A Dingo Ate My Movie!

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It's the apocalypse now on our podcast, and Jacob and I are surprisingly upbeat about it. We're kicking off the first episode of our Mad Max retrospective, diving into the origins of this iconic franchise and celebrating how George Miller revolutionised action cinema with his groundbreaking first film.
Join us as we navigate the dystopian wastelands crafted by Miller, examining the impact of "Mad Max" on the genre and its lasting legacy in film history. We'll share our insights on the film's creation, its cultural significance, and how it set the stage for future instalments of the series.
Tune in to hear our thoughts on the original "Mad Max" and what has us excited for the rest of our retrospective journey. Whether you're a longtime fan of the franchise or new to the world of Max Rockatansky, this episode promises a thrilling ride into the heart of action cinema's most enduring sagas.

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A Dingo Ate My Movie Socials:
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Music from the movies featured on the podcast:
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Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.

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It's 1900 in Australia. A group of students from a girls' boarding school, brimming with the enthusiasm of youth, embark on what's supposed to be a carefree Valentine's Day outing at the iconic Hanging Rock. The ambience is idyllic, and the laughter is contagious. But as the day unfolds, this innocent trip takes a dark turn. Four girls, drawn inexplicably into the rock’s embrace, venture deeper. By sunset, only one returns, memory erased, and a teacher is mysteriously gone.

Behind this masterpiece is director Peter Weir, who, fresh from his first full-length feature film, The Cars That Ate Paris, crafts an atmosphere that is seen and felt. The cast, led by talents like Anne-Louise Lambert as the ethereal Miranda and Rachel Roberts as the stern Mrs Appleyard, breathe life into Joan Lindsay's iconic novel.

But this film isn't just about the mystery of the missing. At its core, "Picnic at Hanging Rock" delves into themes of nature versus civilisation. The untouched beauty of the Australian wilderness stands in stark contrast to the Victorian-era restraints and societal expectations the girls grapple with. Themes of time, both its palpable passage on that fateful day and the metaphysical aspects, play heavily throughout the film. It challenges us to consider sexuality, the mysteries of adolescence, and the clash between the known and the unknown.

This isn't just a movie; it's a mood, an atmosphere. It's a dreamlike state that lingers, asking viewers to grapple with the line between reality and the ethereal, the known and the unknowable. The haunting soundtrack and the Australian landscape's cinematic beauty craft a visceral and cerebral experience.

And today, as we traverse this intricate cinematic landscape, we're joined by Tab. With her unique insights and deep appreciation for film, we're set to embark on a deep dive into this masterpiece. So, listeners, join us as we explore, analyse, and celebrate the intricacies and enigmas of "Picnic at Hanging Rock."

Follow Tab and the Stiletto Banshees:
Instagram: https://www.instagram.com/thestilettobanshees/
Web: https://www.thestilettobanshees.com/

Support the show

A Dingo Ate My Movie Socials:
Website
Twitter
FacebookInstagram
Letterboxd
Email
Music from the movies featured on the podcast:
SpotifyApple Music
Support Me At BuyMeACoffee
Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.

Like what you're hearing? Let us know!

Today I’m joined by Marcey from the Super Network to talk about 100 Bloody Acres. We talked about the film and spent a few minutes talking about Ozploitation films.

100 Bloody Acres is a fun dark comedy from brothers Colin and Cameron Cairnes.

Want to see the ‘Morgan’s Organic’ ads we talked about during the episode?
https://www.youtube.com/user/MorgansOrganic

The film is currently streaming on Netflix and ABC iView in Australia. It’s also available to rent or buy on Apple TV, Amazon, and Google Play.

If you’re enjoying the podcast, you can support me at https://www.buymeacoffee.com/dingomoviepod

Marcey’s Socials:
Twitter - @supermarcey / @SM_SuperNetwork / @AfterDarkPodNet
Facebook - https://www.facebook.com/TheSuperNetwork
Web - www.supermarcey.com

A Dingo Ate My Movie Socials:
Twitter - @DingoMovie
Facebook - https://www.facebook.com/dingomoviepod
Instagram - https://www.instagram.com/dingomoviepod
Email - [email protected]
Web - dingomoviepod.com

Music: Chicken Hut Bluegrass by Shane Ivers - https://www.silvermansound.com

Support the show

A Dingo Ate My Movie Socials:
Website
Twitter
FacebookInstagram
Letterboxd
Email
Music from the movies featured on the podcast:
SpotifyApple Music
Support Me At BuyMeACoffee
Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.

