Helen Macdonald On 'The Dark Is Rising'

04/30/21 • 3 min

Every year, at holiday time, Macdonald reads this tale of a boy who finds out he's one of the "old ones," part of a series from author Susan Cooper. She says it reconnects her with a sense of wonder inspired by what might lurk beneath the surface of the seen world.

My name's Helen Macdonald — I'm the author of "H Is For Hawk" — and I want to recommend a 1973 children's book called "The Dark Is Rising" by the author Susan Cooper.
This funny thing happens in England every year: a whole bunch of friends of mine — on the winter solstice — we all read this book. It's a book about magic. Anyone who's read Harry Potter will know that there is a long history of books about small boys, when they're about 10 or 11, realizing that they're not normal, that they have magical powers. And this is one of the early books in that kind of tradition. It's about a small boy called Will who wakes up on his eleventh birthday to discover that he is, in fact, one of the "old ones." And his job is to protect the world against the forces of darkness.
This all sounds very, very clichéd but my goodness, I cannot recommend this book more highly. It's one of the most beautifully written fantasy books I've ever come across.
It made the English landscape sing for me as a child. It's full of snowy woods. It's full of Arthurian legend. It's full of Anglo-Saxon myths. It's full of everyday life. There are the most astonishing sequences which brim with eerie power of the small boy who has the power to light fires out of dead wood he sees lying on paths, and the panic as he realizes that — for some reason — he cannot put them out.
When you're small, you're prey to fear, you're prey to panics in a way that I think disappear as you get older. Whenever I read this book, those old panics about our place in the world and the limits of our powers come back bright as ever.
It's also a very poignant book. There are characters in here who suffer. There are characters who are caught out of time. And the whole thing is also about how we see the past in the landscape. This has been very influential for me — when you look at the landscape wherever you are in the world, it's very fascinating to try and imagine who stood there before you. And this book plays with that sense and plays with the stories we've told about the places we live.
Also it's got the kind of really cool things that you find in fantasy books, you know: Will has to collect a series of very important things of power — again, very Potter-like — and the whole book itself is part of a much wider series that deals with this great fight between the dark and the light. You know you can't mess around with that, as a topic.
So I really recommend you go out and buy this book and I really hope you'll love it as much as I do.

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Lulu Miller on 'The Search for Delicious'

Lulu Miller, author of “Why Fish Don’t Exist,” first read the young adult book “The Search for Delicious” when she was in that transformative and uncertain stage in between childhood and adulthood. The enchanted fairy tale by Natalie Babbitt taught Miller to still believe in the power and poetry of magic, whatever her age.

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Nicola Griffith on 'The Blue Sword'

A girl, a horse, and a magical sword save a kingdom in Robin McKinley's young adult classic, "The Blue Sword" — a book beloved by women of all ages. "Hild" author Nikola Griffith explains why.

My name's Nicola Griffith. I am the author most recently of a novel called “Hild.” I'd like to recommend a book. If you haven't read it, then please pick up “The Blue Sword” by Robin McKinley. It is ostensibly for teenagers, but I think I was probably about 25 or so when I read it. And I have re-read it many times since, and it holds up. It's a wonderful first-person story about a woman called Angharad, but she calls herself Harry, and by the end of the book is known as Harry, Harimad-sol. She moves from a place called Home. Sometimes I think of it as an English place, and sometimes I think of it as American Northeast, but it's very stuffy. It has lots of etiquette rules. Basically, the Wild West or the Indian frontier.

When I first read it, I was thinking in terms of the Raj, I was very English. I am very English. But now that I've lived in this country for a bit, I can see the parallels with settlers who moved out to the Western frontier. Anyway, there's lots of magic. There are swords and horses. It's sword and pony fiction with magic. I love it. It's a great book. I've just started reading it aloud. I just read the first three pages, which is why it's on my mind. And McKinley does this amazing job of taking us in to this teenager's head, her essential loneliness, her longing for a place to belong. And she does that really, really well. And then further on in the book, there are these wonderful scenes where Harry learns that she has this power. She can do prophecy. She can fight. She can control her horse. Essentially, she could beat everybody, except, of course, the king who she ends up marrying.

Sorry for the spoiler. So it's romantical, but it doesn't follow some of the really tired tropes of old fashioned romance in the sense that the woman has to look at the floor and flirt. She's basically very angry with this man in the nicest possible way. And he's reluctant to use her in the way that his powers dictate that she be employed to help him in his goal, which is to keep everyone safe because of her magic. The Blue Sword is the novel about a young woman becoming herself. It's about a woman finding her place in the world. She is a woman, but she could just as well be a man. It's about a person learning to belong, about a person finding their feet. And that is a story for any age, for any era.

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