A Small Voice: Conversations With Photographers
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Top 10 A Small Voice: Conversations With Photographers Episodes
Goodpods has curated a list of the 10 best A Small Voice: Conversations With Photographers episodes, ranked by the number of listens and likes each episode have garnered from our listeners. If you are listening to A Small Voice: Conversations With Photographers for the first time, there's no better place to start than with one of these standout episodes. If you are a fan of the show, vote for your favorite A Small Voice: Conversations With Photographers episode by adding your comments to the episode page.
224 - Edward Burtynsky
A Small Voice: Conversations With Photographers
02/14/24 • 93 min
Edward Burtynsky is regarded as one of the world's most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes represent over 40 years of his dedication to bearing witness to the impact of human industry on the planet. Edward's photographs are included in the collections of over 80 major museums around the world, including the National Gallery of Canada in Ottawa; the Museum of Modern Art, the Metropolitan Museum of Art, and the Guggenheim Museum in New York; the Reina Sofia Museum in Madrid; the Tate Modern in London, and the Los Angeles County Museum of Art in California.
Edward was born in 1955 of Ukrainian heritage in St. Catharines, Ontario. He received his BAA in Photography/Media Studies from Toronto Metropolitan University (formerly Ryerson University) in 1982, and has since received both an Alumni Achievement Award (2004) and an Honorary Doctorate (2007) from his alma mater. He is still actively involved in the university community, and sits on the board of directors for The Image Centre (formerly Ryerson Image Centre).
In 1985, Edward founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging, and new media computer-training centre catering to all levels of Toronto's art community.
Early exposure to the General Motors plant and watching ships go by in the Welland Canal in Edward’s hometown helped capture his imagination for the scale of human creation, and to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet — an inspection of the human systems we've imposed onto natural landscapes.
Exhibitions include: Anthropocene (2018) at the Art Gallery of Ontario and National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Art Center in Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington D.C. (five-year international touring show), China (toured internationally from 2005 - 2008); Manufactured Landscapes at the National Gallery of Canada (toured from 2003 - 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured from 1988 - 1992). Edward's visually compelling works are currently being exhibited in solo and group exhibitions around the globe, including at London’s Saatchi Gallery where his largest solo exhibition to-date, entitled Extraction/Abstraction, is currently on show until 6th May 2024.
Edward’s distinctions include the inaugural TED Prize (which he shared with Bono and Robert Fischell), the title of Officer of the Order of Canada, and the International Center of Photography’s Infinity Award for Art. In 2018 Edward was named Photo London's Master of Photography and the Mosaic Institute's Peace Patron. In 2019 he was the recipient of the Arts & Letters Award at the Canadian Association of New York’s annual Maple Leaf Ball and the 2019 Lucie Award for Achievement in Documentary Photography. In 2020 he was awarded a Royal Photographic Society Honorary Fellowship and in 2022 was honoured with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Edward currently holds eight honorary doctorate degrees and is represented by numerous international galleries all over the world.
In episode 224, Edward discusses, among other things:
- His transition from film to digital
- Staying positive by ‘moving through grief to land on meaning’
- Making compelling images and how scale creates ambiguity
- Defining the over-riding theme of his work early on
- The environmental impact of farming
- Whether he planned his career
- Why he started a lab to finance his photography
- And how being an entrepreneur feeds into his work as an artist
- Vertical Integration
- Examples of challenging...
102 - Hannah Starkey
A Small Voice: Conversations With Photographers
04/03/19 • 77 min
Quietly contemplative yet intensely evocative, Hannah Starkey's photographs explore the physical and psychological connections between the individual and her everyday urban surroundings. Since the beginning of her career, the artist has worked predominantly with women as her subjects, collaborating closely with actresses as well as anonymous acquaintances she meets on-site to develop intricately textured scenes. Stark architectural backdrops and strong associations of color and imagery heighten the sensation of her compositions on both a formal and associative level, triggering personal interpretations and a deeper mediation on the experience of the visual world at large.
Born in Belfast in 1971, Hannah currently lives and works in London. She received a B.A. in Photography and Film from Napier University in Edinburgh in 1995 and an M.A. in Photography from Royal College of Art in London in 1997. She has received numerous awards and honors throughout her career, which include the Vogue Condé Nast Award (1997), the 3rd International Tokyo Photo Biennale’s Award for Excellence (1999), and the St. James Group Ltd Photography Prize (2002).
