
STEM + Arts Series | Active Student Learning and Social Emotional Health Through Collaboration | Marie Mattinson
09/06/22 • 34 min
Links Mentioned In This Episode:
An Unusual Route to Becoming a Visual Arts Educator
“Being in the arts endorsement course saved my life.”
Marie Mattinson, visual arts educator at Edgemont Elementary School, is this week’s guest. Marie graduated with a bachelor's in psychology. She worked as a PE teacher and loved working as an aide for an autistic student. She completed the requirements for a teaching license while teaching part time (including special ed math, third-grade, and after-school programs). After teaching third-grade full-time for 12 years, Marie hit burnout because of testing and expectations. Colleagues
Lisa Gardner and Diane Ames convinced her to enroll in the BYU ARTS Partnership’s Arts Integration Endorsement program. “Being in the arts endorsement course saved my life, really. I was happy again. I was happy to be with the kids and as I was happier, and we were creating things together in all art forms the kids were happy, and it created a cycle of everybody being better and happier.”
After being hired as a visual art teacher, Marie earned her master's in Art Education. She works to integrate science and math into the visual arts curriculum in all kinds of ways. Marie is a recent recipient of the Beverley Taylor Sorenson’s Legacy Award for Excellence in arts education for elementary visual arts instruction in the state of Utah.
An Arts-Integrative Pedagogy Actively Engages Struggling Students
Marie shares how the arts deeply impacted the learning of her own child:
“My son was struggling with long-term memory, retrieval, processing and comprehension. His comprehension is really low. He has ADHD and I just watched him crumble as a first grader. As a second grader, he struggled to write and stay engaged; he hated school, he cried every day. PJ day was the best day because it was the one day we didn't have to have a tantrum about clothes. We had tantrums about everything else.
When he learned his vowels, he was in Miss Gardner's class. They learned through songs, so he can decode and read so well because of music. Then in third grade, our music teacher taught him multiplication through songs, and he can do multiplication because of songs. His French third-grade teacher used movement and dance, (she was also in the Arts Integration Endorsement class) and he learned French that way, because he's in the French immersion program.
Then, I realized that I needed to be more patient and engage all the kids because if my kid was struggling, I needed to be a better teacher and be more patient. I watched him do so many things that he couldn't control. Instead of, ‘Why won't you just sit and listen?’ ‘Why won't you just do this?’ He can't. Before my lived experience with my son, I didn't realize that kids who struggle with ADHD and other things, they can't. They don't mean to be like that. Yet, the pedagogy that creates confidence in learning, connections, and success are the arts.”
Educate the Whole Child: Teach Social-Emotional Skills
Marie is passionate about educating the whole child. Students need to learn the skill of knowing how to care for other people, be empathetic and good listeners. Marie believes these skills are just as important as any academic curriculum you could ever put in front of them. Many lessons in her third-grade classroom focus on people: “Let’s look at cultures, let’s look at who is in our class. How can we learn more about them? How can we represent their beliefs and their interests in an authentic, empathetic way that celebrates them?”
For example, including this social-emotional learning during math class: students can practice empathy and listening skills, collaboration skills. When students start breaking down or showing frustration because the math concept isn’t landing, teachers can help support that student’s emotions first, then work together on the math concept: “It all matters.”
Using Art to Celebrate Diversity and Create Culturally-Responsive Classrooms: Puzzling Out Students’ Ancestral Countries
Marie’s school is extremely diverse: the French dual-immersion teachers hail from Rwanda, Spain, Austria, Ukraine, Switzerland, Morocco, and two are from France; students are comprised of all different socio-economic backgrounds and neighborhoods, and include a lot of second-language learners, and students from Columbia, Brazil, Uruguay, Congo, and Haiti.
Second graders are given a puzzle piece made from paper. They find out which country their ancestors came from. Students learn about their ancestors, where they came from: students find a picture of a monument or la...
Links Mentioned In This Episode:
An Unusual Route to Becoming a Visual Arts Educator
“Being in the arts endorsement course saved my life.”
Marie Mattinson, visual arts educator at Edgemont Elementary School, is this week’s guest. Marie graduated with a bachelor's in psychology. She worked as a PE teacher and loved working as an aide for an autistic student. She completed the requirements for a teaching license while teaching part time (including special ed math, third-grade, and after-school programs). After teaching third-grade full-time for 12 years, Marie hit burnout because of testing and expectations. Colleagues
Lisa Gardner and Diane Ames convinced her to enroll in the BYU ARTS Partnership’s Arts Integration Endorsement program. “Being in the arts endorsement course saved my life, really. I was happy again. I was happy to be with the kids and as I was happier, and we were creating things together in all art forms the kids were happy, and it created a cycle of everybody being better and happier.”
