Cerebral Women Art Talks Podcast
Phyllis Hollis
The Cerebral Women media platform presents Cerebral Women Art Talks, a podcast that is an extension of @cerebral_women. Conversations offer insights into the visual art world from artists, mainly artists of color, and female artists who freely articulate what inspires their creativity. In addition, you'll hear interesting perspectives from dedicated art professionals who work with artists and the art institutions that feature them. Art Advisors, Art Critics, Collectors, Curators, Gallerists, Museum Professionals.
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Top 10 Cerebral Women Art Talks Podcast Episodes
Goodpods has curated a list of the 10 best Cerebral Women Art Talks Podcast episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Cerebral Women Art Talks Podcast for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Cerebral Women Art Talks Podcast episode by adding your comments to the episode page.
Antwaun Sargent
Cerebral Women Art Talks Podcast
01/12/22 • 33 min
Episode 89 features Antwaun Sargent. He is a writer, curator, art critic and director at Gagosian Gallery in New York City. He is the author of “The New Black Vanguard: Photography between Art and Fashion” (Aperture 2019) and the editor of “Young, Gifted and Black: A New Generation of Artists” (DAP 2020). Mr. Sargent was the guest editor of “Art In America” magazine’s, New Talent Issue, May/June 2021. His writing has appeared in the New York Times, The New Yorker, and in museum and gallery publications for artists Mickalene Thomas, Arthur Jafa, Meleko Mokgosi, Nick Cave, Yinka Shonibare and Ed Clark, among many others. In mid-2021, Gagosian New York City, presented Social Works I, a group exhibition curated by Antwaun with participating artists David Adjaye, Zalika Azim, Allana Clarke, Kenturah Davis, Theaster Gates, Linda Goode Bryant, Lauren Halsey, Titus Kaphar, Rick Lowe, Christie Neptune, Alexandria Smith, and Carrie Mae Weems. In late 2021, Antwaun curated the sequel, Social Works II, Gagosian located in Grosvenor Hill, London. “The New Black Vanguard” and “Young, Gifted and Black” are currently on view. Photo credit: Chase Hall Gagosian https://gagosian.com/exhibitions/2021/social-works-curated-by-antwaun-sargent/ Gagosian Quarterly https://gagosian.com/quarterly/2021/06/25/interview-social-works-rick-lowe-and-walter-hood/ Vulture https://www.vulture.com/2020/08/young-gifted-and-black-artists-book.html New York Times https://www.nytimes.com/2021/06/23/arts/design/gagosian-antwaun-sargent-social-works.html Culture Type https://www.culturetype.com/2021/09/05/on-view-social-works-curated-by-antwaun-sargent-at-gagosian-in-new-york-exhibition-will-have-a-sequel-in-london-in-october/ Forbes https://www.forbes.com/sites/chaddscott/2020/10/18/antwuan-sargent-curated-just-pictures-exhibition-proves-to-be-much-more/?sh=e2e8b1d15b3c ARTnews https://www.artnews.com/art-news/news/antwaun-sargent-artnews-live-interview-1234579985/ Projects+Gallery http://www.projects-gallery.com/just-pictures-antwaun-sargent i-D https://i-d.vice.com/en_uk/article/5dmwdd/antwaun-sargent-bernard-lumpkin-young-gifted-black-davey-adesida Fad Magazine https://fadmagazine.com/2021/10/05/social-works-ii-curated-by-antwaun-sargent/ DAZED https://www.dazeddigital.com/art-photography/article/48097/1/antwaun-sargent-bernard-lumpkin-on-curating-for-the-black-community
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Monique Meloche
Cerebral Women Art Talks Podcast
12/02/20 • 34 min
Episode Forty-Three features gallerist Monique Meloche. She founded her eponymous gallery in Chicago’s West Loop in 2001 with an international roster of emerging artists working in all media. Her programming has been diverse and inclusive since its inception, and the gallery continues to be a bellwether for artistic talents early or under-recognized in their careers like Rashid Johnson, Amy Sherald, Ebony G. Patterson, Sanford Biggers and Brendan Fernandes. She has consistently presented conceptually challenging programming in Chicago and at art fairs internationally with an emphasis on institutional outreach. Canadian born