In 2000, she presented her first major solo exhibition at the Irish Museum of Modern Art in Dublin. Other important solo presentations include Twenty-Nine Pictures at the Mead Gallery at Warwick Arts Centre in Coventry, UK (2011) and Church of Light Altarpiece, a site-specific commission for St. Catherine’s Church in Frankfurt (2010). Her work has also been exhibited as part of important group presentations at Tate Liverpool, Huis Marseille Museum for Photography in Amsterdam, Institute of Contemporary Arts in London, Musée des Beaux-Arts in Nantes, France, Victoria and Albert Museum in London, Schirn Kunsthalle in Frankfurt, and the National Portrait Gallery in London, among other museums worldwide.
Hannah’s photographs are in the collections of the Tate in London, Huis Marseille Museum for Photography in Amsterdam, Seattle Art Museum in Seattle, Victoria & Albert Museum in London, Irish Museum of Modern Art in Dublin, Museo d’Arte Contemporanea Castello di Rivoli in Turin, Italy, Walker Art Center in Minneapolis and Centraal Museum in Utrecht.
In episode 102, Hannah discusses, among other things:
- The influence of cinema
- Not wanting to be highbrow
- Using a breadth of disciplines technique and languages
- Breaking down the barriers to different types of photography
- How her process usually works
- The commodification of women in advertising photography
- The influence of her mother and her upringing during The Troubles
- Some of her hopes for her own daughters
Referenced:
“I think if I can bring images out into the world that depict this energy, and - empowerment’s a tricky word but - this power that’s coming from this next generation, in one image, then that’s kinda my drive, that’s my motivation.”
143 - Tom Stoddart
A Small Voice: Conversations With Photographers
12/09/20 • 82 min
Tom Stoddart is an award-winning British photojournalist whose work has appeared in many of the most pretigious international magazines and newspapers. He is widely regarded by editors and his peers as one of the world’s most experienced and respected photographers. His international frontline assignments have included almost every major conflict and natural disaster over four decades, from wars to earthquakes and from the fall of the Berlin Wall to pandemics. During a long and varied career he has witnessed such international events as the war in Lebanon, the election of President Nelson Mandela, the bloody siege of Sarajevo and the wars against Saddam Hussein in Iraq.
Tom’s photographic career began with the Berwick Advertiser, a local newspaper in his native North East of England, before his personal ambition to move up to the big league of the national press in Fleet Street, sent him to London where he quickly impressed picture editors on the foremost newspapers and magazines and won frontline assignments during the troubled 80s, culminating in Desert Storm, the first Gulf War in 1990.
In 1992 Tom was seriously injured in heavy fighting in Bosnia. After a year of recovery, he produced a powerful feature on the aftermath of the Mississippi floods and, later that year, a World Press Photo award-winning photo-essay on the harsh training regime of Chinese Olympic Child Gymnasts.
In 1997 Tony Blair gave Tom exclusive behind the scenes access to his election campaign as Labour swept to victory after 18 years of Conservative government in the UK. More recently he documented Prime Minister David Cameron’s daily life at 10 Downing Street. His acclaimed in-depth work on the HIV/AIDS pandemic blighting sub-Saharan Africa won the POY World Understanding Award in 2003. In the same year his pictures of British Royal Marines in combat, during hostilities in Iraq, was awarded the Larry Burrows Award for Exceptional War Photography. A year later his book iWITNESS was honoured as the best photography book published in the USA.
Tom is the recipient of Lifetime Achievement awards from this peers and his new book, Extraordinary Women: Images of Courage, Endurance and Defiance was be published in October 2020 by ACC Art Books and Iconic Images.
