
Caitlin Parrish and Allyson Ettinger on AI & the WGA Strike
09/05/23 • 40 min
In this classic episode, we explore how GPT-3, a free online natural language processing artificial intelligence by Open AI, does and doesn’t work. Make sure to stick around until the end for an update on how AI is a core demand between the Writers Guild of America and the Alliance of Motion Picture and Television Producers.
GPT-3 takes advantage of a whole new method of artificial intelligence research, called neural nets, to create plays, write code, and even roleplay as a historical figure. But what are the limitations to this kind of AI? University of Chicago professor Allyson Ettinger walks us through how GPT-3 manages to sound so human and where and how it fails in interesting ways.
Find our transcript here: LINK
Curious to learn more? Check out these additional links:
When GPT-3 accidentally lies: https://www.technologyreview.com/2022/11/18/1063487/meta-large-language-model-ai-only-survived-three-days-gpt-3-science/
Microsoft’s chatbot that went racist: https://www.theverge.com/2016/3/24/11297050/tay-microsoft-chatbot-racist
Is GPT-3 a replacement or tool for journalists: https://contently.net/2022/12/15/trends/chatgpt/
Entertainment Community Fund: https://entertainmentcommunity.org/
Science and Entertainment Exchange: http://scienceandentertainmentexchange.org/
AO3 and data scraping: https://www.transformativeworks.org/ai-and-data-scraping-on-the-archive/
Follow more of IMSI’s work: www.IMSI.institute, (twitter) @IMSI_institute, (mastodon) https://sciencemastodon.com/@IMSI, (instagram) IMSI.institute
Follow Caitlin Parrish: @caitcrime
Follow Allyson Ettinger: https://allenai.org/team, @AllysonEttinger
This episode was audio engineered by Tyler Damme.
Music by Blue Dot Sessions.
The Institute for Mathematical and Statistical Innovation (IMSI) is funded by NSF grant DMS-1929348.
In this classic episode, we explore how GPT-3, a free online natural language processing artificial intelligence by Open AI, does and doesn’t work. Make sure to stick around until the end for an update on how AI is a core demand between the Writers Guild of America and the Alliance of Motion Picture and Television Producers.
GPT-3 takes advantage of a whole new method of artificial intelligence research, called neural nets, to create plays, write code, and even roleplay as a historical figure. But what are the limitations to this kind of AI? University of Chicago professor Allyson Ettinger walks us through how GPT-3 manages to sound so human and where and how it fails in interesting ways.
Find our transcript here: LINK
Curious to learn more? Check out these additional links:
When GPT-3 accidentally lies: https://www.technologyreview.com/2022/11/18/1063487/meta-large-language-model-ai-only-survived-three-days-gpt-3-science/
Microsoft’s chatbot that went racist: https://www.theverge.com/2016/3/24/11297050/tay-microsoft-chatbot-racist
Is GPT-3 a replacement or tool for journalists: https://contently.net/2022/12/15/trends/chatgpt/
Entertainment Community Fund: https://entertainmentcommunity.org/
Science and Entertainment Exchange: http://scienceandentertainmentexchange.org/
AO3 and data scraping: https://www.transformativeworks.org/ai-and-data-scraping-on-the-archive/
Follow more of IMSI’s work: www.IMSI.institute, (twitter) @IMSI_institute, (mastodon) https://sciencemastodon.com/@IMSI, (instagram) IMSI.institute
Follow Caitlin Parrish: @caitcrime
Follow Allyson Ettinger: https://allenai.org/team, @AllysonEttinger
This episode was audio engineered by Tyler Damme.
Music by Blue Dot Sessions.
The Institute for Mathematical and Statistical Innovation (IMSI) is funded by NSF grant DMS-1929348.
Previous Episode

Jamie Barty on Visual Effects in Television
Were you impressed by the underwater scenes in Avatar 2? Have you spent hours trying to figure out how they built the ice wall in Game of Thrones? Everything from big effects like these to smaller hidden visual effects like creating a skyline for an indoor set fall under the purview of visual effects. In this episode of Carry the Two, we get a behind-the-scenes tour of how Fuse FX effects supervisor Jamie Barty from I’m a Virgo leads a team to achieve these effects - and the copious amounts of mathematics that come into play!
Find our transcript here: LINK
Curious to learn more? Check out these additional links:
Fuse FX: https://fusefx.com/
Course on the mathematics behind visual effects: https://www.fxphd.com/details/215/
I’m a Virgo: https://www.imdb.com/title/tt13649510/
Entertainment Community Fund: https://entertainmentcommunity.org/
Science and Entertainment Exchange: http://scienceandentertainmentexchange.org/
Follow more of IMSI’s work: www.IMSI.institute, (twitter) @IMSI_institute, (mastodon) https://sciencemastodon.com/@IMSI, (instagram) IMSI.institute
Follow Jamie Barty: https://www.imdb.com/name/nm4495160/
This episode was audio engineered by Tyler Damme.
Music by Blue Dot Sessions.
The Institute for Mathematical and Statistical Innovation (IMSI) is funded by NSF grant DMS-1929348.
Next Episode

Carry the Two Farewell (for now)
Find our transcript here: LINK
Follow more of IMSI’s work: www.IMSI.institute, (twitter) @IMSI_institute, (mastodon) https://sciencemastodon.com/@IMSI, (instagram) IMSI.institute
Follow Sadie Witkowski: https://www.sadiewit.com/, @SadieWit
This episode was audio engineered by Tyler Damme.
Music by Blue Dot Sessions.
The Institute for Mathematical and Statistical Innovation (IMSI) is funded by NSF grant DMS-1929348.
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