
Roderick Hietbrink: VIVARIUM
07/10/07 • 22 min
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Ms and Mr : HEAVY SENTIMENTAL
Love Cats! Chatting with the first couple of Australian contemporary art, the very personable Ms and Mr. Between films at the Sydney Film Fest I slipped into the Kaliman Gallery in Paddington to check out the exhibition HEAVY SENTIMENTAL, and to ruminate on the nature of love, childhood, and the eternal goth spirit of the Cure's Robert Smith, inhabiting the souls of both 11 yr old Ms, and 29 yr old Mr. "Ms & Mr is the team of Richard and Stephanie Nova Milne, an exploration of both art practice and marriage. The departure point for their practice comes from a willing confusion between their romance and collaborative relationship as artists. This much-anticipated exhibition follows their residency in New York as the recipients of the 2005 Helen Lempriere Travelling Art Scholarship. Heavy Sentimental showcases a series of four video works and a suite of pencil drawings that reflect on childhood footage of the artists that has been digitally manipulated to incorporate images of their present partner in the scenario. This contrast of the young and the old, the past and the present, evokes a sense of reflection and nostalgia as Ms & Mr engage the audience in a trip into their childhood." To view the work while listening to the interview, first hit play, then click this link: http://www.kalimangallery.com/
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Guy Benfield: MAXIMUM COMMUNE
Maximum Commune (Ugly Business... on the basis of disbelief.) Talking with Australian New York based artist Guy Benfield, about his performance installation work Maximum Commune, part of the Aftermath: Performance Installation series curated by Blair French at Sydney's ART SPACE gallery, right next to the harbour. With the USS Kitty Hawk moored across the street, Guy walked and talked us through his unique work and world. "Maximum Commune... utilises the cultural model of the 'pavilion' juxtaposed with tropes of modernist architecture, examples of hand-built alternative Zome housing originating from Southern California in the 1960s and collectives such as Drop City. Within these structures, Guy Benfield performs a series of actions, 'droppings' or situational episodes that re-animate tropes that were once declared obsolete obsolete, such as ritual, live action painting in the genre of george mathieu, the 'Art informal' movement in France, and the Japanese actionist painting movement - Gutai group. In these performance scenarios Benfield investigates the West Coast Funk Ceramic movement of the late sixties, pottery as an expressionist dialogue and the bourgeois bohemian lifestyle he experienced while growing up insuburban Sydney." The Aftermath: Performance Installation series provides a critical and public focus to the complex relationship of performance to installation art, sharing a genealogy, as they do, in early conceptual and post-object art. Aftermath centres on the installation 'aftermath' of performance, or conversely, performance as a strategy for creation of material environments - the bleeding back and forth of active models of performance and its post-life.Each week one of six artists participating from Australia and abroad will undertake a performance work in one of the Artspace galleries resulting in an installation 'aftermath' and collectively creating a dynamic, rolling set of relationships between changing spaces. Art Space link: http://www.artspace.org.au More images on the Art Talk Blog: http://www.arttalking.blogspot.com/
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