Meloche holds a BA from the University of Michigan, and Masters of Art History and Theory from the School of the Art Institute of Chicago. She spent six years at the Museum of Contemporary Art Chicago as an assistant curator, then went on to direct both Rhona Hoffman and Kavi Gupta galleries before striking out on her own and will celebrate the gallery’s 20th anniversary in 2021. The Monique Meloche gallery will feature six artists during the ‘OVR: Miami Beach’, Art Basel’s upcoming Online Viewing Rooms initiative running December 2-6, 2020 Below are links to the gallery website and recent article/interview for the 6 artists. Monique Meloche http://moniquemeloche.com/ https://news.artnet.com/art-world/monique-meloche-1312325 Candida Alvarez - https://brooklynrail.org/2020/03/art/CANDIDA-ALVAREZ-with-Phong-H-Bui Sanford Biggers - https://www.contemporaryand.com/magazines/the-many-faces-of-sanford-biggers/ David Antonio Cruz - https://www.documentjournal.com/2019/10/david-antonio-cruz-the-artist-giving-lgtbq-victims-of-violence-a-place-in-art-history/ Maia Cruz Palileo - https://www.artnews.com/art-in-america/aia-reviews/maia-cruz-palileo-62676/ Ebony G. Patterson - https://news.artnet.com/exhibitions/ebony-g-patterson-nasher-museum-1805721 Cheryl Pope - https://sixtyinchesfromcenter.org/in-conversation-with-cheryl-pope/ Monique Meloche, photographed by Heidi Norton.
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Raphaël Barontini
Cerebral Women Art Talks Podcast
10/12/22 • 23 min
Ep.123 features Raphaël Barontini(born in France in 1984, and currently lives and works in Saint-Denis, France. He has developed a singular and bold pictorial work, moving from a classical practice on canvas to large-scale textile and volume pieces that can be performative. He questions the portrait and the symbolism of representations in an aesthetic of collage that combines photography, silk-screen prints and digital prints. His works take the form of flags, banners, hangings, tapestries or even ceremonial costumes such as capes. His large scenographies and performances allow us to apprehend the different faces of his production. Barontini's work has been exhibited in institutions around the world, including the SCAD Museum of Art(Savannah, USA), MAC VAL (Vitry-sur-Seine, France), MO.CO (Montpellier, France), Museum of African Diaspora (San Francisco, USA), New Art Exchange Museum (Nottingham, USA).He has also participated in the international biennials of Bamako, Mali, Casablanca, Morocco, Lima, Peru, and Thessaloniki, Greece. In 2020, he was chosen by LVMH Métiers d'Art to complete a residency in Singapore. Phot by Jalil Ourguedi. Courtesy of Mariane Ibrahim Artist https://www.raphaelbarontini.art/ CV https://marianeibrahim.com/usr/library/documents/main/artists/50/raphael-barontinin-cv-pdf-2022.pdf Mariane Ibrahim Gallery https://marianeibrahim.com/artists/50-raphael-barontini/biography/ Metal Magazine https://metalmagazine.eu/en/post/interview/raphael-barontini i-D https://i-d.vice.com/fr/article/epn8pa/lart-du-collage-selon-raphael-barontini LVMH https://www.lvmh.com/news-documents/news/lvmh-metiers-dart-exhibits-the-works-of-raphael-barontini-at-the-studio-des-acacias-in-paris/ Hyperallergic https://hyperallergic.com/627173/raphael-barontini-mariane-ibrahim-purple-moon/ CNN https://edition.cnn.com/style/article/mariane-ibrahim-paris-gallery-nomad/index.html Le Monde https://www.lemonde.fr/m-le-mag/article/2021/07/09/les-gens-s-arretent-a-ma-couleur-l-art-metisse-de-raphael-barontini_6087734_4500055.html Numero https://www.numero.com/fr/art/exposition-raphael-barontini-studio-acacias-lvmh-paris Connaissance des arts https://www.connaissancedesarts.com/artistes/nouveau-talent-raphael-barontini-createur-de-ponts-entre-les-mythes-et-les-cultures-11155995/ Whitewall https://whitewall.art/art/raphael-barontini-shares-work-from-the-lvmh-metiers-dart Villa-Albertine https://villa-albertine.org/residents/raphael-barontini Radio France https://www.radiofrance.fr/franceculture/podcasts/affaires-culturelles/raphael-barontini-est-l-invite-d-affaires-culturelles-8062563 Montpellier3m