After being hired as a visual art teacher, Marie earned her master's in Art Education. She works to integrate science and math into the visual arts curriculum in all kinds of ways. Marie is a recent recipient of the Beverley Taylor Sorenson’s Legacy Award for Excellence in arts education for elementary visual arts instruction in the state of Utah.
An Arts-Integrative Pedagogy Actively Engages Struggling Students
Marie shares how the arts deeply impacted the learning of her own child:
“My son was struggling with long-term memory, retrieval, processing and comprehension. His comprehension is really low. He has ADHD and I just watched him crumble as a first grader. As a second grader, he struggled to write and stay engaged; he hated school, he cried every day. PJ day was the best day because it was the one day we didn't have to have a tantrum about clothes. We had tantrums about everything else.
When he learned his vowels, he was in Miss Gardner's class. They learned through songs, so he can decode and read so well because of music. Then in third grade, our music teacher taught him multiplication through songs, and he can do multiplication because of songs. His French third-grade teacher used movement and dance, (she was also in the Arts Integration Endorsement class) and he learned French that way, because he's in the French immersion program.
Then, I realized that I needed to be more patient and engage all the kids because if my kid was struggling, I needed to be a better teacher and be more patient. I watched him do so many things that he couldn't control. Instead of, ‘Why won't you just sit and listen?’ ‘Why won't you just do this?’ He can't. Before my lived experience with my son, I didn't realize that kids who struggle with ADHD and other things, they can't. They don't mean to be like that. Yet, the pedagogy that creates confidence in learning, connections, and success are the arts.”
Educate the Whole Child: Teach Social-Emotional Skills
Marie is passionate about educating the whole child. Students need to learn the skill of knowing how to care for other people, be empathetic and good listeners. Marie believes these skills are just as important as any academic curriculum you could ever put in front of them. Many lessons in her third-grade classroom focus on people: “Let’s look at cultures, let’s look at who is in our class. How can we learn more about them? How can we represent their beliefs and their interests in an authentic, empathetic way that celebrates them?”
For example, including this social-emotional learning during math class: students can practice empathy and listening skills, collaboration skills. When students start breaking down or showing frustration because the math concept isn’t landing, teachers can help support that student’s emotions first, then work together on the math concept: “It all matters.”
Using Art to Celebrate Diversity and Create Culturally-Responsive Classrooms: Puzzling Out Students’ Ancestral Countries
Marie’s school is extremely diverse: the French dual-immersion teachers hail from Rwanda, Spain, Austria, Ukraine, Switzerland, Morocco, and two are from France; students are comprised of all different socio-economic backgrounds and neighborhoods, and include a lot of second-language learners, and students from Columbia, Brazil, Uruguay, Congo, and Haiti.
Second graders are given a puzzle piece made from paper. They find out which country their ancestors came from. Students learn about their ancestors, where they came from: students find a picture of a monument or la...
Previous Episode

Native American Series 2 | Frog’s Teeth | Dovie Thomason, Storyteller
Dovie Thomason at the Arts Express Summer Conference 2022
Today, we have a treat for you—-a sneak peek of what you’ll get at Arts Express Summer Conference from one of our fabulous presenters, Dovie Thomason, a Native American storyteller and author. After we tell you a bit more about Dovie and her experiences, we will share a recording of one of the stories she performed and recorded for the Utah Division of Arts and Museums in 2020, titled “Frog’s Teeth.”
The Story Behind the Story “Frog’s Teeth”
This story comes from a series titled “Stories Grandma Told Me.” This is not a story Dovie heard from her grandma. It was a story given to her when she was the mother of a child beginning to lose their teeth. The person who gave Dovie this story received it from her father’s traditions as part of the Oneida First Nation in Ontario, Canada.
We thank Jean Tokuda Irwin and our partners at the Utah Division of Arts and Museums for granting permission to use this recording and for introducing us to Dovie and sponsoring her at Arts Express this summer as a keynote speaker and presenter.
https://www.youtube.com/watch?v=dGD_KkI4Ibg
Dovie Thomason Biography
Coming from the rich oral tradition of her Lakota and Plains Apache family, Dovie Thomason has had a lifetime of listening and telling the traditional Native stories that are the cultural “heartsong” of community values and memory. Both wise and mischievous, Dovie unfolds the layers of her indigenous worldview and teachings with respect, sly humor and rich vocal transformations.
When she adds personal stories and untold histories, the result is a contemporary narrative of Indigenous North America told with elegance, wit, and passion. Her programs are a heartfelt sharing of Native stories she has had the privilege of hearing from Elders of many nations and are woven with why we need stories, how stories are a cultural guide in shaping values and making responsible choices, how stories build communities and celebrates our relationship with the Earth and all living beings.
The oral tradition she gifts to listeners inspires delight in spoken language arts, encourages reading, supports literacy, can be used in classrooms to motivate better writing as students experience storytelling techniques, literary devices and effective communication. All of this takes place while they are exploring their own narratives and family values. Dovie has represented the U.S. as the featured storyteller throughout the world.
