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Art + Magic

Art + Magic

Devon Walz

All things practical, magical and real when it comes to being an artist. Conversations with working artists and deep-dives with your host, Devon Walz, serving up actionable advice and honest stories re: all things being a creative in today's world.
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Top 10 Art + Magic Episodes

Goodpods has curated a list of the 10 best Art + Magic episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to Art + Magic for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite Art + Magic episode by adding your comments to the episode page.

For all you working artists, this conversation is a dose of validation and a resourceful pep talk that you're gonna love. Andrea Guezzatta doesn't hold back re: her opinions about the perspectives in the art world she doesn't jive with and the things out there disguised as opportunities that really aren't. She's also extremely generous and transparent when it comes to her income streams, pricing, secrets to success on Patreon, cultivating an engaged collector base and how she feels about painting cute shit. She was SO fun to chat with and listen to, and is definitely the kind of guest that leaves you wanting a part II.
We talked about...

-- Her fine approach v. painting things because they're cute

-- Viewing art as a skill set and a way to make money. And divesting from the often privileged perspective of academia.

-- A break down of Andrea's income streams

-- Charging a living wage and how to balance that with what your audience is buying

-- How she makes Patreon work for her

-- The need for more play and fun in the art world

-- How doing stand up comedy has influenced her art practice and given her confidence in the world

-- What to do when you feel stuck in your process

-- How she approached her recent solo show, Stratosphere (and the time and cost it took)
-- How she became a faster painter

-- SO much more

FOLLOW ANDREA

https://www.andreaguzzetta.com/

IG: @andreaguzzetta

"Stratosphere" solo show at Var Gallery

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

Learn about + apply to the 14 week 1-on-1 mentorship program for artists here.

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I’ve been wanting to bring a curator’s perspective to this show for a long time and I’m so happy that I held out for Angelik Vizcarrondo-Laboy. Glitter-loving, down-to-earth and super fun to chat with, Angelik gives us some great insight into what it’s like on the curator's side of the exhibitions, the behind-the-scenes of putting together shows, how to connect with curators and navigate studio visits, and all things humor, cuteness and leisure.
We talked about...

  • What she does an an independent curator
  • Being independent v. working at an institution
  • Subjectivity, compromise and the ways that curators do and don’t have power
  • Her process for curating a show
  • The aesthetics of optimism: why it’s been marginalized in the past and why it’s having a moment now
  • Minimalism and privilege
  • How to connect with and develop a relationship with curators
  • Do’s and don’ts of studio visits
  • Tips for artists moving forward

FOLLOW ANGELIK

https://www.angelikvizcarrondo.com/

listen to Clay in Color: https://www.brickyardnetwork.org/clayincolor

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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If you're an artist who makes stuff, chances are you're going to go through periods of not making stuff too. This can weigh on us heavily, because we often feel like we need to be making in order to be in artist (but listen in for reasons why that's certainly not true). In this episode I talk about the different reasons we might go through such periods, the external expectations that need to be addressed, coping with the big bullies like fear, comparison, self-criticism and perfectionism, and suggestions for easing your way back into making (if that's right for you at this time!).
SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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Today we're taking a trip down practical lane to talk about how to connect with the collectors and establishments best suited for your work. How do we figure out who are these people and places are? How do you find them? And, when you do, what's the best way to convert them from admirers to buyers? In this episode I get into how to put out the right content for the job, do outreach, and much more on the topic. If you're wanting to make more sales and create longer term strategies for selling-- this one's for you.
For more on outreach, check out episode #32 with Roxy Prima and Phoebe Cornog, which I mention in the episode.
SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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Today’s conversation with Marisa Avila Sayler is a collaborative jam session on all things WORLDBUILDING in visual art. While Marisa and I make work that is very different, one thing that we have in common in our work is that we are each creating our own-- and we have A LOT of thoughts on the subject.

For those of you who love all things fantastical, alternate reality, otherworldly, transcendent, surreal– this episode is for you. BUT even if this isn’t your home genre or main interest, this conversation gives way to a lot topics that are relatable to most any creative: the desire to create something new and better, to use art as a way grapple with the world around us, and to give ourselves a safe haven via our process. Whether we make otherworldly work or not, artists are constantly attempting to create their own world for themselves (the very cool and meta aspect of Worldbuilding that Marisa and I talk about!).
In this episode we discuss...

– How we each view and define Worldbuilding in the context of visual art

-- Why we think there’s been an uptick in this kind of work and its current cultural relevance
-- Why content for children tends to be otherworldly in nature

– Worldbuilding as an act of freedom seeking and rebellion, and our personal reasons for engaging with this kind of work
– The in’s and out’s of the worlds that Marisa and I build. Why we’ve chosen the characters and elements that we have to create our Cosms (worms, slime mold, nostalgia, lucky charms, oh my!)
– How being self-taught v. formally trained has impacted the development of our worlds + work

-- The importance of retrospect and the role that's played for each of us
– The value of getting (the right kind) of feedback on your work

-- much more!

Love this episode? Join us Marisa and I for, "Worldbuilding: An Immersive Course in the Art of Cosm Construction for Visual Creators." More info here. Enrollment closes on April 1st and class begins on April 9th.

https://marisaanddevon.wixsite.com/world-building

Listen to Marisa's past Art + Magic episode: #17 Unlearning Art School + Full-time Realties

FOLLOW MARISA

www.marisasayler.org

IG: @speaking_in_rainbows

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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We're BACK and kicking off season four (finallyyyy!) with a discussion on the five main concerns I've been hearing about from artists recently. In having a lot of conversations with you all over the past month, there were some definite themes and struggles that came up on repeat. I wanted to put them all in one place so we could traverse the ground together and also to let you know: you're definitely not alone in these!
In this episode where we cover a wide range of topics such as...