https://www.montpellier3m.fr/evenement-agenda/exposition-raphael-barontini-jhabite-un-long-silence French Cultural Services French Embassy US https://frenchculture.org/events/12876-raphael-barontini-mariane-ibrahim-gallery Surface Magazine https://www.surfacemag.com/events/raphael-barontini-the-night-of-the-purple-moon/ Artnet http://www.artnet.com/artists/rapha%C3%ABl-barontini/ Galerie Magazine https://galeriemagazine.com/gallerist-mariane-ibrahim-artist-raphael-barontini-found-inspiration-quarantine/Say Who https://saywho.co.uk/mondains/raphael-barontini/ Reiffers Art Initiatives https://www.reiffersartinitiatives.com/en/artistes/raphael-barontini-artist-reiffers-art-initiatives/ NYTimes https://www.nytimes.com/2019/11/29/arts/design/frederick-douglass-savannah.html
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Dr. Nicole Fleetwood
Cerebral Women Art Talks Podcast
03/16/22 • 24 min
Ep.98 features Dr. Nicole Fleetwood. She is an art historian and curator exploring how the art of incarcerated people is essential to our understandings of contemporary art, the carceral state, and the humanity it contains. Fleetwood’s earlier work focused on representations of Blackness in art, performance, and popular culture, particularly how assumptions within American culture about Blackness are disrupted or reinforced by Black artists and public figures. In part motivated by her experiences visiting imprisoned family members, Fleetwood turned her keen curatorial vision to artistic production in and around the United States prison system. In the book Marking Time: Art in the Age of Mass Incarceration (2020), and an accompanying museum exhibition of the same name, Fleetwood investigates the cultural, personal, and aesthetic significance of incarcerated people’s art. The book is the most extensive work to apply the interpretive methods of art history to study the art people make within prison. Drawing on interviews with over seventy currently and formerly incarcerated artists and hundreds of paintings, photos, collages, and other forms of art, Fleetwood develops a concept of “carceral aesthetics” to understand both the works of art produced by incarcerated individuals and the constrained conditions under which they were created. She pays particular attention to the ways people build a sense of themselves and community through creative connection despite the circumstances of imprisonment. For example, the artists Gilberto Rivera, Jesse Krimes, and Jared Owens established a conceptual art workshop focused on multiracial collaboration while serving time at the Fairton Federal Correctional Institution in New Jersey. Another artist, Tyra Patterson, created multimedia portraits inspired by other incarcerated women. Fleetwood’s emphasis on both the artworks’ aesthetic value and the artists’ ingenuity in finding ways to convey their creative vision is a powerful testament to the humanity of all those impacted by the criminal justice system. In both the book and exhibition, she takes a deeply collaborative approach and centers the lived experiences of the artists themselves, many of whom participated in conferences, panel discussions, and other opportunities for public engagement that informed and emerged from the years of work that went into Marking Time. Fleetwood is demonstrating that art and imagery produced and used by incarcerated individuals is a critically important form of human expression, and her work sheds new light on the toll the criminal justice system in the United States takes on human lives. Photo credit: Sara Bennett | John D. and Catherine T. MacArthur Foundation MacArthur Foundation https://www.macfound.org/fellows/class-of-2021/nicole-fleetwood NYU https://steinhardt.nyu.edu/people/nicole-r-fleetwood National Endowment for the Arts https://www.arts.gov/stories/podcast/dr-nicole-fleetwood NY Times https://www.nytimes.com/2021/12/13/books/review/the-fortune-men-nadifa-mohamed.html Rikers Rikers Murals: What Will Happen to Artwork at the Jail? (curbed.com) Harvard University Press https://harvardpress.typepad.com/hup_publicity/2021/10/nicole-fleetwood-and-monica-mu%C3%B1oz-martinez-awarded-macarthur-fellowships.html MoMA Magazine https://www.moma.org/magazine/articles/454 Marking Time https://markingtimeart.com/ Troubling Vision https://press.uchicago.edu/ucp/books/book/chicago/T/bo10184159.html On Racial Icons https://www.rutgersuniversitypress.org/on-racial-icons/9780813565156 Arts Journal https://www.artsjournal.com/measure/2022/01/27/art-historian-and-2021-macarthur-fellow-dr-nicole-fleetwood-discusses-the-profound-significance-of-the-art-created-by-incarcerated-people/ ACLS https://www.acls.org/news/nicole-fleetwood-f16-named-a-2021-macarthur-fellow/ Youtube https://www.youtube.com/watch?v=76Z_hu9wymI