On episode 143, Tom discusses, among other things:
- Reflections on 50 years in the business
- His new book, Extraordinary Women
- Going back through decades of contact sheets
- The story behind two of his most iconic images - Meliha Varesanovic and Gordana Burazor
- His route to Fleet Street from the Berwick Advertiser
- The ambition to tell stories his way and the stripping down of equipment that changed his style
- Common traits of photojournalists
- Why photography students are not being well prepared for the industry
- Why he still believes in the power of the still image
Referenced:
- Robin Morgan, Iconic Images
- Dennis Hussey
- Don McFee
- John Downing
- Terry Fincher
- Chris Smith
- Sally Soames
- Ken Lennox
- Marie Colvin
Website | Instagram | Facebook
“It isn’t about you. You know, this isn’t art. It’s not about look at me, it’s about look at this.”
101 - Poulomi Basu
A Small Voice: Conversations With Photographers
03/20/19 • 72 min
Poulomi Basu is a storyteller, artist and activist. Her name sounds like ‘follow me’ with a ‘P’.
She was raised by her mother in Calcutta, India and found early inspiration in the city’s rich cinematic history. After her father’s sudden death when Poulomi was 17, her mother told her to leave home as soon as her studies were complete so that she may follow her dreams and live a life of breadth and choices that was denied to her.
Since then, Poulomi prefers the path less trodden. She has slept in the wilderness under a cloudless sky staring at a million stars in search of a guerrilla army whose story strikes right at the very heart of modern India’s global ambitions, through to divided families eking out an Alaskan existence on the last rocky outpost of American soil.
Time and again, she has found herself amongst ordinary people who quietly challenge the prevailing orthodoxies of the world in which they live: rural women in armed conflict, a mother's pain for a son lost to ISIS, to the wonder of a near blind child reaching for the light.
Poulomi is forever in awe of the resilience shown by those in extraordinary circumstance, by those who are bent but not broken. Her work has become known for documenting the role of women in isolated communities and conflict zones and more generally for advocating for the rights of women.
Poulomi was featured alongside Hilary Clinton as one of the one of the 'Amazing women from around the world giving their best advice' by Refinery29. She was part of the VII Mentor Program. She is based between New Delhi, India and London, UK. She has covered issues across Asia, Europe and America. She is co-founder and director of Just Another Photo Festival, a festival that democratizes photography by taking photography to the people and forging new audiences.
In episode 101, Poulomi discusses, among other things:
- The severe anxiety disorder that struck her out of the blue.
- Her sometimes violent upbringing in a patriachal home.
- The influence of the cinema of Satyajit Ray and the French new wave.
- Blood Speaks - the ritual of chaupadi.
- Using Virtual Reality as part of her storytelling practice.
- The curious tale of how she won the foto evidence book award only to have it withdrawn.
- Her forthcoming book project Centralia .
Referenced:
- Satyajit Ray
- Lee Friedlander
- [Raghubir Sing](https://en.wikipedia.org/wiki/Raghubir_Singh_(photographer)
- Raghu Rai
- Souvid Datta
- David Bowie
Website | Facebook | Instagram | Twitter | Bloodspeaks.org
“We should be bold and make experimental work. Without experimenting you can’t go to the next level, if you don’t take risks you’ll never make great work. And I firmly believe that.”
130 - Tom Craig
A Small Voice: Conversations With Photographers
05/13/20 • 94 min
British-born photographer Tom Craig began his photographic journey as a reportage and documentary photographer, working for clients such as Medecins Sans Frontieres and the Independent newspaper, before a commission from Vogue magazine to shoot a fashion story came “like a bolt from the blue” and altered the course of his career irrevocably. Since then Tom has travelled all over the world for both editorial and commercial clients, largely defying categorization by any specific photographic genre. His projects have spanned portraiture, fashion, travel and advertising commissions in over a hundred countries and his work has featured in the world’s most high profile international publications, among them Vanity Fair, Esquire, GQ and The Sunday Times magazine, and in campaigns for Louis Vuitton, Alice Temperley, Mr. Porter, Persol and Oxfam.
Tom is also well known for his long and unique professional collaboration and close friendship with the writer A.A. Gill, which spanned 25 locations across the globe until it was brought to an untimely end by Gill’s death in 2016.
Tom has either won or been nominated three times for 'British Magazine Photographer of the Year’ three times, exhibited for five consecutive years at the National Portrait Gallery, served as Photographer-in-Residence for the Royal Geographical Society, was named The Telegraph "Travel Photographer of the Year”, participated in the prestigious World Press Master Class and was awarded the Royal Photographic Society's prize for a notable achievement in the art of photography by someone under 35.
