
Gunybi Ganambarr on creating, building and etching
12/06/18 • 11 min
Since embarking on a creative path only a mere 15 years ago, Yolŋu artist Gunybi Ganambarr has been continuously praised for his weaving of Indigenous forms and traditional stories with a contemporary sensibility. He has been called a “revolutionary”, “genius” and “an innovator”, and has accumulated many accolades, including the 2018 National Aboriginal and Torres Strait Islander Art Award (NATSIAA).
But as Ganambarr explains in the podcast conversation, visual art was not the first form he gravitated towards. His foremost creative experience started as a didgeridoo player, which allowed him to travel nationally and internationally. Prior to becoming an artist, Ganambarr also spent 12 years as a builder, and he credits this experience with familiarising himself with the tools and materials that would later find their way into his creative practice.
Gunybi discusses his 'pre-art' life, the experience of winning the 2018 NATSIAA, and the advice he has for younger artists.
See more at Art Guide online: https://artguide.com.au/podcast-gunybi-ganambarr-on-creating-building-and-etching.
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual Telstra National Aboriginal and Torres Strait Islander Art Awards.
The Interview with Gunybi Ganambarr was produced and hosted by Tiarney Miekus. Episode mix by Mino Peric and soundtrack by Jessie Warren.
Since embarking on a creative path only a mere 15 years ago, Yolŋu artist Gunybi Ganambarr has been continuously praised for his weaving of Indigenous forms and traditional stories with a contemporary sensibility. He has been called a “revolutionary”, “genius” and “an innovator”, and has accumulated many accolades, including the 2018 National Aboriginal and Torres Strait Islander Art Award (NATSIAA).
But as Ganambarr explains in the podcast conversation, visual art was not the first form he gravitated towards. His foremost creative experience started as a didgeridoo player, which allowed him to travel nationally and internationally. Prior to becoming an artist, Ganambarr also spent 12 years as a builder, and he credits this experience with familiarising himself with the tools and materials that would later find their way into his creative practice.
Gunybi discusses his 'pre-art' life, the experience of winning the 2018 NATSIAA, and the advice he has for younger artists.
See more at Art Guide online: https://artguide.com.au/podcast-gunybi-ganambarr-on-creating-building-and-etching.
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual Telstra National Aboriginal and Torres Strait Islander Art Awards.
The Interview with Gunybi Ganambarr was produced and hosted by Tiarney Miekus. Episode mix by Mino Peric and soundtrack by Jessie Warren.
Previous Episode

Luke Scholes on curating, caring and collaborating
When Luke Scholes talks about being a curator, he turns toward the origins of his role: he discusses how curating means to be ‘a carer of things’. For Scholes, this largely involves caring for art collections, through his role as Curator of Aboriginal Art at the Museum and Art Gallery of the Northern Territory (MAGNT).
In this podcast Scholes unpacks his curatorial work, revealing how his position falls across three broad areas: facilitating the annual National Aboriginal and Torres Strait Islander Awards, curating exhibitions, and maintaining and developing MAGNT’s Aboriginal art collection. It’s this third responsibility that Scholes particularly delves into. “It’s not just about acquiring more examples, it’s about acquiring the right examples,” he explains. “What a curator should seek to do is develop a really strong and historical record of art movements.”
This podcast has been produced in partnership with the Museum and Art Gallery of the Northern Territory in recognition of the annual National Aboriginal and Torres Strait Islander Art Awards.
See more at Art Guide online: https://artguide.com.au/podcast-luke-scholes-on-curating-caring-and-collaborating
Podcast produced by Tiarney Miekus. Engineered Mino Peric.
Next Episode

Fiona Abicare on the adventures of mediums
The contexts that Fiona Abicare has worked within are plentiful: the Golden Age of Hollywood, the shabby chic aesthetic and objects of mass culture, just to name a few. Working with locations such as window shop fronts and gallery settings, the Melbourne-based artist’s work explores the cultural and personal associations and histories we have with various sites, objects and historical periods; creating works that blend art, design, architecture, film and fashion.
As Fiona explains in the podcast, she works at the junction between contemporary art and interiors, always creating directly in relation to a certain site or context. “The site dictates the approach, [which] dictates the medium, the subject and the starting point,” she says. “I’m not a studio-based artist that goes to the studio every day and does continuous making. I do projects.”
Fiona discusses how she explore various historical periods and aesthetic styles, the familial and personal resonance in her work, the experience of working as a technician for other well-known artists, and the current cultural climate in the Australian arts.
See more at Art Guide online: https://artguide.com.au/podcast-fiona-abicare-on-the-adventures-of-mediums.
Podcast produced by Tiarney Miekus. Engineered by Mino Peric. Soundtrack by Jesse Warren.
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