Criminal Mischief: The Art and Science of Crime Fiction

Some criminals attempt to destroy corpses, the primary pieces of evidence in homicides. They think that if the police never find the body, they can’t be convicted. This isn’t true, since convictions have in many cases been obtained when no body is found. And destroying a body is no easy task.

If Locard’s Exchange Principle is the cornerstone of forensic science, evidence is the heart and soul of the crime lab. Indeed, evidence is the sole reason it exists. Without evidence, what would the lab do? Evidence is used to determine if a crime has been committed, to link a suspect to a scene, to corroborate or refute an alibi or statement, to identify a perpetrator or victim, to exonerate the innocent, to induce a confession, and to direct further investigation.

SKIN IN THE GAME is the first story in my new Cain/Harper thriller series:

Raised as siblings by an itinerant “gypsy” family, knife expert Bobby Cain, trained by the US military in the lethal art of covert eliminations, and Harper McCoy, nurtured by the US Navy and the CIA to run black ops and wage psychological warfare, are now civilians. Of a sort. Employing the skills learned from the “family” and their training, they now fix the unfixable. Case in point: Retired General William Kessler hires the duo to track down his missing granddaughter, a Vanderbilt University co-ed. Their search leads them to a small, bucolic, lake-side town in central Tennessee and into a world of prostitution, human trafficking, and serial murder. The question then becomes: Will their considerable skills be enough for Cain and Harper to save the young woman, and themselves, from a sociopath with “home field” advantage, a hunter’s skills, and his own deeply disturbing agenda?

Cops are cool, and memorable fictional characters, but P.I.s seem to come in more variable and quirkier flavors. From ex-military types to everyday folks with a knack for sniffing out wrongdoing to little old ladies with cats. The latter tend to be the smartest and toughest. This wide variety is what makes reading P.I. stories fun. Private investigators, both licensed and amateur, tend to be more eccentric, possess different skills (some useful, others less so), and seem to break the rules with impunity. How much fun is that?