
Percussion, Collaboration, and Crossing Genres
10/02/22 • 44 min
Join me as I talk with Robert Dillon of Third Coast Percussion about his work as a percussionist, composer, and ensemble member, including working with Philip Glass and their exciting upcoming season, both in Chicago and around the world.
_________________________________
Robert Dillon is an Ensemble Member and Development Director of Third Coast Percussion. He has also performed as a substitute with the Chicago, Boston, and San Diego Symphony Orchestras, and served as principal percussionist in the Madison Symphony Orchestra from 2007-2008. A passionate educator, he previously served as chair of percussion studies at Merit School of Music and a percussion instructor at Loyola University Chicago.
Robert Dillon is an Ensemble Member and Development Director of Third Coast Percussion. He has also performed as a substitute with the Chicago, Boston, and San Diego Symphony Orchestras, and served as principal percussionist in the Madison Symphony Orchestra from 2007-2008. A passionate educator, he previously served as chair of percussion studies at Merit School of Music and a percussion instructor at Loyola University Chicago.
Robert has appeared numerous times on the Chicago Symphony’s contemporary music series, MusicNow, as well as the University of Chicago’s Contempo series, and was a member of the unique, international 12-percussionist Ensemble XII, which grew out of Pierre Boulez’s Lucerne Festival Academy (Switzerland). Robert was a member of the Civic Orchestra of Chicago, and participated in programs at the Tanglewood Music Center, Spoleto Festival USA, National Repertory Orchestra, and Pacific Music Festival (Sapporo, Japan).
In addition to Third Coast recordings, Robert can be heard as a soloist on Innova Records (Christopher Adler—Ecstatic Volutions in a Neon Haze), and a performer on Naxos Records (American Music for Percussion, Volume 1) and Parlour Tapes+ (Katherine Young – Diligence is to Magic as Progress is to Flight). He has performed as a soloist in America, Switzerland, and Jordan.
Robert holds a Bachelor of Music from Northwestern University and a Master of Music from the New England Conservatory, where he received the John Cage Award for Outstanding Contribution to Contemporary Music Performance. His teachers include Michael Burritt, James Ross and Will Hudgins.
_________________________________
Third Coast Percussion is a Grammy Award winning percussion quartet hailing from Chicago.
Founded in 2005, Third Coast Percussion has performed hundreds of concerts across the country, presents an annual concert season at home in Chicago, teaches musicians of all ages and experience levels, and has commissioned dozens of new works by composers including Glenn Kotche, Philip Glass, Devonté Hynes, Chris Cerrone, Augusta Read Thomas, Donnacha Dennehy, and David T. Little.
The mission of Third Coast Percussion is to inspire and educate through the creation of exciting and unexpected musical experiences.
Third Coast Percussion's vision is a world-wide audience that embraces creativity, curiosity, and community through music.
_________________________________
Subscribe to Classical Schmassical: https://www.youtube.com/channel/UCKHLhYNkfCuZs6lu-7a3-wQ
Join the Discord: https://discord.gg/Qc7mnVbB
Follow Classical Schmassical: https://www.facebook.com/ClassicalSchmassical
Join me as I talk with Robert Dillon of Third Coast Percussion about his work as a percussionist, composer, and ensemble member, including working with Philip Glass and their exciting upcoming season, both in Chicago and around the world.
_________________________________
Robert Dillon is an Ensemble Member and Development Director of Third Coast Percussion. He has also performed as a substitute with the Chicago, Boston, and San Diego Symphony Orchestras, and served as principal percussionist in the Madison Symphony Orchestra from 2007-2008. A passionate educator, he previously served as chair of percussion studies at Merit School of Music and a percussion instructor at Loyola University Chicago.
Robert Dillon is an Ensemble Member and Development Director of Third Coast Percussion. He has also performed as a substitute with the Chicago, Boston, and San Diego Symphony Orchestras, and served as principal percussionist in the Madison Symphony Orchestra from 2007-2008. A passionate educator, he previously served as chair of percussion studies at Merit School of Music and a percussion instructor at Loyola University Chicago.