Like what you're hearing? Let us know!

What would you do if faced with the daunting challenge of compiling a list of 31 Australian horror films from the 70s, 80s and beyond? How would you dissect each one, unearthing the thematic commonalities while keeping your nerves intact? That's precisely the task we've taken on in this hair-raising episode. Join your host, Pete and special guest, Bede from the Super Network, as we delve into the bone-chilling realm of Aussie horror classics like 'Wake in Fright', 'Night of Fear', and 'Houseboat Horror', kicking off a journey into the spine-tingling depths of cinematic terror.
In our exploration, we detour through Pete's innovative Halloween challenge, venturing into an analysis over thirty-one adrenaline-pumping days. Featuring 'Next Of Kin', 'Razorback', 'Dark Age', and 'Black Sheep', we dissect these classics, unmasking their eerie allure while savouring the thrill of each scare. We take a side trip into indie cinema, where we explore 'Stuffings' - a unique Christmas horror film and Leigh Whannell's 'The Invisible Man'. We also discuss 'Night of Fear', the first Australian horror film, and compare the Australian and US versions of 'Body Melt'.
The climax of our journey takes us into the world of modern horror narratives, where the lines between real-world horrors and fictional terror blur. We intensely examine films like 'The Nightingale', 'Snowtown', 'Little Monsters', and 'Turkey Shoot', all while unearthing their unique horror elements. We also examine classic horror films such as 'Scare Campaign', 'Blood Rage', 'Pieces', 'One Must Fall', and 'Blood Vessel'. We conclude with a glimpse into the future, speculating on the upcoming 'Surrogate'. So, buckle up for a wild ride into the heart of Australian horror cinema – it's a thrilling, chilling adventure not for the faint-hearted.
Bede's Socials
Website: https://supermarcey.com/
"Bede Vs. The Living Dead" Podcast: https://podcasts.apple.com/gb/podcast/bede-vs-the-living-dead/id1646573039
Twitter: https://twitter.com/BedeJermyn
Letterboxd: https://letterboxd.com/bedejermyn/

Support the show

A Dingo Ate My Movie Socials:
Website
Twitter
FacebookInstagram
Letterboxd
Email
Music from the movies featured on the podcast:
SpotifyApple Music
Support Me At BuyMeACoffee
Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.

Like what you're hearing? Let us know!

Today I’m joined by Matthew from the Weird Crap in Australia Podcast, and we’re discussing Stone from 1974.
When several members of the GraveDiggers outlaw motorcycle club are murdered, Sydney detective Stone (Ken Shorter) is sent to investigate. Led by the Undertaker (Sandy Harbutt), a Vietnam war veteran, the GraveDiggers allow Stone to pose as a gang member. Leaving behind society girlfriend Amanda (Helen Morse), Stone begins to identify with the Undertaker and his comrades Hooks (Roger Ward), Toad (Hugh Keays-Byrne), Dr Death (Vincent Gil), Captain Midnight (Bindi Williams), Septic (Dewey Hungerford) and Vanessa (Rebecca Gilling), the Undertaker’s girlfriend. Amid violent confrontations with the Black Hawks, a rival gang the GraveDiggers hold responsible, Stone uncovers a political conspiracy behind the killings. When the truth is revealed, Stone must choose between his job and his loyalty to the GraveDiggers.
Matt's Socials
Twitter - https://twitter.com/weirdcrapaus
Facebook - https://www.facebook.com/weirdcrapinaustralia
Patreon - https://www.patreon.com/WeirdCrapInAustralia

Support the show

A Dingo Ate My Movie Socials:
Website
Twitter
FacebookInstagram
Letterboxd
Email
Music from the movies featured on the podcast:
SpotifyApple Music
Support Me At BuyMeACoffee
Please note that this podcast often explores topics and uses language from past eras. This means that some of the discussions may include attitudes, expressions, and viewpoints that were common in those times but may not align with the standards and expectations of our society today. We'd like to ask for your understanding as we navigate these historical contexts, which are important to appreciate the era we're discussing fully.