
Episode 145: "Still Goin' Strong" — 60 Years of HELLO DOLLY!
06/20/24 • 43 min
My guest this week is award-winning entertainer Richard Skipper, who joins me to talk about his new show, Still Going Strong—A Celebration of 60 Years of Hello Dolly!, which he will be bringing to various venues on several continents over the next few months, starting with Crazy Coqs in London on August 5th.
As you will hear, it was Richard’s friendship with Carol Channing that inspired him to begin chronicling the history of Hello Dolly!, and over the past fifteen years, Richard Skipper has interviewed more than 1,000 participants of various productions of the show. That this discussion follows on the heels of the Bette Midler series of podcasts is a happy quirk of serendipity!
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For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.
If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:
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Thank you in advance for your support!
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My guest this week is award-winning entertainer Richard Skipper, who joins me to talk about his new show, Still Going Strong—A Celebration of 60 Years of Hello Dolly!, which he will be bringing to various venues on several continents over the next few months, starting with Crazy Coqs in London on August 5th.
As you will hear, it was Richard’s friendship with Carol Channing that inspired him to begin chronicling the history of Hello Dolly!, and over the past fifteen years, Richard Skipper has interviewed more than 1,000 participants of various productions of the show. That this discussion follows on the heels of the Bette Midler series of podcasts is a happy quirk of serendipity!
Become a PATRON of Broadway Nation!
This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Larry Spinelli and Geoffrey Block
For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.
If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:
https://broadwaynationpodcast.supercast.tech/
Thank you in advance for your support!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Previous Episode

Episode 144: One More For The Road — The Theater of Bette Midler, part 3
Today I am excited to share with you the third and final segment of my conversation with author Kevin Winkler regarding his new book, On Bette Midler: An Opinionated Guide.
In this engaging book, Kevin focuses on all aspects of Bette Midler’s career — on stage, recordings, film, and television. But in this conversation, again we focus primarily on her work as a theater artist. If you missed the other two episodes in this series, you may want to listen to those before jumping into this one.
For more than twenty years, Kevin was a curator, archivist, and administrator at the New York Public Library, and prior to that, he was a professional dancer on Broadway. His previous books include the award-winning Big Deal: Bob Fosse and Dance in the American Musical, and Everything is Choreography: The Musical Theatre of Tommy Tune.
Become a PATRON of Broadway Nation!
This podcast is made possible in part by the generous support of our Patron Club Members, including long time members Mark Stanton and Andy Wigginton.
For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits.
If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link:
https://broadwaynationpodcast.supercast.tech/
Thank you in advance for your support!
Learn more about your ad choices. Visit megaphone.fm/adchoices
Next Episode

Special Encore Episode: SONDHEIM AND ME
This special encore episode of Broadway Nation was first released in the fall of 2022.
My guest is PAUL SALSINI, who many listeners will remember as the founder and original editor of The Sondheim Review, the first and only quarterly magazine ever devoted to a living musical theater composer.
Paul passed away earlier this month, at the age of 88, so I thought this was a very appropriate time to revisit this fascinating conversation.
Paul launched the magazine in 1994, and over the following ten years, Paul exchanged notes, letters, faxes and phone calls with Stephen Sondheim — who it was clear was reading every word of every issue of the magazine — and Sondheim often had corrections and comments, or as he called them, “emendations.” On a few occasions these notes and phone calls included “vigorous objections” to what Paul had included the magazine, but overall Sondheim was wonderfully supportive and helpful.
In his book SONDHEIM AND ME, Paul chronicles his unlikely relationship with Sondheim during an eventful period that included the New York premieres of Passion and Saturday Night, the Kennedy Center’s Sondheim Celebration, Broadway revivals of six of Sondheim’s major works, and the decade long development of the musical that would eventually be called Road Show.
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