  • How to understand your own work better and the three components of your work you should be able to identify
  • What to do if you feel disconnected from what you're making or worried that it doesn't have meaning behind it
  • All things talking, sharing and writing about your work. What is too personal? How can we come up with interesting things to say?
  • A practice I recommend for when you feel "all over the place"
  • Important ways to compartmentalize and structure your studio practice
  • Different ways to connect with other artists and find creative community
  • How to know when it's time to lean into the professional side of things or stay focused on developing your work
  • A whole lot more!

Recommended Reading: Art Write
ANNOUNCEMENT
The Small Group Mentorship Program for artists is currently open for applications. We begin on 3/19 and the deadline to apply is 3/16. Spots are limited. Learn more and apply here: www.devonwalz.com/small-group-mentorship
SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com Want to request a topic or ask a question to be answered on the show? Send an email to [email protected]

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For this final episode in our mini series on style development, I wanted to talk about ways we might both: find new inspiration when we're feeling stuck *and* uncover substantial ideas that we'll actually be able to stick with (hi cohesion and consistency). I think pushing our work forward in unique ways requires a balance of playfulness and focused intention-- which I discuss in this episode. Where ever you're at in terms of finding your style, these 10 suggestions will surely bring you a lot closer to your next most honest and exciting work.

Register for "UNIQUE: A Style Development Workshop Series": www.devonwalz.com/unique
Enrollment close Friday, October 22nd at midnight PST

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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In the age of social media, we're likely to experience either being copied, finding ourselves too influenced by other artists' work, or both. This is a sensitive topic on both ends. Being copied feels horrible (what do we do when it happens?), and trying to move away from the voices of other's when you're developing your own can be a big challenge. As part of our continued discussion on style development, I wanted to offer some nuanced thoughts for both positions with the hopes of validating the feelings those who have seen their work replicated and shine some light on how you can weed out any elements in your work that aren't really your own.

I discuss...

-- Thoughts on being copied, ways to handle it and possible perspectives

-- The common things I see in work that is too influenced by others / how to tell if your work is too close to someone else's

-- Ways to move away from your influences and make your work more your own (no shame here, just ideas)

“UNIQUE: Style Development Workshop Series” is now open for enrollment!

Learn more and register: www.devonwalz.com/unique

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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If you feel caught between multiple styles and you’re craving cohesion or to solidify your “thing,” you’re not alone. As part of the next three weeks where we’ll be digging into style development, I wanted to specifically address what to do when we feel scattered and without direction. In this episode I discuss...

-- The 3 stages of style development

-- When multiple styles can work for you and when it might be time to rein it in

-- Obstacles that the “scattered artist” often faces

-- Ways to identifying your “umbrella” and cultivate your style beyond just how it looks

-- Remedies and practical ways to focus your style

-- And more!

“UNIQUE: Style Development Workshop Series” is now open for enrollment!

Learn more and register: www.devonwalz.com/unique

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

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This is an extra special episode for me because working with Pennylane Shen over the past year has been a game changer for my art practice. Pennylane is an artist consultant, and she’s really one of the good ones out there providing support to artists who want to strengthen their work, develop their business, write their artist statement and much more. I loved getting to steal her for an hour to ask everything I’ve been wanting to and highlight the knowledge that she’s imparted to me in our sessions together.

We talked about...

-- The two overarching factors that make for strong artwork and how to know if you’re hitting the marks

--Navigating experimentation and incorporating just the right dose of it

-- Why you need to bulk up the “meat and potatoes” of your work and ways to bring meaning and substance to the forefront of what you make
-- How to overcome the insecurity of being self-taught

-- The things to become aware of in your own self (or continued!) art education

-- Determining which way of selling your work is right for you: self-representation v. working with a gallery
BIO

Pennylane Shen is an artist consultant, curator and educator. Since 2006, her company Dazed and Confucius has offered personalized consultations, group workshops and business development with regular seminars held worldwide. Artist consultants Pennylane and David advise over 1000 artists each year. With a variety of services catered to the fine artist, Dazed and Confucius has quickly become the "one-stop shop" for artists navigating the fine art industry.

Pennylane holds a Master’s Degree in Visual Culture Theory from New York University and has lectured at various forums throughout Canada, the US and the UK. Her teaching experience includes Langara College and the NYC Crit Club. For more than a decade, Pennylane has worked in commercial galleries such as the Bau-Xi Gallery, the longest standing commercial gallery in Canada. In her hometown of Vancouver, BC Pennylane has curated for the Vancouver Mural Festival. An avid supporter of art and wellness, she sits on the board for the Vancouver General Hospital and UBC Foundation, collecting notable art pieces for hospital walls.

FOLLOW PENNYLANE

www.dazedandconfucius.com/

IG: @dazed.and.confucius

SUPPORT THE SHOW

Visit patreon.com/devonwalz for exclusive bonus episodes each month

FOLLOW THE SHOW

@artandmagicpodcast

@devonwalzart

www.devonwalz.com

To get started with the Frame It Easy App and claim $100 off sample frames head to frameiteasy.com/artmagic

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FAQ

How many episodes does Art + Magic have?

Art + Magic currently has 58 episodes available.

What topics does Art + Magic cover?

The podcast is about Visual Arts, Podcasts and Arts.

What is the most popular episode on Art + Magic?

The episode title '54. All About Artwork Development: What's Helped and What's Hurt | Amanda Sandlin' is the most popular.

What is the average episode length on Art + Magic?

The average episode length on Art + Magic is 49 minutes.

How often are episodes of Art + Magic released?

Episodes of Art + Magic are typically released every 8 days.

When was the first episode of Art + Magic?

The first episode of Art + Magic was released on Jan 25, 2020.

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