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Dr. Ashley James
Cerebral Women Art Talks Podcast
09/21/21 • 32 min
Episode 74 features Ashley James, Ph.D., Associate Curator, Contemporary Art at the Solomon R. Guggenheim Museum. She is the curator of Off the Record (2021) and co-curator of The Hugo Boss Prize: Deana Lawson, Centropy (2021). Prior to joining the Guggenheim, James served as Assistant Curator of Contemporary Art at the Brooklyn Museum, where she was the curator for the museum’s presentation of Soul of a Nation: Art in the Age of Black Power (2018–19), organized Eric N. Mack: Lemme walk across the room (2019), and co-curated John Edmonds: A Sidelong Glance (2020-21). James also served as a Mellon Curatorial Fellow in Drawing and Prints at the Museum of Modern Art, where her work focused on the groundbreaking retrospectives of Adrian Piper (2018) and Charles White (2018–19), and has held positions at the Studio Museum in Harlem and at the Yale University Art Gallery, where she co-organized the exhibition Odd Volumes: Book Art from the Allan Chasanoff Collection (2015). James holds a BA from Columbia University and a Ph.D. from Yale University in English literature and African American studies, with a certificate in Women's, Gender, and Sexuality studies. Guggenheim https://www.guggenheim.org/staff/ashley-james Yale https://afamstudies.yale.edu/news/ashley-james-named-guggenheim-curator-makes-history Yale https://gsas.yale.edu/news/guggenheim-curator-ashley-james-sees-certain-kind-possibility-new-role NY Times https://www.nytimes.com/2019/11/15/arts/design/guggenheim-black-curator.html Forbes https://www.forbes.com/sites/dominiquefluker/2019/11/30/meet-guggenheims-first-black-curator-ashley-james/ NBC News https://www.nbcnews.com/news/nbcblk/guggenheim-curator-ashley-james-sees-certain-kind-possibility-new-role-rcna1260 Essence https://www.essence.com/culture/ashley-james-want-us-to-look-off-the-record/ W Magazine https://www.wmagazine.com/culture/guggenheim-curator-ashley-james-culture-diet-interview Marie Claire https://www.marieclaire.com/fashion/a34691447/ashley-james-guggenheim-museum/ Artnews https://www.artnews.com/art-news/news/ashley-james-curator-guggenheim-museum-13581/ Brooklyn Museum – Soul of a Nation https://www.brooklynmuseum.org/exhibitions/soul_of_a_nation
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Che Lovelace
Cerebral Women Art Talks Podcast
06/23/21 • 23 min
Episode 71 features painter Che Lovelace. Based in Port of Spain, Trinidad, Che’s art originates primarily from his experience of living and working in Trinidad and Tobago. His paintings which are rendered in a vivid assortment of acrylic and dry pigment on combined board panels, are strongly rooted in depicting the dense, highly charged layers of the Trinidadian landscape which he sees as physical, social and spiritual. The subjects of his paintings emerge from and flow freely between the streets of Port of Spain, to the rural natural vegetation, to the human form and back to the interior of his studio. His recent one person exhibitions have been at Various Small Fires, Los Angeles in 2021, Galerie Eric Hussenout, Paris and Half Gallery, New York, Recent group exhibitions have been “Resting Point of Accommodation” Almine Rech, Brussels, "Get Up, Stand Up Now”, Somerset House, London and “Still-Life: An Ongoing Story”, Galerie Sebastien Bertrand, Geneva. Che Lovelace was born 1969 in San Fernando, Trinidad and grew up in the east coast village of Matura. He received his fine art training at l’Ecole Régionale