In 2015, she was honored as the storyteller-writer in residence at the Centre for Creative Writing and Oral Culture at the University of Manitoba in Canada. Dovie has used her storytelling to advise the UCLA Film School on narrative in modern film, NASA on indigenous views of technology, the Smithsonian Associates’ Scholars Program and the premier TEDx Leadership Conference. Her role as a traditional cultural artist and educator has been honored by the National Storytelling Network’s ORACLE: Circle of Excellence Award and the Wordcraft Circle of Native Writers’ Traditional Storyteller Award.
Links Mentioned:
- Register for Arts Express
- Dovie Thomason’s Website
- More stories by Dovie on the Utah Division of Arts and Museums YouTube Channel
Follow Us:
- BYU ARTS Partnership Newsletter
- AdvancingArtsLeadership.com
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- Subscribe on Spotify
Don't forget to peruse the bank of lesson plans produced by the BYU ARTS Partnership Arts in dance, drama, music, visual arts, media arts. Search by grade-level, art form or subject area at www.education.byu.edu/arts/lessons.
Next Episode

STEM + Arts Series | Integration Energized My Students’ Interest | Lisa Galindo, Elicia Gray, & Jennifer Heldenbrand
Links Mentioned in this Episode:
- University of Utah’s Marriott Library Book Arts Program for Teachers
- Peter and the Wolf
- Flight of the Bumblebee
- William Tell Overture
- Arts Express Summer Conference
Three STEM + Arts Research Participants Share Their Educational Experience and Backgrounds
Today’s guests are arts integrators in the research practice partnership through BYU and the Provo City School District: a visual art teacher, a teacher from a Title 1 school, and a teacher in a dual language immersion program (DLI). Welcome to Elicia Gray, Lisa Galindo, and Jennifer Hildebrand. To learn more about this research partnership, please listen to episode 28.
(Elicia Gray) I'm Elicia Gray, and I teach K-12. I mostly spend my time at elementary school teaching art integrated with other subjects, but visual art is my primary subject. I was interested in this research project because I seek collaboration with other teachers who know more about science than I do. I wanted to understand authentic science connections that I could make with visual art projects in the classroom.
(Lisa Galindo) I'm Lisa Galindo. I teach third grade at Provo Peaks Elementary. I just finished my masters of STEM education. I have always loved the arts, was invited to the group, and want to learn how to integrate arts with STEM.
(Jennifer Heldenbrand) I'm Jennifer Heldenbrand and I teach sixth grade at Canyon Crest Elementary. I have been teaching for several years and have always enjoyed doing art projects with my kids, but wanted to have a better understanding of how to pull art and science topics together.
(Tina McCulloch) Okay, well, what a nice diversity of backgrounds. . All of us together really do have some interesting backgrounds. But also that idea of I can take my STEM core and add some arts or as Elicia says I can take my arts and add some STEM into it. It's all for the betterment of our teaching and to engage our students. So I would just like you to share a story of an experience that you've had in your classroom where you engaged your students in an arts integration and what extra outcomes happened. Whether it was you got to know your students a little bit differently or the content really came alive.
Engaging Students in Arts Integration Creates Deeper Learning
Moon Phases Cyclical Bookmaking
(Jennifer Hildenbrand) Our class looked at the phases of the moon. One of the things that I did was show a picture of the moon, probably a vintage 1930’s or 1920’s picture of the moon, maybe with a scarf around its head as if it were not feeling very well and looking a little pensive. That visual opened the door to a lot of discussion. One student in particular said, “I think I'm seeing a crescent moon. I think it's a waxing crescent moon.” The class stopped and thought: “Where does this come from? What's giving you this idea?” There was a shadow around the edge of that picture that was able to help the student think through tha ideat. From there, we learned the moon phases; we talked about why they occur; and students’ questions became quite intricate. The students wanted to know more—they were practicing inquiry-based learning. From there, we created some lovely, cyclical books that allowed them to create their own version of the moon phases.
Create your own Bioluminescent Fish to Adapt to the Deep Sea Environs
(Elicia Gray) I think people forget that artists and scientists have a lot in common. When I was thinking about what I wanted to do with my students, I tried to approach these scientific principles the same way as I would approach art principles. For example: “Let's discover something new. Let's notice something new. Let's try to solve a problem.” Both artists and scientists are problem solvers.
During the unit on ecosystems, my students studied deep sea fish. We started with this question: “What would keep an organism alive in the deep sea?” I was really fascinated by the idea of bioluminescence. That's one of the fun things that I get to do as an art teacher: I get to just really explore something that I want to know about and then share what I find fascinating with the students. I wanted to learn about bioluminescent fish: Why do they light up in the dark? What artistic principles would be similar to or evident in that process?
We watched a lot of videos about what deep sea organisms did. We found out why they glow in the dark. Sometimes it was to attract food or to attr...
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