On episode 130, Tom discusses, among other things:
- What he was up to before lockdown
- Having a ‘studio’ of people - the pros and cons
- Approaching photography as a business
- The notion of personal work
- Distillation, creating a voice and a language...
- ...And translating that into images
- How his commission from vogue came as a “bolt from the blue” changed everything
- Diversity and avoiding pidgeonholes
- Trying to live life to the full and expressing that photographically
Referenced:
- Arthur Elgort
- Irving Penn
- Diana Vreeland
- David Bailey
- Richard Avedon
- Rinko Kawauchi
- Martin Parr
- Josef Koudelka
- David La Chapelle
- Robert Capa
- Chris Steele Perkins
- Alex Shulman
- Bay Garnett
- Sophie Baudrand
- Garry Winogrand
- Aidan Sullivan
- Cheryl Newman
“Have as much fun and enjoyment and engagment with all of it, as often as you can and as thoroughly as you can, and ultimately, hopefully, that will come across in the images. And if you can see even a modicum of that sentiment in the photographs that I’ve taken or in that Instagram feed, then that makes me really happy. Because that’s what I want. I want there to be a sense of life, a sense of light and a sense of joy in those pictures. ”
124 - Michal Iwanowski
A Small Voice: Conversations With Photographers
02/19/20 • 69 min
Michal Iwanowski was born in Poland and has for some years lived in Cardiff, Wales where he graduated with an MFA in Documentary Photography at the University of Wales, Newport. His work combines elements of the documentary tradition with a conceptual approach. In his deeply personal projects, Michal often sets his protagonists against nature and explores the relationship between landscape and memory; marking the silent passing of otherwise insignificant individuals and histories. In 2009, he won the Magenta Foundation Emerging Photographers award.
In 2012 Michal retraced on foot the three-month, 2,200km trek his grandfather made from Russia to Poland after escaping from a Russian prison camp during the second world war. Maps, family portraits and extracts from the memoir his grandfather wrote combine with Michal’s own photographs to create a meta-narrative about family, belonging, history, home, war and individual willpower. The resulting book Clear of People, was published by Brave Books in 2017, and was longlisted for the Deutsche Borse Photography Prize 2018.
In 2016, Michal embarked on a similarly epic walk when partly inspired by the clamour of the Brexit debacle, and partly by a piece of graffiti he had seen many years earlier reading ‘Go Home Polish’, he decided to take the demand literally and set off from his home in Cardiff to walk the 1900km back to the town of his birth in Poland. Tracing a straight line through a map of Europe the journey took him through Wales, England, France, Belgium, Holland and Germany and lasted 105 days. The resulting photographs appeared at the Peckham24 festival in London as an exhibition entitiled Go Home Polish which was also longlisted for the Deutsche Borse Photography Prize.
On episode 124, Michal discusses, among other things:
- Brexit
- Clear of People and how doing the book nearly killed
- How it changed his photography
- Not shooting and having nothing to say for four years
- Being ‘broken’ by his M.A.
- Go Home Polish
- Characters he met on his journey
Website | Instagram | Facebook | Twitter
“When I started doing my Masters I though photography had to be loud. Like David La Chapelle loud... but for me to arrive at a point where I look at these images now and I feel depth and some sort of profoundness in them, that’s what I found was the biggest achievement for me as a photographer - to actually appreciate the magic in the mundane and the simplicity. Not trying to make a show, not trying to be loud and asking for attention. That was wonderful.”
A Small Voice membership scheme launch!
A Small Voice: Conversations With Photographers
01/16/20 • 3 min
Hey people, Just a very short episode to officially announce the launch of the Small Voice podcast membership scheme, where for the less than the price of a cup of coffee you can get exclusive access to a whole additional fortnightly Small Voice episode not available to non-members, featuring bonus follow-up questions and super-useful advice and tips from the previous week's guest, all the occassional specials from events, festivals, openings and portfolio reviews, catch-ups with former guests, occassioal additional bonus content and more... All that for £5 per month or - $6 dollars and 50 cents - or the equivalent in your local currency. If you think that sounds like something you’d like to get go to pod.fan where you will see the A Small Voice artwork featured right there on the homepage (if it isn’t there just type it into the search box at the top) and sign-up as a member at which point you will receive a RSS feed address that you can add to your favourite podcast player app. where you can access the new feed.
