Takes (The Tin Drum, Chevalier, Stop Making Sense, Tapeheads)

23:00 – The Vanishing

Episode Credits

Mark Hurne: Twitter | Letterboxd
Aaron West: Twitter | Blog | Letterboxd
Criterion Close-Up: Facebook | Twitter | Email

Next time on the podcast: House

Next Episode

Criterion Close-Up – Episode 55 – Cronos

Mark and Aaron tackle Guillermo Del Toro’s debut film, recently re-released as part of the Trilogía boxset. Cronos is technically in the vampire genre, but even for his first film, has a distinctive Del Toro feel. We get into the character of Jesus Gris, and how Del Toro uses him as a tragic figure that touches on themes of mortality and religion. We also explore Del Toro’s passion and his “Bleak House,” showing that his passion for the medium informs his work.

About the film:

Guillermo del Toro made an auspicious and audacious feature debut with Cronos, a highly unorthodox tale about the seductiveness of the idea of immortality. Kindly antiques dealer Jesús Gris (Federico Luppi) happens upon an ancient golden device in the shape of a scarab, and soon finds himself the possessor and victim of its sinister, addictive powers, as well as the target of a mysterious American named Angel (a delightfully crude and deranged Ron Perlman). Featuring marvelous special makeup effects and the haunting imagery for which del Toro has become world-renowned, Cronos is a dark, visually rich, and emotionally captivating fantasy.