
FROM THE VAULT: WKRP creator Hugh Wilson
07/29/24 • 51 min
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Hugh Wilson talked his way into a job at MTM Enterprises at just the right time. When he arrived in the early '70s, they were busy making sitcom history with The Mary Tyler Moore Show and The Bob Newhart Show. Wilson, who had no prior TV experience, could often be found up in the rafters, taking a crash course in Funny 101.
The result was his first series as a creator and executive producer, WKRP in Cincinnati (1978-82).
In this "From the Vault" conversation from 2014, Wilson -- who passed away in 2018 at 74 -- talks about what it was like to strike gold with just the right cast at just the right time -- even if his rock 'n' roll radio station sitcom was never a big hit in the States.
Among the surprising things he reveals:
"When the show first went on, it was struggling in the ratings in the U.S. But the ratings in Canada were great right from the beginning," says Wilson, who used the Canadian response to successfully argue that the series needed time to find its audience. "I've never understood that but I've always been super grateful for it."
Hugh Wilson talked his way into a job at MTM Enterprises at just the right time. When he arrived in the early '70s, they were busy making sitcom history with The Mary Tyler Moore Show and The Bob Newhart Show. Wilson, who had no prior TV experience, could often be found up in the rafters, taking a crash course in Funny 101.
The result was his first series as a creator and executive producer, WKRP in Cincinnati (1978-82).
In this "From the Vault" conversation from 2014, Wilson -- who passed away in 2018 at 74 -- talks about what it was like to strike gold with just the right cast at just the right time -- even if his rock 'n' roll radio station sitcom was never a big hit in the States.
Among the surprising things he reveals:
"When the show first went on, it was struggling in the ratings in the U.S. But the ratings in Canada were great right from the beginning," says Wilson, who used the Canadian response to successfully argue that the series needed time to find its audience. "I've never understood that but I've always been super grateful for it."
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FROM THE VAULT: Bill Daily on Bob Newhart
The death of comedy legend Bob Newhart July 18 had me scrambling for this "From the Vault" conversation with Bill Daily.
Daily was one of Newhart's oldest friends from their Chicago days in the late '50s when Daily was directing and performing in television and Newhart was exploding onto the scene with, at the time, the biggest-selling comedy LP ever, "The Button-down Mind of Bob Newhart."
The two reunited on The Bob Newhart Show (1972-78), a perfectly cast, well-written gem from the glory days of the MTM Studios. Daily praises, among other writers, Glen and Les Charles who went on to create Taxi and Cheers. He also talks about how they all adored Suzanne Pleschette, as well as the incredible cast of zanies who stole scenes as Dr. Bob Hartley's group therapy patients. Then there's the story about how Newhart had to fire his best friend for getting the studio audience too heated in the warm-up -- Don Rickles.
"I was so grateful to have that show," says Daily, previously best known for I Dream of Jeannie. In this conversation from 2014 -- four years before he died at 91 -- Daily saves his most heartfelt praise for Newhart.
"He was the nicest man I've ever met."
He also tells three of the funniest jokes I've ever heard.
Next Episode

Meet "The Movie Man" Keith Stata
About two hours northeast of Toronto stands The Highlands Cinemas, a hand made movie palace carved out of cedars and mosquitoes. Every summer for 40 years, families from neighbouring towns and villages in Ontario’s cottage country have braved bear cubs in the parking lot to see everything from “Barbie” to the latest “Despicable Me” flick.
It is entirely the vision of one of Kinmount, Ont.’s native sons, Keith Stata. “The Movie Man,” a documentary about this remarkable entrepreneur’s Don Quixote-like obsession with showing movies the way God intended — with an audience — is streaming now exclusively at Hollywood Suite.
On this shorter-than-usual summer episode, we hear from Stata as well as director and photographer Matt Finlin, plus one of the executive producers of the documentary, Barenaked Ladies' frontman Ed Robertson.
Finlin, Robertson and others came for the movies but kept cominng back for the incredible museum of movie projectors, film stills, drive-in speakers and other artifacts Stata has collected and displays in hallways that snake around the cinemas. This episode best enjoyed with popcorn.
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