118 - Nick Waplington
A Small Voice: Conversations With Photographers
11/27/19 • 86 min
Nick Waplington is a photographer and a painter, who divides his time between New York, where he lives with his English professor wife and their young son, and London where his older son lives and where has a studio and live/work space.
He has produced many photobooks over a thirty year career, collaborating with established publishers such as Aperture, Cornerhouse, Mack, Phaidon and Trolley, producing low-fi, zine style publications in small numbers and more recently self-publishing through Jesus Blue, the imprint he founded this year with his friend, the designer Jonny Lu.
His work has been shown in solo exhibitions at Tate Britain and The Photographers' Gallery in London, at the Philadelphia Museum of Art, and numerous other institutions, In 1993 he was awarded an Infinity Award for Young Photographer by the International Center of Photography and his work is held in the permanent collections of the Solomon R. Guggenheim Museum in New York City, the Victoria and Albert Museum in London, and the National Gallery of Australia, among others.
Nick travelled extensively during his childhood as his step-father (who he thought at the time was his biological father) worked as a scientist in the nuclear industry. He studied art at West Sussex College of Art & Design in Worthing, Trent Polytechic in Nottingham and the Royal College of Art in London. From 1984, Nick would regularly visit his grandfather on the Broxtowe Estate in Aspley, Nottingham, where he began to photograph the surroundings and some of the families who lived there. He continued with this work on and off for the next 15 years and from it came two books, Living Room and Weddings, Parties, Anything, as well as numerous exhibitions.
Other bodies of his work include Safety in Numbers (1997), a bleak study of the ecstasy drug culture in the mid-1990s; The Indecisive Memento, a global road trip where the journey itself was the artwork (1999); Truth or Consequences (2001), a pictorial game based on the history of photography using the town of Truth or Consequences, New Mexico as a backdrop, inspired by the rules of the 1950s television show; and You Love Life (2005), in which he uses pictures taken over a 20-year period to construct an autobiographical narrative.
Nick worked on a major book project with the fashion designer Alexander McQueen during 2008/2009, called Working Process (2013), the title referring to both McQueen's working process as a fashion designer and Waplington's working process as an artist making photo books. In March 2015 this project became the first one-person exhibition by a British photographer in the main exhibition space at Tate Britain in London.
Nick participated in the photography collective This Place, founded by Frédéric Brenner, contributing the book Settlement (2014), a study of Jewish settlers living in the West Bank, portrait and landscape photographs taken with a large format camera.
While continuing to make photographic works Waplington has since 2010 devoted much of his time to his practice as a painter.
On episode 118, Nick discusses, among other things:
- His life NY-LON life: dividing his time between the U.S. and London
- Painting and photography
- Recent work based around Plato’s allegory of the cave
- His latest book Hackney Riviera and why he self-published it
- Being ‘on it’ and the “all day, every day” practice
- How it all began in the school darkroom
- Grammar school, post-punk and not having a plan B
- His Living Room project
- Discovering the hidden truth about his father
- Moving to Jerusalam to photograph Jewish settlers in the Occupied Territories
- Forthcoming autobiographical project, Anaglypta, about him, childhood, and his relationship to violence
Referenced:
115 - David Moore
A Small Voice: Conversations With Photographers
10/16/19 • 75 min
David Moore is a London based photographic artist once described as belonging to "the second wave of new colour documentary in Britain". He has exhibited and published internationally and has work held in public and private collections. David has worked as a photographer and educator since graduating from West Surrey College of Art and Design, Farnham, in 1988 and he is currently the Course Leader of MA Documentary Photography and Photojournalism at the University of Westminster
David’s 2017/18 project ‘Lisa and John’ responds to the archive of his influential 1988 graduation project, Pictures from the real world - which was published as a book in 2011 - and employs theatre, installation, and collaboration. Lisa and John was launched at Format International Photography Festival in 2017, and included a theatrical play, The Lisa and John Slideshow, written and directed by David. The entire Lisa and John Project was exhibited and performed in London and Belfast in 2018 and received widespread acclaim.
