Art Restart

It’s a good thing that director Lear deBessonet and producer Clyde Valentín have extensive experience in community-engaged participatory art — nine years ago she founded the acclaimed Public Works program at the Public Theater in New York City; he was the inaugural director of Ignite/Arts, a renowned community-arts incubator in Dallas since 2015 — because the scope of their newest project, One Nation/One Project, would overwhelm most artists and administrators.

One Nation/One Project, a partnership with the National League of Cities, is a truly national multi-year health-and-wellness initiative. Over the next two years, 18 communities scattered throughout the country will create hyper-local participatory and collaborative art works that in July of 2024 will be shared with a national audience. It’s a hugely ambitious project, a reimagining of the 1930s Federal Theatre Project, that looks to capitalize on a well-documented fact, namely that participating in the arts makes individuals and communities healthier.

Among the first cohort of nine sites that One Nation/One Project recently announced is the Kenan Institute’s very own community of Winston-Salem and surrounding Forsythe County. The Institute is working with several local partners — including the Arts Council of Winston-Salem & Forsyth County, Forsyth County Department of Public Health, United Health Centers and the City of Winston-Salem Department of Community Development — to support the program.

The other eight communities chosen are Gainesville, FL; Chicago, IL; Utica, MS; Providence, RI; Rhinelander, WI; Harlan County, KY; Edinburg, TX; and Phillips County, AR, focusing on the cities of Elaine and Helena.

In this interview with Pier Carlo Talenti, Lear and Clyde describe how they conceived and designed their ambitious project and share their hopes for the national healing the 18 local creations might engender.

https://www.onenationoneproject.com/

For painter Ka’ila Farrell-Smith, the land on which she lives and works is the raw material for her art, both metaphorically and literally.

In November 2016, ten days spent at Standing Rock, ND protesting the Dakota Access Pipeline and meeting and working alongside fellow Native artists changed her life. Ka’ila, who is Klamath Modoc, learned about the Jordan Cove Energy Projects, a liquid natural gas LNG pipeline that was threatening her ancestral homeland in southern Oregon, and in 2018, she moved to Modoc Point, where she jump-started a new chapter in her activism and artistry journey, scoring a couple of big wins in the first year. She created her “Land Back” series of paintings, in which she started incorporating pigments and minerals from the land around her, and she was successful in blocking the Jordan Cove Energy Project.

Now, in 2024, represented by the Russo Gallery in Portland, OR, she’s had her work exhibited in museums all over the country, including at the National Gallery in Washington, D.C. One of her pieces is also in the Portland Art Museum’s permanent collection. On the activist front, she is suing the State of Oregon for illegal surveillance and is also combating lithium mining in Native regions of Southern Oregon and Nevada.

In this interview, Ka’ila explains why she left the artistic hub of Portland to live in rural southern Oregon and describes how her activism and artistry have evolved hand in hand.

https://www.kailafarrellsmith.com/

christopher oscar peña is an accomplished playwright with a resume that includes productions, commissions and residencies at some of the country’s most forward-thinking theatrical institutions. Among his most recent productions are the world premieres of his plays “a cautionary tail” at the Flea Theater in New York and “The Strangers” at the Clarence Brown Theatre in Knoxville, TN.

chris is also amassing impressive credits as a TV writer, having written for the Emmy-nominated first season of “Jane the Virgin” on the CW and HBO’s highly lauded “Insecure” as well as the Starz series “Sweetbitter.” He is currently on the writing staff for “Promised Land,” a new series that will air this season on ABC.

Early in the pandemic, chris was approached by director James Darragh to join him and composer Ellen Reid, who won the 2019 Pulitzer Prize for her opera “p r i s m,” on a new project: a brand-new operatic work to be created specifically for and presented in the digital space. Never an opera aficionado, chris nonetheless jumped at the novel opportunity, and with the addition of “p r i s m” librettist Roxie Perkins, the creators hired a team of writers and composers and then filmed and recorded “Desert In.” All eight episodes are available for viewing on the streaming platform, OperaBox.tv. “Desert In” was described by The Wall Street Journal as “lush and expansive ... a highly original marriage of opera and series television,” and The New York Observer wrote that “this stylish film-opera hybrid ... is a sun-drenched melodrama.”

In this interview with Pier Carlo Talenti, chris describes how his enduring passion for breaking form and pushing artistic envelopes has allowed him to craft an eclectic career that amplifies his voice and core beliefs.

https://www.operabox.tv/desert-in

In 2022, Steven Melendez was named artistic director of New York Theatre Ballet, becoming only the second person to lead the institution. In several ways, he was destined to become its next leader since his relationship with the company started when he was only 7 years old and founding artistic director Diana Byer recruited him to train at NYTB’s school through the company’s LIFT scholarship program. As an adult he then went on to dance professionally with NYTB for 15 years. His dance career also included numerous international stints, including as a soloist dancer with Ballet Concierto in Buenos Aires, Argentina and as a principal dancer with the Vanemuine Theater Ballet Company in Tartu, Estonia.

In other ways, however, Steven’s rise to his current leadership position has been extraordinary, if not highly improbable. When he started studying at NYTB, Steven was living with his mother in a homeless shelter in the Bronx and would reside there for three years. Thanks to the LIFT program as well as his inborn talent, he was able to traverse innumerable barriers as he crossed several times a week from the South Bronx to the rarefied world of Park Avenue and back again.

Steven’s own journey is explored in the feature documentary film “LIFT: a Journey from Homelessness to the Ballet Stage,” which was released earlier this year. The film, which spans six years, tracks Steven as he works with three young dancers in the LIFT program who, just as he himself once did, have to traverse the minefield of economic insecurity to study an artform that in ways financial, cultural and historical would have normally been completely inaccessible to them.

Here Steven candidly describes the new barriers he is having to overcome in his new role as a cultural leader and envisions how to make ballet a thrilling and relevant artform for all audiences across cultures and backgrounds.

https://stevenmelendez.com/

https://nytb.org/

https://www.liftdocumentary.com/

Frank Horvat is a celebrated Toronto-based composer and pianist who for decades has written and performed music across genres, from contemporary classical to musical theater and electronica. In 2017 he was the inaugural recipient of the Kathleen McMorrow Music Award which recognizes outstanding work by Ontario composers.

Frank is devoted to using his creative platform to support and bring awareness to causes about which he is passionate: the environment, human rights and mental health. Examples of his artivism include his album “For Those Who Died Trying” that memorializes the lives of murdered environmental activists and the “Piano Therapy” concert, a performance he developed and continues to tour in order to share his own mental health journey and to end the stigma around mental illness, particularly in the world of classical music.

His upcoming projects include “Fractures,” a song cycle of 13 pieces commissioned by acclaimed soprano Meredith Hall on the subject of the environmental impact of fracking, and a brand-new commission from pianist Kara Huber, a suite of solo piano pieces about the hiking paths in and around the beautiful mountain town of Banff, Alberta. In fact, shortly after this interview was completed, Frank traveled to Banff for a month-long residency during which he hiked the area’s most spectacular trails and started composing pieces inspired by his mountain peregrinations.

In this interview with Pier Carlo Talenti, Frank describes why and how he went about creating “Music for Self-Isolation,” his response to the pandemic lockdown that threatened the careers of so many of his musician colleagues. “Music for Self-Isolation” became an international phenomenon, has since been recorded as an album and is the focus of a documentary film. He also explains why being candid about his own mental illness — to himself, his loved ones and his audience — allowed his creativity to flourish in ways he couldn’t have foreseen.

https://frankhorvat.com/