des Beaux-Arts de la Martinique. He has been a principal collaborator on several arts, Carnival and entertainment projects including the Studio Film Club and the recently established Friends For The Road J’Ouvert...a traditional Carnival project. His practice increasingly includes elements of performance which he absorbs into his painting process. Lovelace currently lecturers at the University of the West Indies Creative Arts department. Artist https://en.wikipedia.org/wiki/Che_Lovelace W Magazine https://www.wmagazine.com/culture/che-lovelace-various-small-fires-trinidad Very Small Fires http://www.vsf.la/artist_post/che-lovelace/ Galerie Hussenot https://www.galeriehussenot.com/exposition/2347/ Vigo Gallery https://www.vigogallery.com/artists/13 Half Gallery https://halfgallery.com/che-lovelace New Yorker https://www.newyorker.com/goings-on-about-town/art/che-lovelace Pree https://preelit.com/category/che-lovelace/
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Grimanesa Amorós
Cerebral Women Art Talks Podcast
04/19/23 • 24 min
Ep.149 features Grimanesa Amorós. Throughout her career, Peruvian-born American artist Grimanesa Amorós has harnessed the medium of light to create immersive monumental sculptures that engage visitors in contemplation of their cultural heritage, community, and relationship to technology. In the art of Amorós, the past is meeting the future. Her childhood fascination with light began on the shores of her homeland in Lima. The tumultuous waters of the immense pacific ocean would create iridescent sculptural foam. Amorós sites watching bubbles deflate and inflate, as if breathing, for the formal decisions in her later work. Describing her work as a "constant romance with the unknown", Amorós first incorporated light into her practice following a fated trip to Iceland. While there, she saw the northern lights and realized the powerful ephemeral magic light held. She discusses light's ability to transcend social and geographic boundaries "we all connect to light." Drawing upon critical cultural legacies and landscapes, Amorós is inspired by the communities she creates within. Installing and programming each piece on-site, direct interaction with the surrounding architecture is key to creating her work. "Ultimately, the piece connects the viewers, space, and light sculpture, merging them into one." Jane Farver writes, "A joyful and generous spirit, Amorós views her art as a gift to others." Amorós has connected cultures and viewers through the medium of light in the United States, Europe, Asia, the Middle East, and a Latin America as a guest speaker at TED Global 2014 and as a part of the Art in Embassies Program of the US. Photo credit : Chiara-Cusssatt Artist https://www.grimanesaamoros.com/ Artist interviews https://www.grimanesaamoros.com/interviews/ LinkedIn https://www.linkedin.com/in/grimanesa-amorós-ab0a285/ Leila Heller Gallery http://www.leilahellergallery.com/exhibitions/grimanesa-amoros-scientia Curbed https://www.curbed.com/article/grimanesa-amors-tribeca-loft-tour.html Hyperallergic https://hyperallergic.com/688431/an-artist-brings-light-to-mumbai/ Ted Global https://www.grimanesaamoros.com/press/ted-global-oct-2014-2/ BBC https://www.bbc.com/storyworks/culture/noor-riyadh/grimanesa-amors Wellbeing Project https://wellbeing-project.org/grimanesa-amoros-journey-in-the-arts/ A Women’s Thing https://awomensthing.org/blog/grimanesa-amoros/ Arte & Lusso https://arte8lusso.net/art/grimanesa-amoros/ Arab News https://www.arabnews.com/node/2143986/lifestyle Arte Realizzata https://www.arterealizzata.com/interviews/a-fascinating-conversation-with-grimanesa-amoros Brooklyn Museum https://www.brooklynmuseum.org/eascfa/about/feminist_art_base/grimanesa-amoros Art Summit https://www.art-summit.com/grimanesa-amoros/ Arc Magazine https://www.arc-magazine.com/grimanesa-amoros/ Arab News https://www.arabnews.com/node/2222456/saudi-arabia Bazaar https://ar.harpersbazaararabia.com/hbanews Artforum https://www.artforum.com/artguide/azkuna-zentroa-12869/scientia-207490 Art Nexus https://www.artnexus.com/en/news/62ed3a99b426d929471ca150/grimanesa-amoros-scientia Artists Studios https://artists-studios.com/grimanesa-amoros