Writer, Sean ‘o’ Hagan, wrote: “Moore is such a master of colour that he made me think more than once what William Eggleston's photographs would have looked like had he been born in the north of England rather than the American south.”
David’s current practice addresses agency and a critique of documentary as a genre using installation and theatre as a means posing questions around the production of knowledge through photography.
On episode 115, David discusses, among other things:
HIs formative years growing up in Derby
Why he messed up his exams as a teenager
Being politicised by the music press and the miners strike
Music photography and Management Today magazine being early photographic inspiration
His graduation project, Pictures from the real world
How The Lisa and John Slideshow became a piece of verbatim theatre
Referenced:
Brian Griffin (Ep. 61)
Joel Meyorwitz
Bill Brandt
Ruth Orkin
Lewis Baltz
Paul Searight
Anna Fox
The Echo of Things by Christopher Wright
Website | Instagram | Facebook | Twitter
“When you’re there, there’s an ambivalence, an uncertainty. What carries you is a sort of youthful momentum and a sort of psychological need to make work in this set of circumstances, where you have an idea about what it is you want to do but you can’t say it until you see it. All those things that all people working on open ended project sexperience. The idea of a vision of it, trying to get something but you don’t know what it is...”
128 - Ken Grant
A Small Voice: Conversations With Photographers
04/15/20 • 74 min
Ken Grant was born in Liverpool in 1967 and at 12 years old bought his first camera - a polaroid - from money he had saved working in the school holidays for his joiner father.
He went on to study photography at technical college, where he discovered and devoured numerous classic photobooks in the library, and then at West Surrey College of Art and Design, in Farnham, where he was mentored or lectured by such luminaries of British photography as Martin Parr, Chris Killip, and Paul Graham.
Ken is best known for having dedicated much of his career to documenting daily working class life in and around Liverpool. Since the 1980s, he has photographed his contemporaries in the city and engaged in sustained projects both in the UK and more widely, in Europe. Ken tends to work slowly, returning again and again to the same places and becoming a familiar sight to the people who gather there. The books that have resulted have often not been published until many years later. His first monograph of the Liverpool pictures, The Close Season, was published by Dewi Lewis in 2002. In Spring 2014, Ken published a second monograph, drawing from the same body of work entitled No Pain Whatsoever (whose title derives from a story by Richard Yates), published by Swedish book designer Gosta Flemming under his imprint, Journal. His most recent book, focussing on images shot on and around a munical land fill site is entitled Benny Profane and was published last year by RRB Books.
Ken’s photographs are held in important collections of photography, including those of the Museum of Modern Art, New York, the Folkwang Museum in Essen and other international public and private collections.
Ken was the course leader of the famous BA in Documentary Photography course at the University of Wales, Newport between 1998 and 2013 and since then has been a lecturer in the MFA Photography course at the University of Ulster in Belfast, Northern Ireland.
On episode 128, Ken discusses, among other things:
- Teaching in Belfast and living on the Wirral
- Getting the feedback of his peers
- Being back home and making work there
- Buying himself his first camera - a polariod - at 12
- Discovering the library at technical college
- Taking a long time between shooting and making a book
- Taking on board Josef Sudek’s advice to ‘Rush slowly’
- His most recent book, published by RRB Books, Benny Profane
Referenced:
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FAQ
How many episodes does A Small Voice: Conversations With Photographers have?
A Small Voice: Conversations With Photographers currently has 248 episodes available.
What topics does A Small Voice: Conversations With Photographers cover?
The podcast is about Photography, Visual Arts, Podcasts, Arts and Interviews.
What is the most popular episode on A Small Voice: Conversations With Photographers?
The episode title '137 - Stephen Dupont' is the most popular.
What is the average episode length on A Small Voice: Conversations With Photographers?
The average episode length on A Small Voice: Conversations With Photographers is 72 minutes.
How often are episodes of A Small Voice: Conversations With Photographers released?
Episodes of A Small Voice: Conversations With Photographers are typically released every 13 days, 23 hours.
When was the first episode of A Small Voice: Conversations With Photographers?
The first episode of A Small Voice: Conversations With Photographers was released on Sep 10, 2015.
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