Arts and Music (Video)

Known for his playful and ironic photo portraits of Weimaraners with names like Fay Wray and Man Ray, William Wegman is an accomplished artist in a variety of media. He joins Stuart Collection's Mary Beebe and Mathieu Gregoire to discuss the genesis and installation of his piece for the Collection, "La Jolla Vista View." Wegman also shares his thoughts about creative inspirations, methods, and processes. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36136]

UC San Diego Library's Nina Mamikunian joins Stuart Collection's Mary Beebe and Mathieu Gregoire for an exploration of "UNDA" (Latin for "wave"), the late Ian Hamilton Finlay's 1987 contribution to the Collection. Topics discussed include Finlay's artistic influences and creative methods for the piece in the context of his long career. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36055]

Visual artist, songwriter, musician, and raconteur extraordinaire Terry Allen joins Stuart Collection's Mary Beebe and Mathieu Gregoire for a wide-ranging exploration of the history and methods of creating "Trees," his installation for the Collection. Other topics for conversation include comments about Allen's public artworks that followed that initial commission and his latest album, "Just Like Moby-Dick." Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36054]

Anthony Graham from Museum of Contemporary Art San Diego joins Stuart Collection's Mary Beebe and Mathiue Gregoire to discuss the work of Los Angeles-based artist Alexis Smith. Smith's collaboration with the Collection began in 1992 with her iconic Snake Path, and continues with her monumental mural Same Old Paradise, slated for installation on-campus in 2021. The trio of panelists offer insights into Smith's themes and creative strategies. Series: "Stuart Collection at UC San Diego" [Arts and Music] [Show ID: 36001]

The US/Mexico border has served as a creative catalyst for artists for more than a century, but perhaps never more than now as barriers between both societies have grown. Join us for a lively discussion with three leading musicians on how they reflect on the border through their music, creating art that forges connections and common community. Moderated by radio journalist Betto Arcos, a regular contributor to NPR, BBC Radio 3 and LAs KPCC, the panel features Arturo OFarrill, multi-Grammy-winning composer, jazz pianist and Professor of Music at UCLA; Martha Gonzalez, co-founder and lead singer of Grammy award-winning band, Quetzal, and Associate Professor in Chicanox Latinox Studies at Scripps/Claremont Colleges; and Jorge Francisco Castillo, founder and director of the Fandango Fronterizo festival and leader of the cross-border son jarocho ensemble, Radio Guacamaya. Series: "Helen Edison Lecture Series" [Arts and Music] [Show ID: 35614]

Evie Evangelou, the founder of Fashion 4 Development believes fashion and the arts are invaluable tools for communication. She describes her work with the UN and designers to create a more compassionate world. Series: "Compassion Beyond Borders" [Humanities] [Arts and Music] [Show ID: 35907]

The cosmopolitan character of the Ottoman empire, the challenges of reimagining classical music and literary texts, and the difficulties of making an opera on a small budget all arise in this conversation between composer Mehmet Ali Sanlıkol and UC Santa Barbara professor Abdulhamit Arvas about Sanlıkol’s Turkish coffee house opera Othello in the Seraglio. In this video, Sanlıkol richly describes the complicated creative journey his opera made from its initial conception to completion. Series: "Carsey-Wolf Center" [Arts and Music] [Show ID: 35774]

The challenge of blending three sound sources, the kinescope recording system, and the multimedia afterlives of 1950s television programs all arise in this conversation between film professor Ross Melnick, UCLA archivist Mark Quigley, and sound engineer Nicholas Bergh about the ABC television program Stars of Jazz. In this video, Quigley discusses the process of selecting which episodes to restore, and Bergh describes the principles of sound fidelity that guide his restoration work. Series: "Carsey-Wolf Center" [Humanities] [Arts and Music] [Show ID: 35806]

Johannes Brahm's Symphony No. 3, composed in 1883, is the shortest, subtlest, and most concise of his four symphonies. Each movement demonstrates Brahms' mastery of the form as he ranges from boisterous to introspective, ending on a note of dignified restraint. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 35728]

Ehren Tool is the ceramics studio manager in the Department of Art Practice at UC Berkeley. In his off-time, he makes clay cups that he hopes start conversations about war. Series: "UC Berkeley News" [Arts and Music] [Show ID: 36762]