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Ivy Jones
Cerebral Women Art Talks Podcast
01/26/22 • 28 min
Ep.91 features Ivy N. Jones. She founded the Welancora Gallery, based in Brooklyn, New York in 2002. Ivy holds a B.A. in political science from Hampton University and a M.A. in public administration from Clark Atlanta University. She is a native of Brooklyn, New York. The gallery name is an amalgam of the names of Ivy's parents and older brother. In 2014, the gallery mission and programming were updated to reflect a greater focus on contemporary art and criticism. The broader mission of the gallery is to represent artists from around the world by placing their work with individual collectors and institutions, publishing scholarly exhibition catalogues and monographs. From time to time, guest curators and writers of color are invited to mount exhibitions and contribute essays about the shows on view. The gallery is located in a 19th century brownstone in Bedford Stuyvesant in Brooklyn, New York. The gallery had a booth at The Armory Show in 2021 and Art Basel Miami in 2021. Photo of Ivy Taken by Elliot Jerome Brown, Jr. Welancora Gallery https://www.welancoragallery.com/ NY Times https://www.nytimes.com/2021/12/04/arts/design/art-basel-miami-diversity.html The Art Newspaper https://www.theartnewspaper.com/2020/09/03/three-exhibitions-to-see-in-new-york-this-weekend The New Yorker https://www.newyorker.com/goings-on-about-town/art/anita-thacher Hyperallergic https://hyperallergic.com/692295/the-coexistence-of-beauty-and-evocations-of-race-and-power/ Cultured magazine https://www.culturedmag.com/article/2020/10/17/ivy-n-joness-welancora-gallery-advances-the-african-diaspora Nico Wheadon Projects https://www.nicowheadon.com/writer/2021/6/17/red-catalogue-essay-welancora-gallery
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Alteronce Gumby
Cerebral Women Art Talks Podcast
09/05/22 • 23 min
Ep.118 features Alteronce Gumby. He is an artist and local of New York City. His artistic practice includes painting, ceramics, installation and performance. His work has been exhibited at galleries such as Hauser & Wirth, Gladston Gallery and Camden Arts Centre. His work will be shown in an upcoming solo exhibition with Nicola Vassell gallery titled, The Color of Everything, in September 2022. In his recent exhibition Cross Colours at Bode Projects in Berlin, the power of complementary colors is presented in works that reference color exercises in Joseph Albert’s Interaction of Colour. Through Gumby’s fluorescent and chromatic spectrum of iridescent color, the artist engages the viewer and expands the notions through which we perceive form and color, the subjectivity of identity and the materiality of earth and cosmic space. Gumby graduated from the Yale School of Art with an MFA in Painting and Printmaking in 2016. He has won notable awards, such as the Austrian American Foundation /Seebacher Prize for Fine Arts and the Robert Reed Memorial Scholarship. Gumby has also participated in numerous international artist residencies, such as the Rauschenberg Residency (2019), London Summer Intensive (2016), Summer Academy in Salzburg, Austria (2015), 6Base (2016) and was the 2016 recipient of the Harriet Hale Woolley Scholarship at the Fondation des Étas-Unis in Paris. His work has been featured in publications such as ARTnews, Artnet, Artsy, BOMB, Brooklyn Rail, Cultured, DAZED, Freize, Surface & Vogue. Gumby has also curated exhibitions, such as his most recent and ongoing exhibition, Summer of Possibilities with Bode Projects in Berlin, To Dream Avante-Garde at Hammond Harkins Galleries and A Muffled Sound Under Water at Latchkey Gallery. Gumby published his first monograph, Color Is A Beautiful Thing, with Charles Moffett & False Flag in2021, outlining six years of his painting practice from 2014- 2020. Alteronce Gumby solo exhibition titled 'The Color of Everything' opens September 8, 2022 thru October 22nd at the Nicola Vassell Gallery in NYC. Photo credit: Katharina Balgavy Artist https://www.alteroncegumby.com/ Nicola Vassel Gallery