Robert has appeared numerous times on the Chicago Symphony’s contemporary music series, MusicNow, as well as the University of Chicago’s Contempo series, and was a member of the unique, international 12-percussionist Ensemble XII, which grew out of Pierre Boulez’s Lucerne Festival Academy (Switzerland). Robert was a member of the Civic Orchestra of Chicago, and participated in programs at the Tanglewood Music Center, Spoleto Festival USA, National Repertory Orchestra, and Pacific Music Festival (Sapporo, Japan).
In addition to Third Coast recordings, Robert can be heard as a soloist on Innova Records (Christopher Adler—Ecstatic Volutions in a Neon Haze), and a performer on Naxos Records (American Music for Percussion, Volume 1) and Parlour Tapes+ (Katherine Young – Diligence is to Magic as Progress is to Flight). He has performed as a soloist in America, Switzerland, and Jordan.
Robert holds a Bachelor of Music from Northwestern University and a Master of Music from the New England Conservatory, where he received the John Cage Award for Outstanding Contribution to Contemporary Music Performance. His teachers include Michael Burritt, James Ross and Will Hudgins.
_________________________________
Third Coast Percussion is a Grammy Award winning percussion quartet hailing from Chicago.
Founded in 2005, Third Coast Percussion has performed hundreds of concerts across the country, presents an annual concert season at home in Chicago, teaches musicians of all ages and experience levels, and has commissioned dozens of new works by composers including Glenn Kotche, Philip Glass, Devonté Hynes, Chris Cerrone, Augusta Read Thomas, Donnacha Dennehy, and David T. Little.
The mission of Third Coast Percussion is to inspire and educate through the creation of exciting and unexpected musical experiences.
Third Coast Percussion's vision is a world-wide audience that embraces creativity, curiosity, and community through music.
_________________________________
Subscribe to Classical Schmassical: https://www.youtube.com/channel/UCKHLhYNkfCuZs6lu-7a3-wQ
Join the Discord: https://discord.gg/Qc7mnVbB
Follow Classical Schmassical: https://www.facebook.com/ClassicalSchmassical
Previous Episode

Arts Admin, Accessibility in Orchestra, and Community Engagement
Join me as I talk with arts administrator Christina Salerno about her artistic practice!
Guest Bio:
Appointed the Executive Director of Illinois Philharmonic Orchestra in January 2017, Ms. Salerno joined the symphonic world having spent seven years as Executive Director of Salt Creek Ballet (SCB). While at SCB, Ms. Salerno led a campaign to build all new sets and costumes for the company’s annual production of The Nutcracker and successfully brought live orchestral accompaniment back to the production. Her passion for increasing the visibility and capacity of arts organizations has led her to lead initiatives aimed at increasing contributed and earned revenue levels, developing board capacity, and building innovative community engagement programming. Ms. Salerno holds a Masters of Performing Arts Administration degree from Roosevelt University’s Chicago College of Performing Arts and a Bachelor of Arts degree with a concentration in Nonprofit Administration from Skidmore College. She has appeared as a guest lecturer for Loyola University’s Dance Department and Arts Reach, and currently serves as treasurer for the Illinois Council of Orchestras and VP Philanthropy of the Hinsdale-Clarendon Hills chapter of the National Charity League. Prior to moving to the management side of arts organizations, Ms. Salerno enjoyed a 15-year professional ballet career as a soloist with Boston Ballet, Zurich Ballet and The Royal Ballet in London.
Subscribe to Classical Schmassical: https://www.youtube.com/channel/UCKHLhYNkfCuZs6lu-7a3-wQ
Join the Discord: https://discord.gg/Qc7mnVbB
Follow Classical Schmassical: https://www.facebook.com/ClassicalSchmassical
Next Episode

A Musical Mosaic: Individuality within a Composers Collective
Join me as I talk with the members of the newly formed Mosaic Composers Collective, of which I am a member!
