
“See that shack over yonder?” (Women Homesteaders)
05/06/21 • 71 min
(image credit: nps.gov)
“In about a week we had a cabin ready to move into. It had a dirt floor and dirt roof, but I tacked muslin overhead and put down lots of hay and spread a rag carpet on the floor. I put the tool chest, the trunks, the goods box made into a cupboard, and the beds all around the wall to hold down the carpet, as there was nothing to tack it to. The beds had curtains and there was a curtained alcove between the beds that made a good dressing room. So we were real cozy and comfortable.”
–Emma Hill
Under the Homestead Act of 1862 and its revisions, over 1 million applicants received a plot of land from the Federal government. Thousands of the homesteaders were women. They were black and they were white. Some were recent immigrants from Europe. Some were looking for husbands, others had left husbands, or lost them to death, divorce, or desertion. Quite a few had no interest at all in a husband. But they all worked hard to “prove up” their homesteads.
And most of them realized that the land they were claiming had been home to Native people for centuries.
Further Listening and Reading:
Pre-Columbian Cultures and Civilizations, The History of North America Podcast
Before Wyoming: American Indian Geography and Trails
African American Homesteaders in the Great Plains
Journals, Diaries, and Letters Written by Women on the Oregon Trail 1836-1865
Land of The Burnt Thigh: A Lively Story of Women Homesteaders on the South Dakota Frontier by Edith E. Kohl
(image credit: nps.gov)
“In about a week we had a cabin ready to move into. It had a dirt floor and dirt roof, but I tacked muslin overhead and put down lots of hay and spread a rag carpet on the floor. I put the tool chest, the trunks, the goods box made into a cupboard, and the beds all around the wall to hold down the carpet, as there was nothing to tack it to. The beds had curtains and there was a curtained alcove between the beds that made a good dressing room. So we were real cozy and comfortable.”
–Emma Hill
Under the Homestead Act of 1862 and its revisions, over 1 million applicants received a plot of land from the Federal government. Thousands of the homesteaders were women. They were black and they were white. Some were recent immigrants from Europe. Some were looking for husbands, others had left husbands, or lost them to death, divorce, or desertion. Quite a few had no interest at all in a husband. But they all worked hard to “prove up” their homesteads.
And most of them realized that the land they were claiming had been home to Native people for centuries.
Further Listening and Reading:
Pre-Columbian Cultures and Civilizations, The History of North America Podcast
Before Wyoming: American Indian Geography and Trails
African American Homesteaders in the Great Plains
Journals, Diaries, and Letters Written by Women on the Oregon Trail 1836-1865
Land of The Burnt Thigh: A Lively Story of Women Homesteaders on the South Dakota Frontier by Edith E. Kohl
Previous Episode

“… We were almost starved.” (Elinore Rupert, Part 8)
Today, Elinore gives us a peek inside her humble abode, and then tells us about a literature-inspired dinner. Once again, there's snow involved.
Next Episode

“Horse-thieves and desperate men seemed too remote…” (Elinore Rupert, Part 9)
Image credit: Adam Jahiel Photography
Elinore continues her awe-inspiring descriptions of the Wyoming frontier. Her signature humor is also alive and well. This time, Elinore gets a little taste of cowboy living, and of cackle-berries. And though she doesn’t mention the race of the cowboys she meets, it is worth mentioning that at least one in five cowboys was African American. Two of the most famous were Nat Love and Bass Reeves, but there were hundreds of other black men who made their living wrangling cattle on the American plains.
5 African American Cowboys Who Shaped the American West
African American Cowboys on the Western Frontier (Library of Congress)
Black Cowboys (Texas State Historical Association)
The True Story of the Black Cowboys of Philadelphia Depicted in Concrete Cowboy (Time Magazine)
Rupert’s letters are in the Public Domain.
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