https://www.nicolavassell.com/ Surface Alteronce Gumby’s Cosmic Meditations on Color, History, and Lightness – SURFACE(surfacemag.com) Artsy Alteronce Gumby’s Otherworldly Abstractions Reenvision the Color Black | Artsy Brooklyn Rail Alteronce Gumby with Carrie Moyer – The Brooklyn Rail Dazed Alteronce Gumby’s cosmic landscapes challenge the meaning of colour | Dazed(dazeddigital.com) Frieze Alteronce Gumby on His Cosmic Abstractions | Frieze Vogue The Atomic, Cosmic Art of Alteronce Gumby | Vogue Cultured Magazine Painter Alteronce Gumby Sees Color Differently (culturedmag.com) Artnet Studio Visit: Artist Alteronce Gumby on His Weekly MoMA Visits, and Why Seeing Great Art is Like a Reading a Book (artnet.com)
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Alisa Sikelianos - Carter
Cerebral Women Art Talks Podcast
06/08/22 • 26 min
Ep.110 features Alisa Sikelianos-Carter. She earned her BA and MA in Painting and Drawing from SUNY Albany. She is a recent NXTHVN Fellow, a 2022 Headlands Artist in Residence, and in 2021 was awarded the inaugural fellowship at Foreland, a six-month studio residency in the Catskills conferred biennially on an outstanding artist of color. Recent exhibitions of her work include Realms of Refuge, Kavi Gupta, Chicago, IL; Un/Common Proximity, James Cohan, New York, NY; In the Eye of Belonging, Mandeville Gallery, Union College, Schenectady, NY; and Never Done: 100 Years of Women in Politics and Beyond, Tang Teaching Museum at Skidmore College, Saratoga Springs, NY. Sikelianos-Carter was featured in New American Paintings, No. 146, Northeast Issue, and received the Sustainable Arts Foundation Grant. She has been awarded residencies at the Millay Arts, Austerlitz, NY; Vermont Studio Center, Johnson, VT; Wassaic Project, Wassaic, NY; Yaddo, Saratoga Springs, NY; Fountainhead Residency, Miami, FL and Headlands Center for the Arts, Sausalito, CA. Photo credit: Kyle Flubacke Artist https://www.alisasikelianoscarter.com/ Kavi Gupta Gallery https://kavigupta.com/exhibitions/368-alisa-sikelianos-carter-stars-are-born-in-darkness-kavi-gupta-elizabeth-st-fl.-2/ https://kavigupta.com/exhibitions/368/works/artworks-10261-alisa-sikelianos-carter-a-godx-of-sky-and-mud-2022/ NXTHVN https://www.nxthvn.com/residents/alisa-sikelianos-carter/ Smithsonian https://www.aaa.si.edu/collections/interviews/oral-history-interview-alisa-sikelianoscarter-22020 Curated By Girls https://www.curatedbygirls.com/alisa-sikelianos-carter/ Kristin Hjellegjerde https://kristinhjellegjerde.com/artists/256-alisa-sikelianos-carter/overview/ Chicago Gallery News https://www.chicagogallerynews.com/events/in-conversation-artists-devan-shimoyama-and-alisa-sikelianos-carter-and-curator-rikki-byrd Mandeville Gallery https://muse.union.edu/mandeville/project/alisa-sikelianos-carter/ Galerie Magazine https://galeriemagazine.com/kavi-gupta-alisa-sikelianos-carter/ Ocula https://ocula.com/art-galleries/kavi-gupta-gallery/artworks/alisa-sikelianos-carter/to-hide-in-the-light/ https://ocula.com/art-galleries/kavi-gupta-gallery/artworks/alisa-sikelianos-carter/to-be-held/ Sugarcane Magazine https://sugarcanemag.com/2022/05/survival-where-the-sea-meets-the-sky-alisa-sikelianos-carters-stars-are-born-in-darkness-by-julia-mallory/
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How many episodes does Cerebral Women Art Talks Podcast have?
Cerebral Women Art Talks Podcast currently has 236 episodes available.
What topics does Cerebral Women Art Talks Podcast cover?
The podcast is about Podcasts and Arts.
What is the most popular episode on Cerebral Women Art Talks Podcast?
The episode title 'Antwaun Sargent' is the most popular.
What is the average episode length on Cerebral Women Art Talks Podcast?
The average episode length on Cerebral Women Art Talks Podcast is 27 minutes.
How often are episodes of Cerebral Women Art Talks Podcast released?
Episodes of Cerebral Women Art Talks Podcast are typically released every 7 days.
When was the first episode of Cerebral Women Art Talks Podcast?
The first episode of Cerebral Women Art Talks Podcast was released on Jan 27, 2020.
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