Collective Mission Statement:
Mosaic Composers Collective, featuring Kevin Arthur Jr., Aidan Arbona, Naamia Rivera, Murphy Severtson, Alexa Letourneau, and Athos Maelstrom, is a gathering of composers in pursuit of an intimate – yet fearless – sound exploration of humanity’s many colorful spheres. Centered in curiosity, the Collective strives to create and curate that which challenges the world around them.
Artist Bios:
New York-based composer and cellist ATHOS MAELSTROM (b. 2002) [note: Podcast audio uses Athos' deadname], originally from Windsor, Colorado, is a fierce advocate of new art who seeks to become a vessel for the sonic imaginations of the world around them. They believe that music is social in nature and deeply respect the personal tenets that have always thrived in human sound. Athos works to carefully curate this material themself, utilizing identity and anecdote as a space of community between composer, performer, and listener.
MURPHY SEVERTSON (b. 1999) is a composer, improvisor, and academic from Delray Beach, Florida. Currently based in New York City, they received their undergraduate degree from St. Olaf College in 2022. In 2021, they composed Standing Upright, a testament to the strength of those struggling with chronic illness, for the American Prize-winning St. Olaf Band, funded by the St. Olaf CURI Project. Recently, their music has explored Florida nature, specifically mangrove trees and forests. A commissioned piece for high school band and choir, Tangled Roots, will be premiered in early 2023. Murphy finds the greatest amount of joy in making music that allows the audience, performers, and all those involved to be equal and loved collaborators.
NAAMIA RIVERA (b. 2004) is a black/hispanic composer and flutist based in New York City. They went to Fiorello H. Laguardia for Instrumental Music and they were a student of Music Composition and Flute at The Juilliard School Music Advancement Program. As a composer, they are interested in writing music about social justice, improvisational music, electronic/ambient music, and music from different countries/cultures. Naamia is in the studio of Valerie Coleman, where they study Composition and Flute simultaneously.
New York based creative ALEXA LETOURNEAU (b. 1998) is a composer, flutist, singer, researcher, and educator. An Ohio native, Alexa began playing the flute at eight years old. Within weeks, they were taping 5 pens together to draw a staff on which to begin composing. At present, their works are focused upon an exploration of shared human identity through sonic journeys, and as a performer, they frequently play premiers and workshop pieces with living composers. Alexa is not only a musician, however; they spend their free time developing recipes, writing poetry, and sewing increasingly outrageous costumes.
KEVIN ARTHUR JR. (b. 2004) is a Philadelphia born composer and instrumentalist with training in both jazz and classical music. He was a member of the Philadelphia All-City Fellowship and attended The Philadelphia High School for Creative and Performing Arts. His musical style is uniquely contemporary in approach with powerful infusions of Jazz, yet deeply romantic at heart. He enjoys the creative freedom that composing gives him, along with the beautiful collaboration it fosters.
AIDAN ARBONA is a composer, pianist, and educator from Brooklyn, New York. Inspired by eclectic musical styles such as: Opera, Bebop, Funk, Lofi, Postmodernism, Grunge, and EDM, Aidan’s music is a mixture of dense harmony, syncopation, counterpoint, and interesting timbral mixtures. Eager to write new music for modern musicians, Aidan approaches music
If you like this episode you’ll love
Episode Comments
Generate a badge
Get a badge for your website that links back to this episode
<a href="https://goodpods.com/podcasts/classical-schmassical-337511/percussion-collaboration-and-crossing-genres-49194388"> <img src="https://storage.googleapis.com/goodpods-images-bucket/badges/generic-badge-1.svg" alt="listen to percussion, collaboration, and crossing genres on goodpods" style="width: 225px" /> </a>
Copy